The International Journal of the Inclusive Museum, published by Common Ground Research Networks, is a leading scholarly journal that focuses on the intersections of museum studies, conservation, and inclusivity in cultural institutions. With an ISSN of 1835-2014 and E-ISSN 1835-2022, this journal has achieved an impressive Q1 ranking in both Conservation and Museology categories, reflecting its significant impact on the field since its inception in 2008. Covering a diverse range of topics related to museum practices, visitor engagement, and heritage studies, the journal provides a vital platform for researchers, professionals, and students passionate about advancing inclusive practices in museums globally. As an important resource in the academic community, it contributes to the ongoing conversation on how museums can become more accessible and relevant to diverse audiences in the contemporary landscape.

Museum Anthropology, published by WILEY, is an esteemed journal dedicated to advancing the field of anthropology through the lens of museology. With an ISSN of 0892-8339 and an E-ISSN of 1548-1379, this journal not only examines ethnographic and cultural collections but also explores their implications in contemporary society. Operating from the heart of the United States, Museum Anthropology has been crucial in fostering academic discourse since 1986 and is positioned within the Q3 quartile in Anthropology and Q2 in Museology according to 2023 rankings. The journal's Scopus rankings reflect its impact, being listed at 19th out of 83 in Museology and 250th out of 502 in Social Sciences Anthropology. Although it does not currently provide open access options, it remains a vital resource for researchers, professionals, and students seeking comprehensive insights into the interconnected worlds of museums and anthropology. By bridging theoretical frameworks with practical applications, Museum Anthropology continues to play a pivotal role in shaping conversations and understanding within its field.

South African Theatre Journal, published by Routledge Journals, Taylor & Francis Ltd, is an essential platform for researchers and practitioners in the fields of Visual Arts and Performing Arts. With an ISSN of 1013-7548 and an E-ISSN of 2163-7660, this journal has been contributing to the discourse on diverse theatrical practices and performance studies since its inception in 1996. The journal's focus encompasses a variety of topics, including but not limited to, South African theatre, intercultural performance, and the impact of socio-political contexts on artistic expression. Although it does not currently offer open access, its significance is reflected in its Q3 category in Visual Arts and Performing Arts and a ranking of #449/667 in the Scopus Arts and Humanities sector, positioning it as a noteworthy resource for scholars striving to explore and analyze the rich tapestry of theatrical work in South Africa. The South African Theatre Journal serves as a vital conduit for critical engagement and scholarly dialogue, making it indispensable for students, researchers, and professionals dedicated to the advancement of performing arts research.

The Journal of Tourism and Cultural Change, published by Routledge Journals, Taylor & Francis Ltd, stands as a leading scholarly resource within the intersecting realms of tourism, cultural studies, and environmental science. With its ISSN 1476-6825 and E-ISSN 1747-7654, this journal reflects a remarkable legacy since its inception in 2003, maintaining a strong commitment to advancing interdisciplinary research through 2024. Currently ranking in the Q1 category for Cultural Studies and Geography, Planning and Development, and having a commendable Scopus ranking that places it in the top 97th percentile across various relevant categories, the journal is crucial for academics and practitioners alike seeking to explore and understand the dynamics of culture in the context of tourism. The Journal of Tourism and Cultural Change emphasizes high-quality research that informs policy and practice, making it indispensable for scholars, industry professionals, and students dedicated to these evolving fields. Although this journal does not currently offer Open Access options, its contributions are invaluable in fostering dialogue on sustainable tourism, cultural heritage, and the socio-economic implications of travel in our connecting world.

REVUE DES MUSEES DE FRANCE-REVUE DU LOUVRE, published by CONSEIL MUSEES NATIONAUX, serves as a vital resource in the fields of Conservation, Museology, and the Visual Arts. With its ISSN 1962-4271 and a dedicated focus on the interplay between historical artifacts and contemporary museum practices, the journal has established itself within the academic community despite its Q4 ranking in various categories as of 2023. The journal is particularly aimed at researchers, professionals, and students who are engaged in the study of museum practices and the preservation of cultural heritage, providing insights and discussions that are both scholarly and practical. Though the journal does not have open access options, it remains a pivotal outlet for innovative ideas and critical perspectives from the vibrant French museum landscape. The issues published since its convergence years from 2009 to 2016 and from 2018 to 2024 continue to foster rich dialogues around the evolving role of museums in society, making it an essential read for anyone invested in the future of cultural institutions.

