ACTA MUSICOLOGICA

Scope & Guideline

Unveiling the Rich Tapestry of Musicological Research

Introduction

Welcome to the ACTA MUSICOLOGICA information hub, where our guidelines provide a wealth of knowledge about the journal’s focus and academic contributions. This page includes an extensive look at the aims and scope of ACTA MUSICOLOGICA, highlighting trending and emerging areas of study. We also examine declining topics to offer insight into academic interest shifts. Our curated list of highly cited topics and recent publications is part of our effort to guide scholars, using these guidelines to stay ahead in their research endeavors.
LanguageMulti-Language
ISSN0001-6241
PublisherINT MUSICOLOGICAL SOC
Support Open AccessNo
CountrySwitzerland
TypeJournal
Convergefrom 2002 to 2013, from 2016 to 2024
AbbreviationACTA MUSICOLOGICA / Acta Musicol.
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressBOX 561, CH-4001 BASEL, SWITZERLAND

Aims and Scopes

ACTA MUSICOLOGICA is dedicated to the interdisciplinary study of musicology, focusing on a wide array of themes that encompass historical, cultural, and theoretical perspectives. The journal aims to foster a deeper understanding of music in its various contexts, employing diverse methodologies that include ethnomusicology, historical musicology, and analytical approaches.
  1. Interdisciplinary Research:
    The journal embraces an interdisciplinary approach, integrating perspectives from history, cultural studies, and music analysis to explore the multifaceted nature of music.
  2. Historical Contextualization:
    A significant focus on historical musicology allows for the exploration of music within its temporal and cultural contexts, contributing to a richer understanding of its evolution and impact.
  3. Cultural Studies and Ethnomusicology:
    The journal examines music as a cultural phenomenon, often addressing non-Western traditions and the global influences that shape contemporary music practices.
  4. Music and Identity:
    Explorations of how music intersects with personal and collective identities, including themes of nationalism, migration, and religious practices, are prevalent.
  5. Analysis of Performance Practices:
    ACTA MUSICOLOGICA often investigates performance practices, especially through the lens of historical recordings and contemporary interpretations, revealing insights into expressive techniques.
Recent publications in ACTA MUSICOLOGICA indicate a dynamic shift towards emerging themes that reflect current societal and cultural trends, showcasing the journal's responsiveness to the evolving field of musicology.
  1. Global Musicology:
    A significant increase in articles addressing global musicology highlights the journal's commitment to exploring music across cultural boundaries, reflecting the interconnectedness of music practices worldwide.
  2. Music and Migration:
    Themes surrounding music shaped by transnational migration have gained prominence, emphasizing how migration influences musical forms and identities in contemporary contexts.
  3. Interdisciplinary Epistemologies:
    There is a growing interest in connective epistemologies that bridge various disciplines, encouraging innovative methodologies and collaborative research in music studies.
  4. Performance and Recording Analysis:
    The examination of historical performance practices through early recordings has become a notable trend, revealing new insights into interpretative choices and cultural significances.
  5. Cultural and Religious Intersections:
    Research exploring the intersections of music with cultural and religious identities, especially in postcolonial contexts, has emerged as a vital area of inquiry, reflecting contemporary societal dynamics.

Declining or Waning

While ACTA MUSICOLOGICA continues to thrive in many areas, certain themes have seen a decline in prominence, reflecting shifts in scholarly focus and the evolving landscape of musicology.
  1. Traditional Western Music Studies:
    There has been a noticeable reduction in papers exclusively focused on traditional Western classical music, as the journal increasingly prioritizes global and cross-cultural perspectives.
  2. Static Historical Narratives:
    Papers that offer linear historical narratives without engaging with contemporary theoretical frameworks or interdisciplinary approaches have become less frequent.
  3. Regional Musicology:
    Research focused solely on specific regional music traditions without connecting to broader global trends or issues appears to be waning, indicating a shift towards more integrative studies.

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