Quiroga-Revista de Patrimonio Iberoamericano, published by UNIV GRANADA, is a distinguished open-access journal dedicated to the fields of conservation, museology, and the visual and performing arts. Since its inception in 2012, the journal has provided a platform for scholars and practitioners to disseminate innovative research and critical discussions pertinent to Ibero-American heritage. With a growing impact, evidenced by its category quartiles ranking—Q3 in Conservation and Q2 in both Museology and Visual Arts and Performing Arts—as well as its Scopus rankings, Quiroga serves as an essential resource for researchers, professionals, and students who engage with the complexities of cultural preservation and artistic expression. The journal’s commitment to open access ensures the widespread availability of knowledge, fostering academic dialogue and collaboration within the global community. For inquiries, the journal can be reached at their offices located in Granada, Spain.

REVUE DES MUSEES DE FRANCE-REVUE DU LOUVRE, published by CONSEIL MUSEES NATIONAUX, serves as a vital resource in the fields of Conservation, Museology, and the Visual Arts. With its ISSN 1962-4271 and a dedicated focus on the interplay between historical artifacts and contemporary museum practices, the journal has established itself within the academic community despite its Q4 ranking in various categories as of 2023. The journal is particularly aimed at researchers, professionals, and students who are engaged in the study of museum practices and the preservation of cultural heritage, providing insights and discussions that are both scholarly and practical. Though the journal does not have open access options, it remains a pivotal outlet for innovative ideas and critical perspectives from the vibrant French museum landscape. The issues published since its convergence years from 2009 to 2016 and from 2018 to 2024 continue to foster rich dialogues around the evolving role of museums in society, making it an essential read for anyone invested in the future of cultural institutions.

Journal of the History of Collections, published by Oxford University Press, serves as a vital resource for scholars and practitioners in the fields of conservation, museology, and visual arts. Established in 1989, this esteemed journal explores the intricate narratives of collections, addressing the historical, cultural, and social dynamics that influence collecting practices across various mediums. With an evolving publication span through 1994 and resuming in 1996 to the present day, the journal maintains a strong academic reputation, demonstrated by its impressive rankings in Scopus—placing it in the top quartiles for both Museology and Visual Arts and Performing Arts. Researchers and students will find engaging articles that not only contribute to academic discourse but also reflect on the conservation challenges faced by collections today. While currently not available as open access, the journal’s rigorous peer-review process ensures that only the highest quality research is published, making it an essential addition to any library dedicated to the arts and humanities.

Anuario de la Escuela de Historia Virtual is a distinguished academic journal published by the Universidad Nacional de Córdoba, Facultad de Filosofía y Humanidades. With its focus on the field of history, this peer-reviewed journal aims to foster scholarly discussion and disseminate innovative research that contributes to the understanding of historical contexts and narratives. Since transitioning to an Open Access model in 2010, it has greatly increased accessibility for researchers, professionals, and students, thereby promoting a greater exchange of knowledge across linguistic and geographical boundaries. Published under the ISSN 1853-7049, the journal provides invaluable insights into historical analysis, methodologies, and interdisciplinary approaches, ensuring its relevance in contemporary academic discourse. Its commitment to high-quality, impactful research positions it as a vital resource within the historical scholarship landscape.

JOURNAL OF THE POLYNESIAN SOCIETY, published by Polynesian Soc Inc, is a distinguished periodical that aims to disseminate high-quality research in the fields of anthropology, archaeology, and cultural studies. With an ISSN of 0032-4000 and E-ISSN 2230-5955, this journal serves as a key resource for scholars and practitioners interested in the rich historical and cultural narratives of the Polynesian region. Since its inception, the journal has published a multitude of scholarly articles, reflecting a convergence of research from 1971 to 2022, thus establishing itself as a foundational text within its domain. The journal is indexed in notable categories with a Q4 ranking in anthropology and a Q3 in both archaeology and cultural studies as of 2023, highlighting its relevant contributions to the academic community. Moreover, its impressive Scopus ranks position it within the 80th percentile for archaeology and the 67th percentile for anthropology, showcasing its dedication to scholarly excellence. Although not an open-access publication, the journal remains a vital avenue for academic discourse and exchange, making it a significant resource for researchers, professionals, and students dedicated to understanding the diverse cultures of the Pacific Islands.

