ART HISTORY is a prestigious journal published by Wiley, focusing on the dynamic and diverse field of visual arts and performing arts since its inception in 1978. With an ISSN of 0141-6790 and an E-ISSN of 1467-8365, the journal has established itself as a significant resource for researchers, professionals, and students interested in exploring the complexities of art across various epochs and cultures. Currently ranked in the Q3 category within the Visual Arts and Performing Arts sector and positioned at #132 out of 667 in Scopus rankings—representing the top 80th percentile—ART HISTORY delivers insightful scholarship that contributes to the understanding and appreciation of art history. Although it does not offer open access, the journal remains committed to publishing high-quality, peer-reviewed articles that delve into critical artistic practices, theories, and aesthetics. The journal's location in the United Kingdom further enhances its international reach and influence, making it a vital platform for advancing discourse in the arts.

The Journal of Curatorial Studies, published by INTELLECT LTD, is a leading scholarly journal dedicated to advancing the field of curatorial practice across the visual arts, museology, and conservation. With an ISSN of 2045-5836 and an E-ISSN of 2045-5844, this UK-based publication has been a vital resource since its establishment in 2016, covering significant developments and innovative research until 2023. As an academic platform, it seeks to foster interdisciplinary dialogue among curators, artists, and scholars, exploring contemporary challenges and methodologies within its scope. Ranking in the Q4 category for Conservation and Q3 for both Museology and Visual Arts and Performing Arts, the journal plays an essential role in elevating discourse and practice within these fields. Researchers and practitioners alike will find valuable insights that reflect the dynamic nature of curatorial studies and its profound influence on cultural heritage and contemporary art. Despite its recent establishment, it holds a commendable position in the Scopus Rankings, aiming to provide a rich repository of knowledge and practical guidance in its quest to innovate curatorial practices.

AFRICAN ARTS is a distinguished journal published by MIT PRESS, focusing on the vibrant intersections of literature, visual arts, and performing arts within the African context. Boasting an ISSN of 0001-9933 and an E-ISSN of 1937-2108, this journal serves as a critical platform for scholars and practitioners worldwide to explore and disseminate their research on African artistic expressions. With a solid impact represented by its Q3 rankings in both Literature and Literary Theory and Visual Arts and Performing Arts as of 2023, it ranks in the top 20% within the literature category and in the top 30% for visual arts. AFRICAN ARTS aims to foster a deeper understanding of the cultural, historical, and social contexts that shape these disciplines, embracing a wide array of methodologies and theoretical frameworks. Though not an open-access journal, it provides valuable insights and analysis that contribute significantly to the global discourse surrounding African arts, making it a vital resource for researchers, professionals, and students alike.

OUD HOLLAND is a prestigious journal published by BRILL, focusing on the rich history and developments in the visual arts and performing arts. With a historical lineage dating back to its initial publication years from 1883 and periodic revivals until 2024, this journal has maintained its relevance amidst evolving artistic discourse. It holds an impressive standing in the Arts and Humanities field, ranking 338 out of 667 in the Visual Arts and Performing Arts category, positioning it comfortably within the 49th percentile. The journal disseminates critical research and insightful articles that cater to scholars, professionals, and students dedicated to advancing their understanding of artistic heritage and contemporary methodologies. Though currently not open access, OUD HOLLAND represents an invaluable resource for those committed to exploring the multifaceted dimensions of art, offering access to a wealth of knowledge grounded in meticulous research and scholarship.

REVUE DES MUSEES DE FRANCE-REVUE DU LOUVRE, published by CONSEIL MUSEES NATIONAUX, serves as a vital resource in the fields of Conservation, Museology, and the Visual Arts. With its ISSN 1962-4271 and a dedicated focus on the interplay between historical artifacts and contemporary museum practices, the journal has established itself within the academic community despite its Q4 ranking in various categories as of 2023. The journal is particularly aimed at researchers, professionals, and students who are engaged in the study of museum practices and the preservation of cultural heritage, providing insights and discussions that are both scholarly and practical. Though the journal does not have open access options, it remains a pivotal outlet for innovative ideas and critical perspectives from the vibrant French museum landscape. The issues published since its convergence years from 2009 to 2016 and from 2018 to 2024 continue to foster rich dialogues around the evolving role of museums in society, making it an essential read for anyone invested in the future of cultural institutions.

