Oido Pensante

Scope & Guideline

Bridging Theory and Practice in Music Research

Introduction

Explore the comprehensive scope of Oido Pensante through our detailed guidelines, including its aims and scope. Stay updated with trending and emerging topics, and delve into declining areas to understand shifts in academic interest. Our guidelines also showcase highly cited topics, featuring influential research making a significant impact. Additionally, discover the latest published papers and those with high citation counts, offering a snapshot of current scholarly conversations. Use these guidelines to explore Oido Pensante in depth and align your research initiatives with current academic trends.
LanguageMulti-Language
ISSN2250-7116
PublisherUNIV BUENOS AIRES, FAC FILOSOFIA & LETRAS, INST CIENCIAS ANTROPOLOGICS
Support Open AccessYes
CountryArgentina
TypeJournal
Convergefrom 2017 to 2024
AbbreviationOIDO PENSANTE / Oido Pensante
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressPUAN 470, 4TO, PISO OF 464, BUENOS AIRES 00000, ARGENTINA

Aims and Scopes

The journal 'Oido Pensante' primarily focuses on the intersection of music, culture, and society, exploring various dimensions of musical expression and its implications in contemporary contexts. It employs diverse methodologies, including ethnographic studies, historical analysis, and theoretical approaches to musicology.
  1. Interdisciplinary Exploration of Music and Society:
    The journal emphasizes the interplay between music and various societal factors, exploring how music acts as a form of social expression and cultural identity.
  2. Focus on Cultural and Historical Contexts:
    Research published in 'Oido Pensante' frequently situates musical practices within broader cultural and historical frameworks, highlighting the significance of context in understanding musical phenomena.
  3. Innovative Methodologies in Music Research:
    The journal showcases a range of methodologies, from qualitative ethnographic research to semiotic analysis, reflecting a commitment to advancing musicology as a dynamic and evolving field.
  4. Engagement with Contemporary Issues:
    Papers often address pressing contemporary themes such as globalization, migration, and the impact of technology on music, making the journal relevant to current debates in the field.
  5. Exploration of Identity and Resilience through Music:
    The journal features studies that investigate how music serves as a medium for expressing identity, resilience, and cultural memory, particularly in marginalized communities.
Recent publications in 'Oido Pensante' indicate a clear trend towards exploring innovative and contemporary themes in music research, reflecting the dynamic nature of the field.
  1. Impact of Technology on Music:
    There is a growing focus on how technology, including artificial intelligence and digital platforms, influences music creation, distribution, and consumption, highlighting the relevance of these themes in today's music landscape.
  2. Music and Identity in Migration Contexts:
    Research increasingly addresses the role of music in expressing and negotiating identity within migration experiences, underscoring the importance of cultural memory and resilience.
  3. Intersections of Music with Other Art Forms:
    Emerging themes explore the connections between music and other artistic expressions, such as film and visual arts, indicating a trend towards interdisciplinary research.
  4. Cultural Resistance and Political Expression:
    Recent papers delve into how music serves as a form of resistance against political and cultural oppression, reflecting the journal's engagement with socio-political issues.
  5. Listening Practices and Music Analysis:
    There is an increasing emphasis on innovative listening practices and their implications for music analysis, suggesting a shift towards more experiential and participatory approaches in musicology.

Declining or Waning

While 'Oido Pensante' has maintained a strong focus on various themes, certain areas have seen a decline in prominence over recent years. This may reflect shifts in research interests or the evolving landscape of music studies.
  1. Traditional Music Studies:
    There has been a noticeable decrease in research centered around traditional music forms, possibly indicating a shift towards more contemporary and globalized musical expressions.
  2. Purely Historical Musicology:
    The journal has moved away from purely historical analyses of music, suggesting a preference for interdisciplinary approaches that connect history with contemporary social issues.
  3. Focus on Classical Music:
    Papers exclusively centered on classical music and its historical contexts have become less frequent, indicating a broader interest in popular and world music genres.
  4. Sociological Perspectives on Music:
    While sociological aspects of music were once a prominent theme, recent publications suggest a waning interest in sociological frameworks in favor of more integrated approaches.

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