Museum History Journal, published by Routledge Journals, a leading name in scholarly publishing under Taylor & Francis Ltd, serves as an essential platform for advancing knowledge in the fields of conservation, history, and museology. With its ISSN 1936-9816 and E-ISSN 1936-9824, the journal has established its presence in the United Kingdom and offers valuable insights from 2008 to 2024. Currently listed in the Q3 quartile for Conservation, History, and Museology categories, it ranks 677th in History and maintains a commendable percentile of 61% within the Arts and Humanities. Aimed at researchers, professionals, and students, the Museum History Journal strives to promote interdisciplinary dialogue and critical examination of museum practices, historical narratives, and conservation techniques, thereby contributing significantly to the academic discourse surrounding museums and cultural heritage. Access to this journal is crucial for those seeking to deepen their understanding of the evolving role of museums in society.

CULTURAL STUDIES, published by Routledge Journals, Taylor & Francis Ltd, is a prestigious academic journal dedicated to the exploration and analysis of cultural phenomena across diverse contexts. With an ISSN of 0950-2386 and an E-ISSN of 1466-4348, this journal has established itself as a leading platform for scholars, researchers, and practitioners interested in the intersections of culture, identity, and society. Since its inception, CULTURAL STUDIES has transitioned through several converged years of publication, currently producing cutting-edge research that reflects its strong positions in Q1 quartiles across multiple disciplines, including Anthropology, Social Sciences, and Arts and Humanities. With an impressive Scopus rank of 75/1304 in Cultural Studies, the journal is an essential resource for those seeking to engage with the latest theoretical frameworks and methodologies in understanding cultural dynamics. Although it is not currently open access, CULTURAL STUDIES remains a critical vessel for disseminating knowledge that impacts both academic and practical applications in cultural analysis. For scholars and students eager to contribute to this vibrant field, the journal serves not only as a repository of knowledge but also as an inspiration for further inquiry into the complexities of culture.

MUSEUM INTERNATIONAL, a prominent journal published by Routledge Journals, Taylor & Francis Ltd, serves as an essential platform for the exploration of museology and conservation, focusing on the dynamic interplay between museums, cultural heritage, and society since its inception in 1948. With an ISSN of 1350-0775 and an E-ISSN of 1468-0033, it stands out in the academic landscape, securing a Q2 ranking in Museology and a Q3 ranking in Conservation for 2023. The journal, based in the United Kingdom, disseminates rigorous scholarship aimed at researchers, professionals, and students, fostering critical discourse on evolving practices within the field. Although it does not operate under an Open Access model, MUSEUM INTERNATIONAL remains accessible through institutional subscriptions, making invaluable resources available to those invested in the future of museums and their roles in a globalized world. This journal not only contributes to academic knowledge but also influences practical approaches in conservation and museum curation, underscoring its significance in shaping contemporary practices in cultural management.

Zivot Umjetnosti, published by the INST POVIJEST UMJETNOSTI - INST ART HISTORY, is a notable Croatian journal that serves as a platform for scholarly discourse in the fields of visual arts, performing arts, and museology. With its inception in 2008, the journal has continued to provide a voice for researchers and practitioners alike, contributing significantly to ongoing conversations in the arts. Despite its current Q4 rank in both Visual Arts and Museology categories—placing it within the 21st and 17th percentiles, respectively—Zivot Umjetnosti is recognized for its commitment to advancing knowledge and fostering critical dialogue. The journal aims to bridge theoretical frameworks with practical applications, making it an invaluable resource for academics, curators, and students engaged in artistic research. While currently operating under traditional access options, Zivot Umjetnosti remains a fundamental publication for those wishing to explore and expand their understanding of the dynamic intersection of art and culture in Croatia and beyond.

JAHRBUCH DER BERLINER MUSEEN, published by GEBR MANN VERLAG, is a prestigious journal dedicated to the study and presentation of art, culture, and history as showcased in Berlin's museums. With a rich history dating back several years, this journal serves as a vital resource for researchers, professionals, and students interested in the multifaceted aspects of museum studies and cultural heritage. Although its coverage in Scopus was discontinued after 2010, it remains a significant platform for disseminating scholarly articles, exhibition reviews, and discussions surrounding museum practices and exhibitions in Germany. The journal not only contributes to academic discourse but also acts as a bridge between scholarly research and public engagement in cultural institutions. For those keen on exploring the intersection of art and scholarship within the German context, JAHRBUCH DER BERLINER MUSEEN represents an invaluable reference point.