MUSIC ANALYSIS, published by WILEY, is a prestigious journal in the field of musicology, recognized for its critical contributions to the analysis of music and its myriad influences on culture and society. With an ISSN of 0262-5245 and an E-ISSN of 1468-2249, this journal has established itself as a vital resource for researchers, professionals, and students alike, boasting a Q1 ranking in the 2023 category of Music. As part of a highly competitive field, it ranks 70th out of 180 in the Arts and Humanities Music category on Scopus, positioning it within the 61st percentile. MUSIC ANALYSIS serves as an essential platform for innovative research and insightful discourse, engaging with musical theory, practice, and education from 1996 to 2024. Its commitment to fostering rigorous scholarship makes it indispensable for those seeking to deepen their understanding of music and its analytical frameworks. Although it does not offer Open Access options, its relevance and impact in the genre ensure accessibility through institutional subscriptions and university libraries.

MUSIKTHEORIE is a pivotal journal dedicated to the field of music theory, published by LAABER-VERLAG. With its ISSN 0177-4182, this journal serves as an essential platform for scholars, educators, and practitioners interested in the multifaceted dimensions of music theory. Although it does not currently offer open access, it provides in-depth analyses and critical discourse on theoretical frameworks, compositional techniques, and historical perspectives in music. Despite its coverage in Scopus being discontinued after 2018 and ranking within the 5th percentile of Arts and Humanities - Music, MUSIKTHEORIE remains a respected publication for advancing knowledge and fostering collaboration within the musicological community. Researchers and students alike can benefit from its rich content and the insights shared within its pages.

ASIAN MUSIC is a distinguished academic journal published by University of Texas Press, focusing on the rich and diverse musical traditions of Asia. With an ISSN of 0044-9202 and an E-ISSN of 1553-5630, this journal serves as a key platform for interdisciplinary research that encompasses musicology, ethnomusicology, and cultural studies related to Asian music practices. While ASIAN MUSIC is not an open-access journal, it provides valuable insights and scholarly articles that contribute significantly to the understanding of music’s role within Asian cultures. The journal originally covered works from 2002 to 2010 and has a reputation for fostering discussions that celebrate the intricacies of sound, performance, and society. Targeting researchers, professionals, and students alike, ASIAN MUSIC stands as a crucial resource for those engaged in the study of music in its multifaceted context.

Zeitschrift der Gesellschaft für Musiktheorie (ISSN: 1862-6750, E-ISSN: 1862-6742) is a premier open-access journal published by the Gesellschaft Musiktheorie, devoted to advancing the field of music theory. Since its inception in 2003, it has provided a crucial platform for the dissemination of innovative research, theoretical discourse, and critical discussions pertinent to music analysis, pedagogy, and aesthetics. Based in Berlin, Germany, this journal not only showcases the latest in musicological scholarship but also fosters a vibrant community of researchers, practitioners, and educators. With a commitment to accessibility, all published articles are freely available, enhancing the reach and impact of the work within the global music community. This journal is essential reading for anyone seeking to deepen their understanding of musical structures and practices, making it an invaluable resource for students, academics, and music professionals alike.

JOURNAL OF MUSICOLOGICAL RESEARCH, published by Taylor & Francis Ltd, is an esteemed platform that delves into the field of musicology, contributing to the ongoing dialogue in music research and scholarship since its establishment in 1979. With an ISSN of 0141-1896 and an E-ISSN of 1547-7304, this journal serves as a vital resource for researchers, professionals, and students, offering insights into diverse musicological topics. Although currently categorized in Q4 in Music with Scopus rankings placing it at #110 out of 180 in the Arts and Humanities field, its commitment to excellence and broader discourses in music studies is evident. The journal does not have Open Access options, yet it provides accessible content through reputable academic channels, fostering scholarly exchanges within the community. It aims to publish high-quality research that advances understanding of musical practices and cultural implications, making it a critical resource for those passionate about music and its myriad influences.

