MUSIKTHEORIE

Scope & Guideline

Exploring the Depths of Music Theory

Introduction

Immerse yourself in the scholarly insights of MUSIKTHEORIE with our comprehensive guidelines detailing its aims and scope. This page is your resource for understanding the journal's thematic priorities. Stay abreast of trending topics currently drawing significant attention and explore declining topics for a full picture of evolving interests. Our selection of highly cited topics and recent high-impact papers is curated within these guidelines to enhance your research impact.
LanguageGerman
ISSN0177-4182
PublisherLAABER-VERLAG
Support Open AccessNo
Country-
TypeJournal
Convergefrom 2002 to 2015, 2018 (coverage discontinued in Scopus)
AbbreviationMUSIKTHEORIE / Musiktheorie
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressREGENSBURGER STRASSE 19, W-8411 LAABER, GERMANY

Aims and Scopes

MUSIKTHEORIE is dedicated to the interdisciplinary study of music, emphasizing historical, theoretical, and cultural perspectives. The journal aims to foster dialogue between various fields of musicology and to explore the intersections of music with technology, society, and pedagogy.
  1. Historical Musicology:
    The journal explores music from various historical periods, analyzing its development, context, and impact on society. This involves both the study of well-known composers and lesser-known figures, as well as the examination of musical forms and practices.
  2. Music Theory and Analysis:
    MUSIKTHEORIE delves into theoretical frameworks and analytical methods that shape our understanding of musical works. This includes traditional approaches as well as contemporary theories, emphasizing the evolution of music theory over time.
  3. Ludomusicology and Game Music:
    A distinctive focus on the music of video games reflects the journal's engagement with modern media. This area explores how music interacts with gameplay, narrative, and player experience, bridging the gap between traditional musicology and contemporary cultural studies.
  4. Gender and Music Studies:
    The journal addresses issues of gender representation and identity in music, examining how these themes manifest in different genres and periods. This includes discussions of gender roles in music production, performance, and reception.
  5. Digital Musicology and Technology:
    MUSIKTHEORIE investigates the impact of digital technologies on music creation, dissemination, and analysis. This encompasses the study of digital music platforms, software, and the implications of technology on music theory and practice.
  6. Cultural Contexts of Music:
    The journal emphasizes the cultural significance of music, considering how social, political, and economic factors influence musical practices. This includes the study of music in various cultural settings, from sacred spaces to popular music scenes.
MUSIKTHEORIE has seen the emergence of several themes that reflect current trends and interests in music research. These themes showcase the journal's responsiveness to contemporary issues and the evolving landscape of musicology.
  1. Ludomusicology and Video Game Music:
    The exploration of music in video games is rapidly gaining traction, with multiple recent publications analyzing the role of music in game narratives and player experiences. This trend reflects the growing significance of gaming as a cultural phenomenon.
  2. Interdisciplinary Approaches:
    There is an increasing trend towards interdisciplinary research that combines musicology with fields such as cultural studies, gender studies, and technology. This reflects a broader understanding of music as a complex social and cultural artifact.
  3. Digital Transformation in Music:
    Papers examining the impact of digital technologies on music creation, distribution, and consumption are on the rise. This includes discussions on streaming, digital music production, and the implications for music theory and practice.
  4. Music and Identity:
    Recent publications have increasingly focused on the intersections of music with identity, including gender, race, and sexuality. This trend highlights the importance of understanding music as a means of self-expression and social commentary.
  5. Sound Studies and Acoustics:
    There is a growing interest in the study of sound as a phenomenon, including acoustics and soundscapes. This reflects a broader trend within the humanities to consider auditory experiences and their implications for understanding culture.

Declining or Waning

While MUSIKTHEORIE has consistently published a diverse range of topics, some themes appear to be decreasing in prominence. This section highlights areas that have shown a decline in recent publications.
  1. Traditional Classical Repertoire Analysis:
    There has been a noticeable decrease in papers focused solely on the analysis of traditional classical repertoire without broader contextualization. This shift suggests a movement towards integrating classical music with contemporary themes and interdisciplinary approaches.
  2. Music Education Pedagogy:
    Although music education remains a crucial area, the specific focus on traditional pedagogical methods has waned. Recent publications lean more towards innovative or digital approaches rather than conventional classroom practices.
  3. Historical Performance Practice:
    Research centered exclusively on historical performance practice has seen a decline. While this remains an important field, the journal seems to be favoring broader discussions that incorporate historical insights within contemporary frameworks.
  4. Studies on Music in Nationalistic Contexts:
    Papers specifically addressing music's role in nationalistic movements or contexts have become less frequent. This may indicate a shift towards examining music's role in global or transnational contexts instead.

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