Musicologist

Scope & Guideline

Where Music Theory Meets Historical Insight

Introduction

Immerse yourself in the scholarly insights of Musicologist with our comprehensive guidelines detailing its aims and scope. This page is your resource for understanding the journal's thematic priorities. Stay abreast of trending topics currently drawing significant attention and explore declining topics for a full picture of evolving interests. Our selection of highly cited topics and recent high-impact papers is curated within these guidelines to enhance your research impact.
LanguageEnglish
ISSN2618-5652
PublisherTrabzon Univ State Conservatory
Support Open AccessNo
CountryTurkey
TypeJournal
Convergefrom 2019 to 2023
AbbreviationMUSICOLOGIST / Musicologist
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressTrabzon University, Trabzon, Trabzon 61335, Turkiye

Aims and Scopes

The journal 'Musicologist' focuses on the intersection of musicological research and contemporary music practices, exploring a diverse array of musical traditions and innovations. It aims to contribute to the understanding of music in various cultural contexts through critical analysis and interdisciplinary approaches.
  1. Cultural and Contextual Musicology:
    The journal emphasizes the study of music within specific cultural and historical contexts, highlighting regional practices and their evolution over time.
  2. Interdisciplinary Research:
    It promotes interdisciplinary methodologies that incorporate elements from anthropology, sociology, and history to enrich the understanding of musical practices.
  3. Exploration of Contemporary Trends:
    The journal features research on contemporary music scenes, examining how modern influences and discourses reshape traditional practices and genres.
  4. Ethnomusicological Perspectives:
    'Musicologist' prioritizes ethnomusicology, focusing on field recordings, community practices, and the lived experiences of musicians.
  5. Innovations in Music Theory and Practice:
    The journal also investigates theoretical advancements and innovative practices in music composition, performance, and technology.
In recent publications, 'Musicologist' has highlighted several emerging themes that reflect current trends and evolving interests in the field of musicology. These themes indicate a dynamic shift towards contemporary practices and interdisciplinary research.
  1. Contemporary Music Practices:
    Research on contemporary music scenes, particularly within specific cultural contexts such as Turkey and Taiwan, is gaining traction, reflecting a broader interest in modern musical expressions.
  2. Interdisciplinary Approaches:
    There is an increasing trend towards interdisciplinary studies that combine musicology with other fields, such as sociology and cultural studies, to address complex musical phenomena.
  3. Technological Innovations in Music:
    Emerging studies on the impact of technology on music creation and performance, including microtonal instruments and electroacoustic compositions, suggest a growing interest in how technology reshapes musical practices.
  4. Sonic Emotions and Social Issues:
    The exploration of the relationship between music, emotions, and social issues, such as racism and cultural identity, is becoming more prominent, indicating a shift towards socially engaged musicology.

Declining or Waning

While 'Musicologist' has consistently focused on various themes, there are certain areas that seem to be declining in prominence. These waning themes suggest a shift in research interests within the journal's scope.
  1. Historical Musicology:
    There has been a noticeable reduction in papers focusing solely on historical musicology, indicating a shift towards contemporary and applied music studies.
  2. Traditional Music Forms:
    Research centered on traditional music forms appears to be less frequent, possibly due to the increasing interest in contemporary and hybrid musical practices.
  3. Western Classical Music Analysis:
    Analysis of Western classical music seems to be waning, as the journal increasingly favors studies on non-Western music traditions and contemporary genres.

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