Musicology Today, published by SCIENDO, is a pivotal journal in the field of musicology, presenting a platform for scholars, researchers, and practitioners to disseminate their findings and engage with current trends in music research. With its ISSN 1734-1663 and E-ISSN 2353-5733, the journal aims to provide a comprehensive overview of various aspects of music, including theory, history, and ethnomusicology, fostering a multidisciplinary dialogue among its contributors. Located in Warsaw, Mazovia, Poland, this journal is not only committed to high academic standards but also to promoting open access to knowledge, thereby enhancing accessibility for a global audience. As it continues to bolster its reputation in the academic community, Musicology Today plays an essential role in shaping the future of music scholarship and invites the engagement of seasoned researchers and emerging voices alike.

MUSICAL QUARTERLY, published by Oxford University Press Inc, is a distinguished journal in the field of music, with a publication history that stretches back to 1915. This esteemed journal, identifiable by its ISSN 0027-4631 and E-ISSN 1741-8399, provides a critical platform for scholarly discourse, analysis, and research in musicology and related disciplines, facilitating an understanding of both historical and contemporary musical practices. Although it operates without open access, it continues to attract a diverse readership of researchers, educators, and students alike, thanks to its well-curated articles and reviews that engage with music theory, history, and ethnomusicology. With a current Scopus rank of #119 out of 180 in the Arts and Humanities category and a 34th percentile ranking in Music, MUSICAL QUARTERLY plays a vital role in advancing knowledge and fostering collaboration within the music academic community. Its commitment to high-quality scholarship is reflected in its ongoing efforts to address the evolving landscape of music studies, making it an essential resource for anyone serious about exploring the rich tapestry of music scholarship.

REVUE DE MUSICOLOGIE is a prominent academic journal dedicated to the diverse field of musicology, published by EDITIONS TRANSATLANTIQUES in France. With an ISSN of 0035-1601, this journal has been a key platform for researchers and scholars since its inception, fostering scholarly discourse and advancing the understanding of music's cultural, theoretical, and historical dimensions. Although it currently holds a Q4 category in Music according to the 2023 quartiles and is ranked #140 in the Scopus Arts and Humanities Music category, REVUE DE MUSICOLOGIE continues to publish valuable insights that contribute to the global musicological landscape. The journal does not offer open access, adhering to standard subscription models. Its primary objective is to provide a rigorous forum for original research articles, reviews, and theoretical discussions, making it an essential resource for academics, professionals, and students in the field of musicology. Located at 50 RUE JOSEPH DE MAISTRE, 75018 PARIS, FRANCE, it promises to remain a vital part of music research through 2023 and beyond.

MUSIC THEORY SPECTRUM, published by Oxford University Press, serves as a premier journal in the field of music theory, recognized for its significant contributions and scholarship since its inception. With an ISSN of 0195-6167 and E-ISSN 1533-8339, this journal has established a distinguished position within the academic community, boasting an impressive Q1 status in the Music category for 2023 and ranking #17 out of 180 in Scopus for Arts and Humanities, Music, placing it within the 90th percentile. Despite its non-open access format, MUSIC THEORY SPECTRUM offers a wealth of research articles, reviews, and theoretical discussions aimed at both seasoned scholars and students alike. It spans from 1981 until present, fostering critical engagement and advancing understanding within the discipline. Researchers and music theorists will find this journal an invaluable resource for the latest insights and methodologies in music theory.

FONTES ARTIS MUSICAE, with ISSN 0015-6191 and E-ISSN 2471-156X, is a distinguished journal published by A-R EDITIONS, specializing in the fields of Music and Library and Information Sciences. Established in the United States, this journal serves as a vital resource for scholars, practitioners, and students engaged in the exploration and analysis of music and its associated disciplines. With an established converged publication history from 2002 to 2024, FONTES ARTIS MUSICAE has consistently contributed to the discourse within its scope, reflected in its current quartile rankings of Q4 in Library and Information Sciences and Q3 in Music for 2023. Although not an open-access journal, it offers essential insights and research findings, appealing to a diverse academic audience. Its position within the 18th percentile of the Arts and Humanities (Music) category and 11th percentile in Library and Information Sciences underscores its growing significance in these fields, making it a critical platform for advancing knowledge and fostering collaboration.