Baltic Journal of Art History is a prominent academic journal published by UNIV TARTU PRESS, focusing on the rich tapestry of art historical research within the Baltic region and beyond. With its ISSN 1736-8812 and E-ISSN 2346-5581, the journal serves as a vital platform for scholars, artists, and historians to disseminate innovative findings and critical analyses in the fields of History and Visual Arts and Performing Arts. Established in 2017, it has gained recognition in academic circles, achieving a Q3 ranking in History and a Q2 ranking in Visual Arts and Performing Arts as of 2023. Despite not being open access, the journal continues to attract a diverse readership eager to engage with its rigorous, peer-reviewed content. Situated in Estonia, the journal not only enriches the regional scholarly discourse but also contributes significantly to global conversations on art history. Positioned at a pivotal intersection of various disciplines, the Baltic Journal of Art History invites researchers and practitioners alike to explore the aesthetic and cultural narratives that shape our understanding of art.

VOLKSKUNDE is a distinguished academic journal dedicated to the study of folklore and cultural traditions, published by CENTRUM STUDIE DOCUMENTATIE based in Belgium. With an ISSN of 0042-8523, this journal serves as an essential platform for researchers, scholars, and students interested in the rich tapestry of cultural heritage and ethnographic research. Although currently not available as an open-access publication, VOLKSKUNDE is committed to disseminating high-quality scholarly articles that provide critical insights into the complexities of cultural practices across diverse societies. The journal’s objective is to foster academic discourse and stimulate inquiry into folklore studies, promoting a deeper understanding of cultural dynamics. By engaging with a broad range of topics within its scope, VOLKSKUNDE is an invaluable resource for anyone looking to deepen their knowledge in the field of folkloristics.

Afghanistan, published by Edinburgh University Press, is an insightful academic journal dedicated to exploring the rich and multifaceted dimensions of Afghan culture, history, and socio-political dynamics. This journal, which has been publishing since 2018, serves as a crucial platform for interdisciplinary discourse, contributing significantly to fields such as anthropology, archaeology, classics, history, literature, and religious studies. With notable rankings within the Scopus indices, including a Q2 ranking in Literature and Literary Theory, it highlights the importance of Afghan studies within the global academic landscape. Although it operates without an open access model, the journal maintains rigorous peer-review standards, aiming to foster scholarly dialogue and promote a greater understanding of Afghanistan's unique cultural heritage and contemporary issues. Researchers, professionals, and students alike will find valuable insights within its pages, allowing them to engage critically with the complexities of Afghan society and its contributions to broader human narratives.

Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage is a premier scholarly journal published by COMENIUS UNIVERSITY BRATISLAVA, focusing on the vital intersections of museology, cultural heritage, and conservation practices. Since its inception in 2013, this open-access journal has established itself as a leading platform for high-quality research, boasting impressive rankings in the 2023 Scopus metrics—#15 out of 83 in Museology and #28 out of 103 in Conservation. With a commitment to fostering an inclusive academic community, the journal welcomes innovative studies and critical discussions that address contemporary challenges in preserving cultural assets. Operating under an open-access model since 2017, Muzeologia a Kulturne Dedicstvo ensures wide dissemination of research findings, thereby enhancing visibility and accessibility for scholars, professionals, and students worldwide. As it continues to converge from 2013 to 2024, this journal not only serves as a vital resource but also as a catalyst for advances in the understanding and practice of museology and cultural heritage preservation.

Revista de Etnografie si Folclor-Journal of Ethnography and Folklore, an esteemed publication by EDITURA ACAD ROMANE, serves as a vital platform for the dissemination of research and scholarship in the fields of anthropology and cultural studies. Established in Romania, this journal has committed itself to exploring the rich tapestry of ethnographic practices and folklore traditions, favoring interdisciplinary approaches that illuminate the diverse cultural heritage of societies. With an ISSN of 0034-8198, the journal has been instrumental in fostering academic dialogue and engaging researchers, professionals, and students alike. Though currently classified in the Q4 category of both anthropology and cultural studies, its continued growth from 2014 to 2024 signals an evolving contribution to understanding cultural dynamics. Accessible via traditional publication means, the journal encourages contributions that deepen the understanding of ethnographic methodologies and cultural narratives, thereby enriching the academic landscape.