Museum Management and Curatorship is a leading academic journal dedicated to the exploration and advancement of museum practices, curatorial studies, and heritage management. Published by Routledge Journals, Taylor & Francis Ltd, this journal serves a diverse audience comprised of researchers, professionals, and students interested in the critical analysis of museum management strategies and the evolving role of curators in contemporary society. With its Q2 rankings in both Business and International Management and Tourism, Leisure and Hospitality Management, along with a prestigious Q1 classification in Visual Arts and Performing Arts, the journal underscores its importance in interdisciplinary research and showcases innovative practices within the sector. While operating under a subscription access model, it is committed to disseminating impactful findings and fostering a deeper understanding of museum dynamics from 1990 to the present, making it an essential resource in the field.

BULLETIN OF THE SCHOOL OF ORIENTAL AND AFRICAN STUDIES-UNIVERSITY OF LONDON, published by Cambridge University Press, stands as a pivotal journal in the fields of Cultural Studies and History, with an impressive track record dating back to its inception in 1917. With a current impact factor that places it in the Q2 quartile for both categories, this journal gives voice to a rich tapestry of research dedicated to the complexities of Eastern and African societies. Researchers exploring the nuances of cultural interactions, historical developments, and socio-political dynamics will find this publication invaluable, as it offers peer-reviewed articles that contribute significantly to the academia surrounding these diverse fields. Although the journal is not open access, it continues to attract a dedicated readership due to its rigorous scholarly standards and reputation for quality. The BULLETIN also boasts a noteworthy Scopus ranking, reflecting its influence and reach within the global academic community. Located in the United Kingdom, the journal serves as a hub for international scholarly exchange, encouraging contributions that delve into the rich heritage and contemporary issues of Oriental and African studies.

Culture et Musées is a prominent journal published by ACTES SUD, dedicated to exploring the multifaceted domains of conservation, cultural studies, museology, and the visual and performing arts. With the ISSN 1766-2923 and E-ISSN 2111-4528, this scholarly platform serves as an essential resource for researchers, professionals, and students interested in the dynamic interplay between cultural heritage and contemporary practices. Although the journal does not offer Open Access, it maintains a notable presence in academic circles, evidenced by its rankings in Scopus. In 2023, it ranked in the fourth quartile across various categories, including Conservation and Cultural Studies, reflecting its commitment to enhancing discourse in these fields. By publishing rigorous research, theoretical contributions, and case studies, Culture et Musées aims to bridge academic insights with practical applications, fostering a deeper understanding of cultural institutions and their societal roles. Located in France, this journal is positioned to influence a global audience while enriching local scholarship.

Museum Worlds is a distinguished academic journal published by BERGHAHN JOURNALS, dedicated to advancing scholarship in the fields of Museology and Conservation. With a strong impact within the academic community, evidenced by its 2023 Scopus rankings—#16 in Museology and #32 in Conservation—this journal offers an engaging platform for innovative research and discourse surrounding museum practices and cultural heritage. Since transitioning to Open Access in 2020, Museum Worlds has broadened its reach, making valuable insights available to researchers and practitioners globally. With its publication spanning from 2019 to 2023 and positioning in the top quartiles of respective categories, this journal is integral for those invested in the evolution of museum studies, providing a space for critical reflection, debate, and the sharing of pioneering methodologies in the stewardship of cultural institutions. Located in the heart of Brooklyn, NY, it stands as a hub for the scholarly community, inviting contributions that push the boundaries of knowledge in the ever-evolving landscape of museums.

Journal of the History of Collections, published by Oxford University Press, serves as a vital resource for scholars and practitioners in the fields of conservation, museology, and visual arts. Established in 1989, this esteemed journal explores the intricate narratives of collections, addressing the historical, cultural, and social dynamics that influence collecting practices across various mediums. With an evolving publication span through 1994 and resuming in 1996 to the present day, the journal maintains a strong academic reputation, demonstrated by its impressive rankings in Scopus—placing it in the top quartiles for both Museology and Visual Arts and Performing Arts. Researchers and students will find engaging articles that not only contribute to academic discourse but also reflect on the conservation challenges faced by collections today. While currently not available as open access, the journal’s rigorous peer-review process ensures that only the highest quality research is published, making it an essential addition to any library dedicated to the arts and humanities.