Getty Research Journal, published by University of Chicago Press, is an influential periodical in the fields of Conservation, History, Museology, and Visual Arts and Performing Arts. Established in the United States, this journal aims to foster scholarly discourse and advance research in the visual arts and cultural heritage, making it a vital resource for researchers, professionals, and students alike. While it holds a Q4 ranking across multiple disciplines in the 2023 category quartiles, indicating opportunities for growth and engagement, its unique focus on the interplay between art, history, and conservation provides a distinct platform for innovative ideas. The journal encompasses a diverse range of topics, encouraging interdisciplinary research that underscores the importance of the arts in society. As it converges years from 2015 to 2024, the Getty Research Journal serves not just as a publication, but as a dynamic forum for critical thought and exploration in the expansive realm of art and culture.

CONNAISSANCE DES ARTS, published by SFPA-CONNAISSANCE ARTS, is a prominent French journal that has been enriching the landscape of Visual Arts and Performing Arts since its inception in 1969. With an ISSN of 0293-9274, this journal offers a platform for critical exploration and scholarly discourse, making notable contributions especially in the realms of art history, criticism, and contemporary artistic practices. Although the journal currently holds a Q4 quartile ranking in its category and ranks in the lower echelon of Scopus ranks (#638 out of 667), its focus on niche topics within the arts makes it a valuable resource for researchers and professionals who seek to engage with less mainstream topics that often go overlooked. The journal publishes insightful articles, reviews, and essays, contributing to the nurturing of artistry and culture in France and beyond. While it is not an open-access publication, the journal remains a significant entity for academics and practitioners keen on advancing their understanding of visual and performing arts. For further engagement with the journal, interested parties can reach out or submit inquiries to its address at 51 RUE VIVIENNE, 75095 PARIS CEDEX 02, FRANCE.

ARTIBUS ASIAE, published by ARTIBUS ASIAE, is a distinguished journal focused on the fields of Archeology and Visual Arts and Performing Arts. Based in Switzerland and with a history of converged years from 2002 to 2024, this journal serves as a vital platform for scholarly discourse and research dissemination within the arts and humanities. Although it currently does not offer open access, ARTIBUS ASIAE maintains a commitment to academic integrity and quality, as evidenced by its presence in Scopus rankings, which places it in the Q4 tier for both Archeology and its niche in the arts and humanities, while achieving a Q3 ranking in Visual Arts and Performing Arts. With an emphasis on advancing knowledge and understanding across various disciplines, ARTIBUS ASIAE is an essential resource for researchers, professionals, and students seeking to enrich their understanding and contribute to the ongoing dialogue in these significant areas of study.

Umeni-Art is a prominent journal in the field of visual arts and performing arts, published by the Institute of Art History, Academy of Sciences, Czech Republic. With its ISSN 0049-5123 and E-ISSN 1804-6509, the journal has established itself as a critical platform for scholarly discourse and artistic expression since its inception in 2002. Although currently classified in Q4 within the Arts and Humanities category, it aims to elevate the understanding and appreciation of the arts through rigorous research and innovative perspectives. The journal's Scopus ranking places it at Rank #573/667, reflecting its growing contribution to the field and expanding reach within the artistic community. With a focus on fostering collaboration among researchers, practitioners, and students, Umeni-Art seeks to enrich the academic landscape with significant findings and discussions that inspire future research and creative endeavors. While it does not offer open access, the journal remains a valuable resource for those vested in exploring the dynamic interplay between art, culture, and society in the contemporary context.

MITTEILUNGEN DES KUNSTHISTORISCHEN INSTITUTES IN FLORENZ, published by LIBRERIA SALIMBENI, is a prestigious journal based in Germany that serves as a vital resource for scholars and practitioners in the fields of history, visual arts, and performing arts. With an ISSN of 0342-1201, this journal reflects significant academic excellence, as evidenced by its Scopus rankings, placing it in the second quartile (Q2) for both History and Visual Arts and Performing Arts in 2023. The journal covers a broad scope from 2002 to 2010 and from 2013 to 2023, focusing on interdisciplinary studies that bridge historical context with contemporary artistic practices. Although not open access, MITTEILUNGEN continues to contribute important insights and critical discourse, making it an essential read for researchers, professionals, and students committed to advancing knowledge in these dynamic fields.