Journal of Cultural Heritage Management and Sustainable Development is a pioneering publication dedicated to advancing the fields of cultural heritage management and sustainable practices. Published by Emerald Group Publishing Ltd in the United Kingdom, this journal has established itself as a critical resource since its inception in 2011, with an ongoing commitment to quality research through 2024. The journal is notably recognized with a Q1 ranking in Conservation and boasts impressive Scopus rankings, highlighting its significant impact in the realm of arts and humanities. It also showcases a multidisciplinary approach, bridging gaps between business management and urban studies, thereby providing invaluable insights to researchers, professionals, and students. With diverse access options to engage a broad audience, the Journal of Cultural Heritage Management and Sustainable Development thrives at the intersection of scholarship and practical application, making it an essential read for those dedicated to fostering sustainable development in cultural heritage contexts.

Culture et Musées is a prominent journal published by ACTES SUD, dedicated to exploring the multifaceted domains of conservation, cultural studies, museology, and the visual and performing arts. With the ISSN 1766-2923 and E-ISSN 2111-4528, this scholarly platform serves as an essential resource for researchers, professionals, and students interested in the dynamic interplay between cultural heritage and contemporary practices. Although the journal does not offer Open Access, it maintains a notable presence in academic circles, evidenced by its rankings in Scopus. In 2023, it ranked in the fourth quartile across various categories, including Conservation and Cultural Studies, reflecting its commitment to enhancing discourse in these fields. By publishing rigorous research, theoretical contributions, and case studies, Culture et Musées aims to bridge academic insights with practical applications, fostering a deeper understanding of cultural institutions and their societal roles. Located in France, this journal is positioned to influence a global audience while enriching local scholarship.

Curator-The Museum Journal, published by WILEY, is a preeminent interdisciplinary journal dedicated to advancing the fields of conservation and museology. With its significant impact factor and prestigious rankings—Q1 in both conservation and museology, and Scopus ranks of 9th and 17th respectively—this journal serves as an essential resource for researchers, professionals, and students engaged in the study and practice of museum studies. Since its inception, the journal has facilitated insightful discourse and innovative research focused on the preservation, interpretation, and management of cultural heritage. As a reliable platform for scholarly communication, Curator fosters a deeper understanding of the evolving role of museums in contemporary society, addressing critical issues related to conservation practices and the ethical stewardship of collections. With access options that enhance the dissemination of knowledge, this journal is integral to the global academic community, driving forward the conversation on how museums can adapt and thrive in a changing world.

Archeomatica-Tecnologie per i Beni Culturali is a prestigious open-access journal dedicated to the field of cultural heritage technologies. Published by ARCHEOMATICA, this journal prides itself on disseminating high-quality research focused on innovative methodologies and technologies that enhance the preservation, conservation, and management of cultural assets. Since its inception in 2011, Archeomatica has fostered an inclusive platform for researchers, professionals, and students to share insights and advancements in the integration of science and technology within the cultural heritage sector. With a commitment to accessibility, all articles are freely available, promoting a collaborative academic environment. This journal is essential for those interested in bridging the gap between cultural heritage preservation and technological innovation, helping to ensure the longevity of our shared history.

The International Journal of Intangible Heritage, published by the NATL FOLK MUSEUM KOREA-NFMK, stands as a premier platform dedicated to the exploration and preservation of intangible cultural heritage. With an ISSN of 1975-3586 and an E-ISSN of 1975-4019, this journal has successfully carved a niche in the fields of Conservation, Cultural Studies, and Museology, achieving Q1 categorization across these disciplines in 2023. It ranks impressively in Scopus, being #17/83 in Museology and #33/103 in Conservation, highlighting its significant contribution to the academic discourse in these fields. Published in South Korea, this journal not only serves as a vital resource for researchers and professionals but also engages students aspiring to enhance their understanding of intangible heritage. Accessible without an open access model, it features a blend of scholarly articles, reviews, and case studies from 2011 through 2024, making it a robust repository for current and emerging practices in the safeguarding of cultural expressions. By fostering innovative dialogue among scholars and practitioners globally, the International Journal of Intangible Heritage plays a crucial role in the ongoing dialogue surrounding the value and significance of intangible cultural assets.

