JOURNAL OF POPULAR FILM AND TELEVISION

Scope & Guideline

Transforming Perspectives Through Film and Television Analysis.

Introduction

Welcome to your portal for understanding JOURNAL OF POPULAR FILM AND TELEVISION, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN0195-6051
PublisherROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD
Support Open AccessNo
CountryUnited States
TypeJournal
Convergefrom 1978 to 2024
AbbreviationJ POP FILM TV / J. Pop. Film Telev.
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND

Aims and Scopes

The 'Journal of Popular Film and Television' serves as a critical platform for scholarly exploration of film and television within popular culture. It aims to bridge the gap between academic discourse and audience engagement, emphasizing diverse perspectives and methodologies.
  1. Cultural Analysis of Media Texts:
    The journal focuses on examining how films and television shows reflect, shape, and challenge cultural norms and values. It encourages interdisciplinary approaches that integrate cultural studies, media studies, and critical theory.
  2. Representation and Identity:
    A significant aim is to explore issues of representation, particularly concerning race, gender, sexuality, and class. The journal highlights how popular media constructs identities and how these representations influence societal perceptions.
  3. Historical Contextualization:
    The journal emphasizes the importance of historical context in understanding film and television. It publishes works that analyze media texts in relation to their historical, political, and social environments.
  4. Genre Studies and Innovation:
    Research on genre conventions, evolution, and the impact of technological advancements in film and television is a core area. The journal encourages studies that explore genre blending and the emergence of new forms.
  5. The Impact of New Media:
    With the rise of streaming services and digital platforms, the journal investigates how these changes affect audience engagement and the production of popular media.
The 'Journal of Popular Film and Television' has identified several emerging themes that reflect current societal discussions and media trends. These trends highlight the journal's responsiveness to the evolving nature of popular media.
  1. Dark Television and Complex Narratives:
    Recent publications emphasize the engagement of audiences with darker themes in television series, such as the analysis of 'Game of Thrones.' This trend indicates an increasing interest in how complex narratives reflect societal anxieties.
  2. Transcultural and Global Perspectives:
    The journal is seeing a rise in studies that examine transcultural exchanges in media, as evidenced by analyses of shows like 'Man Like Mobeen.' This reflects a growing recognition of the interconnectedness of global media landscapes.
  3. Neurodiversity and Representation:
    There is an emerging focus on neurodiversity within popular media, showcasing how characters with diverse cognitive experiences are represented. This trend aligns with broader discussions about inclusivity and representation.
  4. Women in Genre and Horror:
    The exploration of women's roles in traditionally male-dominated genres, particularly horror, is gaining traction. This reflects a broader cultural movement towards recognizing female contributions and perspectives in media.
  5. Impact of Streaming Services on Storytelling:
    The rise of streaming platforms and their impact on narrative structures and audience engagement is a key emerging theme. The journal is increasingly publishing works that analyze how streaming changes the landscape of storytelling.

Declining or Waning

While the journal continuously evolves to address contemporary issues in film and television, certain themes have seen a decline in frequency and prominence in recent years. These waning scopes might indicate shifts in academic interest or changes in the media landscape.
  1. Traditional Film Criticism:
    There has been a noticeable decrease in papers focused solely on traditional film criticism, which often emphasizes aesthetic and technical analysis. This shift indicates a growing preference for cultural and social analyses over formal critique.
  2. Classic Cinema Studies:
    Research centered on classic films from earlier decades is less prevalent now. The journal appears to be moving towards more contemporary analyses, reflecting the current media landscape's focus on modern narratives and storytelling.
  3. Hollywood-centric Perspectives:
    Papers exclusively focusing on Hollywood as the primary context for analysis are declining. This trend suggests a broader interest in global cinema and diverse narratives that extend beyond traditional Hollywood frameworks.
  4. Proliferation of Genre Studies:
    While genre studies remain important, there is a reduction in studies that treat genres as static categories. The journal is increasingly favoring dynamic analyses that consider genre hybridity and the fluidity of genre boundaries.

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