Resonancias

Scope & Guideline

Innovating Perspectives in Music Studies.

Introduction

Welcome to your portal for understanding Resonancias, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageSpanish
ISSN0717-3474
PublisherPONTIFICIA UNIV CATOLICA CHILE
Support Open AccessYes
CountryChile
TypeJournal
Convergefrom 2016 to 2024
AbbreviationRESONANCIAS / Resonancias
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressAVENIDA VICUNA MACKENNA 4860, MACUL, SANTIAGO 00000, CHILE

Aims and Scopes

The journal 'Resonancias' focuses on the intersection of musicology, cultural studies, and historical analysis, particularly as it pertains to Latin American music and its diverse influences. It aims to foster a deeper understanding of musical practices, cultural identities, and the socio-political contexts that shape musical expression.
  1. Latin American Musicology:
    A core focus on the musicological study of Latin American musical traditions, including historical, cultural, and social dimensions.
  2. Cultural Identity and Expression:
    Exploration of how music serves as a medium for expressing cultural identities, particularly in the context of Latin American societies.
  3. Transcultural Influences:
    Investigation into the interactions and exchanges between different musical traditions, particularly the influence of European music on Latin American compositions.
  4. Social and Political Contexts of Music:
    Analysis of how music reflects and responds to political movements, social changes, and cultural shifts within Latin America.
  5. Pedagogical Approaches in Music:
    Discussion of educational practices and methodologies in the teaching of music, particularly in higher education and conservatories.
  6. Gender Studies in Music:
    An examination of gender dynamics within the music industry and music education, focusing on the representation and roles of women in music.
Recent publications in 'Resonancias' reveal emerging themes that reflect current trends in musicology, cultural studies, and social activism. These themes highlight the journal's responsiveness to contemporary issues and scholarly discourse.
  1. Interdisciplinary Approaches:
    An increasing trend towards interdisciplinary studies that combine musicology with cultural studies, sociology, and political science to provide a holistic understanding of musical phenomena.
  2. Social Justice and Music:
    A notable rise in research addressing the role of music in social justice movements, reflecting a growing interest in how music can impact societal change.
  3. Digital Humanities in Musicology:
    Emerging themes around the use of digital tools and methodologies in the study of music, including the analysis of digital archives and online music communities.
  4. Exploration of Marginalized Voices:
    A focus on the representation and contributions of marginalized groups within music, such as indigenous populations and Afro-descendant communities, is gaining prominence.
  5. Contemporary Music Practices:
    Increased attention on contemporary music practices, including new genres and the impact of technology on musical creation and dissemination.

Declining or Waning

While 'Resonancias' continues to explore a wide range of themes, certain topics appear to be waning in prominence over time. This shift may reflect changes in cultural priorities or emerging interests in the field of musicology.
  1. Historical Music Genres:
    There seems to be a decreasing focus on in-depth studies of historical music genres that do not directly relate to contemporary issues or cultural identities.
  2. Traditional Music Practices:
    Research on traditional music practices, particularly those that do not intersect with modern interpretations or social movements, is becoming less frequent.
  3. Eurocentric Musicology:
    There is a noticeable decline in the emphasis on Eurocentric perspectives in musicology, as the journal shifts towards more localized and culturally specific studies.
  4. Performance Practices of the Past:
    Interest in historical performance practices, especially those that lack direct relevance to current cultural contexts, appears to be diminishing.
  5. Conventional Music Education Models:
    The journal seems to be moving away from conventional discussions around music education, focusing instead on innovative and contemporary pedagogical strategies.

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