In Situ-Revue de Patrimoines is a distinguished open-access journal published by the MINISTERE CULTURE & COMMUNICATION, dedicated to advancing the field of heritage studies. Established in 2001, this journal seeks to foster a deeper understanding of cultural heritage through the dissemination of high-quality research articles, reviews, and case studies that reflect the interdisciplinary nature of the discipline. With an ISSN of 1630-7305, In Situ provides scholars, practitioners, and students with invaluable insights into the preservation, management, and interpretation of cultural assets. By offering open access to its content, the journal ensures that vital knowledge in heritage conservation reaches a broad audience, promoting dialogue and collaboration within the global academic community. Situated in the heart of Paris, In Situ serves as an essential resource for those committed to the stewardship of our shared cultural legacy.

Museum Worlds is a distinguished academic journal published by BERGHAHN JOURNALS, dedicated to advancing scholarship in the fields of Museology and Conservation. With a strong impact within the academic community, evidenced by its 2023 Scopus rankings—#16 in Museology and #32 in Conservation—this journal offers an engaging platform for innovative research and discourse surrounding museum practices and cultural heritage. Since transitioning to Open Access in 2020, Museum Worlds has broadened its reach, making valuable insights available to researchers and practitioners globally. With its publication spanning from 2019 to 2023 and positioning in the top quartiles of respective categories, this journal is integral for those invested in the evolution of museum studies, providing a space for critical reflection, debate, and the sharing of pioneering methodologies in the stewardship of cultural institutions. Located in the heart of Brooklyn, NY, it stands as a hub for the scholarly community, inviting contributions that push the boundaries of knowledge in the ever-evolving landscape of museums.

Anales de Documentacion is a distinguished open-access journal published by UNIV MURCIA, contributing significantly to the field of Library and Information Sciences since its inception in 1998. With a focus on the dissemination of innovative research and studies, this journal serves as a vital resource for researchers, professionals, and students engaged in the dynamic landscape of documentation and information management. Although coverage in Scopus was discontinued from 2013 to 2020, the journal continues to hold its place in the academic community, ranking #167 out of 227 in the Social Sciences category, reflecting its commitment to quality and relevance. The journal's accessibility enhances its utility, making vital research available to a broad audience, thereby fostering collaboration and scholarly exchange in the evolving discourse of information sciences. Its address at the Edificio Pleiades on the Campus de Espinardo in Murcia, Spain, further signifies its role as a central hub for academic inquiry and exploration in this essential field.

Conservar Patrimonio is a leading academic journal dedicated to the fields of conservation and museology, published by the ASSOC PROFISSIONAL CONSERVADORES-RESTAURADORES PORTUGAL. Established as an open access platform since 2005, it aims to disseminate high-quality research and innovations essential for the preservation of cultural heritage. With an impressive 2023 impact factor, Conservar Patrimonio holds a Q2 ranking in Conservation and a Q1 ranking in Museology, reflecting its significant contribution to both disciplines. The journal is indexed amongst the top 30% of publications in the Museology category and offers valuable insights into the methodologies and practices that shape the conservation of cultural artifacts. Researchers, professionals, and students are encouraged to engage with the latest findings, case studies, and theoretical explorations presented in this esteemed journal based in Portugal, enhancing the global dialogue on conservation practices.

REVUE DES MUSEES DE FRANCE-REVUE DU LOUVRE, published by CONSEIL MUSEES NATIONAUX, serves as a vital resource in the fields of Conservation, Museology, and the Visual Arts. With its ISSN 1962-4271 and a dedicated focus on the interplay between historical artifacts and contemporary museum practices, the journal has established itself within the academic community despite its Q4 ranking in various categories as of 2023. The journal is particularly aimed at researchers, professionals, and students who are engaged in the study of museum practices and the preservation of cultural heritage, providing insights and discussions that are both scholarly and practical. Though the journal does not have open access options, it remains a pivotal outlet for innovative ideas and critical perspectives from the vibrant French museum landscape. The issues published since its convergence years from 2009 to 2016 and from 2018 to 2024 continue to foster rich dialogues around the evolving role of museums in society, making it an essential read for anyone invested in the future of cultural institutions.