REVUE DU NORD is a scholarly journal published by UNIV CHARLES DE GAULLE - LILLE III, focusing on the fields of Archaeology and History. Since its inception in 1969, this French journal has played a crucial role in disseminating research and scholarly discussions pertaining to northern France and its cultural heritage. Although it is currently categorized in Q4 across its respective fields, it serves as a valuable resource for both emerging scholars and established researchers looking to explore new perspectives within these disciplines. The journal features a diverse range of articles that contribute to the understanding of historical events and archaeological findings, making it accessible to a wider academic audience. While it does not offer an open access model, readers can access its compelling content through institutional subscriptions, ensuring that the richness of its scholarship remains available to those interested in the evolution of history and archaeology. With an ongoing commitment to fostering academic dialogue, REVUE DU NORD remains an important platform within the arts and humanities landscape.

South African Journal of Art History is a premier academic publication dedicated to the exploration and critical analysis of art history within the South African context. Published by the Art Historical Work Group South Africa (AHWG), this journal serves as a vital platform for researchers, professionals, and students alike to disseminate innovative research and engage with diverse perspectives on visual culture. With an ISSN of 0258-3542, the journal aims to elevate the study of art history, contributing significantly to the scholarly community's understanding of both local and international art narratives. Although currently not an open access journal, it is committed to high academic standards and in-depth scholarship, ensuring that each article published meets rigorous criteria. As South Africa continues to position itself at the forefront of global art discourse, the South African Journal of Art History stands out as a critical resource for anyone interested in the intersections of art, culture, and history within this dynamic region.

The Journal of Conservation and Museum Studies, published by UBIQUITY PRESS LTD, is a vital resource for researchers, professionals, and students engaged in the fields of conservation and museology. With an ISSN of 2049-4572 and an E-ISSN of 1364-0429, this Open Access journal has been committed to disseminating quality research since its inception in 2011. Based in the United Kingdom, the journal features a broad range of topics within its field, serving both theoretical and practical insights for the advancing of conservation practices and museum studies. The journal is highly regarded, standing in the Q2 quartile for both Conservation and Museology categories in 2023, and achieving commendable rankings in the Scopus classification, with a percentile rank of 86th in Museology and 76th in Conservation. This demonstrates its significance as a hub for scholarly communication and innovation, fostering a deeper understanding and appreciation of cultural heritage. Join a diverse community of experts and access cutting-edge research in the field by engaging with this essential journal.

Museum History Journal, published by Routledge Journals, a leading name in scholarly publishing under Taylor & Francis Ltd, serves as an essential platform for advancing knowledge in the fields of conservation, history, and museology. With its ISSN 1936-9816 and E-ISSN 1936-9824, the journal has established its presence in the United Kingdom and offers valuable insights from 2008 to 2024. Currently listed in the Q3 quartile for Conservation, History, and Museology categories, it ranks 677th in History and maintains a commendable percentile of 61% within the Arts and Humanities. Aimed at researchers, professionals, and students, the Museum History Journal strives to promote interdisciplinary dialogue and critical examination of museum practices, historical narratives, and conservation techniques, thereby contributing significantly to the academic discourse surrounding museums and cultural heritage. Access to this journal is crucial for those seeking to deepen their understanding of the evolving role of museums in society.

REVUE DES MUSEES DE FRANCE-REVUE DU LOUVRE, published by CONSEIL MUSEES NATIONAUX, serves as a vital resource in the fields of Conservation, Museology, and the Visual Arts. With its ISSN 1962-4271 and a dedicated focus on the interplay between historical artifacts and contemporary museum practices, the journal has established itself within the academic community despite its Q4 ranking in various categories as of 2023. The journal is particularly aimed at researchers, professionals, and students who are engaged in the study of museum practices and the preservation of cultural heritage, providing insights and discussions that are both scholarly and practical. Though the journal does not have open access options, it remains a pivotal outlet for innovative ideas and critical perspectives from the vibrant French museum landscape. The issues published since its convergence years from 2009 to 2016 and from 2018 to 2024 continue to foster rich dialogues around the evolving role of museums in society, making it an essential read for anyone invested in the future of cultural institutions.