Comedia Performance is a prestigious journal dedicated to the dynamic field of performance studies, published by Penn State University Press. With its ISSN 1553-6505 and E-ISSN 2572-4428, this journal serves as a critical platform for scholars, artists, and practitioners alike to explore the intricate relationship between performance and its cultural contexts. While it currently operates under a traditional access model, its content is invaluable for researchers interested in the rich tapestry of theatrical, musical, and experimental performance practices. The journal aims to foster interdisciplinary dialogue and promote innovative research methodologies, making it an essential resource for those looking to deepen their understanding of performance as an academic discipline. Situated in University Park, Pennsylvania, Comedia Performance continues to contribute significantly to the evolving narratives within the arts and cultural studies, encouraging scholarly conversations that resonate with both historical and contemporary performance trends.

Ecumenica-Performance and Religion is a distinguished journal published by Penn State University Press, focusing on the intersection of performance studies and religious discourse. Since its inception, the journal has dedicated itself to fostering critical dialogue among scholars, practitioners, and students interested in understanding how religious themes manifest through performance arts. Although it operates on a non-open access model, the journal's contributions are pivotal in advancing research in the realms of visual arts, music, and religious studies, as evidenced by its respectable Scopus rankings. With its convergence period spanning from 2019 to 2024, Ecumenica offers a platform for innovative scholarship that explores the complex relationships between religion and performance, pushing the boundaries of contemporary academic discourse. This journal is essential for any researcher or student aiming to deepen their understanding of the dynamic interplay between these multifaceted fields.

SHAKESPEARE QUARTERLY is a premier academic journal dedicated to the interdisciplinary study of William Shakespeare’s works and their profound impact on literature and the arts. Published by Oxford University Press Inc, this influential journal has established itself as a vital resource for scholars and students alike, catering to a wide-ranging audience interested in the intersections of literature, performance, and visual arts. With its consistent ranking in the Q1 category for both Literature and Literary Theory, as well as Visual Arts and Performing Arts, SHAKESPEARE QUARTERLY maintains a formidable presence in the academic landscape, currently positioned in the 65th percentile for literature within the Arts and Humanities. The journal's effective and rigorous peer-review process ensures that only high-quality research articles are published, contributing significantly to ongoing scholarly conversations. By fostering critical dialogue and innovation in the study of Shakespearean texts, this journal plays a crucial role in advancing the field and inspiring future research.

RAMUS: Critical Studies in Greek and Roman Literature, published by Cambridge University Press, stands as a premier journal dedicated to the exploration and analysis of classical literary texts. Established in 2002, this journal has garnered recognition in its field, achieving a Q1 category ranking in both Classics and Literature and Literary Theory for 2023, which reflects its commitment to scholarly excellence. With an impressive Scopus ranking, where it places in the 76th percentile for Literature and Literary Theory and the 70th percentile for Classics, RAMUS is a critical resource for researchers, professionals, and students engaged in the study of ancient texts and their lasting impact on contemporary literature. Although currently not an open-access journal, it offers a wealth of peer-reviewed articles, reviews, and critical essays that enrich understanding and foster discussions in the realms of Greek and Roman literary traditions. This journal not only serves as an academic platform but also contributes to the ongoing dialogue on the relevance of classical literature in today's cultural and literary discourse.

ANTHROPOLOGICAL QUARTERLY, published by the George Washington University Institute of Ethnographic Research, stands as a vital resource in the field of anthropology and broader arts and humanities studies. With an ISSN of 0003-5491 and an E-ISSN of 1534-1518, this esteemed journal has been contributing to academic discourse since its establishment in 1981. The journal holds a respected position in both the Q2 category for Anthropology and the Q2 category for Arts and Humanities (miscellaneous), demonstrating its impact and relevance, as evidenced by its rank of #152 out of 502 in the Social Sciences sector for anthropology and rank of #179 out of 552 in the Arts and Humanities field. Researchers, professionals, and students can rely on ANTHROPOLOGICAL QUARTERLY for rigorous peer-reviewed articles that push the boundaries of ethnographic research and anthropological theory, addressing contemporary issues with scholarly precision. The journal’s commitment to fostering critical analysis and interdisciplinary perspectives establishes it as an essential platform for advancing knowledge within its diverse and dynamic field.

PERFORMANCE RESEARCH is a distinguished journal published by Taylor & Francis Ltd, dedicated to advancing the field of Visual Arts and Performing Arts. With a significant history dating back to 1996, it provides a critical platform for innovative and interdisciplinary research, promoting dialogue among scholars, practitioners, and students alike. The journal features peer-reviewed articles that explore diverse aspects of performance practice, theory, and criticism, making it a vital resource for those engaged in the creative arts. Recognized as a Q2 journal in its category for 2023 and holding a respectable rank in Scopus, its content is influential in shaping contemporary discussions in performance studies. Although not an open access journal, PERFORMANCE RESEARCH remains accessible through various academic libraries, ensuring the dissemination of knowledge and fostering scholarly communication. Engage with this journal to stay at the forefront of performance research and contribute to the evolving landscape of the arts.

FORUM MODERNES THEATER is a distinguished journal published by GUNTER NARR VERLAG, focusing on the vibrant field of modern theater and its critical intersections with visual arts. With an ISSN of 0930-5874, this journal provides a platform for researchers and practitioners to explore contemporary theatrical innovations, performance studies, and cultural critiques. It operates without an open access model, reflecting a commitment to preserving the integrity of academic discourse. Located in Germany, the journal has been a pivotal resource since its inception, evolving through various publication phases, notably from 2002 to 2010, 2012 to 2014, and the latest cycle from 2019 to 2023. As part of the Q3 category in the Visual Arts and Performing Arts for 2023, it holds a Scopus rank of 494 out of 667, placing it in the lower 26th percentile, yet it continues to attract attention for its scholarly contributions. FORUM MODERNES THEATER is essential for those looking to deepen their understanding of modern performance practices and engage with contemporary artistic dialogues.

Social Text, published by DUKE UNIVERSITY PRESS, is a leading peer-reviewed academic journal that has established itself as a critical platform for interdisciplinary research in the fields of Anthropology, Cultural Studies, and Gender Studies. With its impressive ranking in the Q1 category for each of these disciplines in 2023, it occupies a prominent place within the academic landscape—ranked 33rd out of 1304 in Cultural Studies and significantly within the top 20 in both Anthropology and Gender Studies. The journal publishes innovative theoretical and empirical work that challenges and expands upon conventional methodologies and perspectives, aiming to foster a deeper understanding of social phenomena. While Social Text is not an open-access journal, it remains easily accessible through university libraries and academic institutions, ensuring that cutting-edge scholarship reaches a wide audience. This journal is a vital resource for scholars, researchers, and students looking to stay informed about the latest trends and debates within the humanities and social sciences.

Early Theatre is a pioneering journal dedicated to the study of early modern drama and theatre, published by ITER, a recognized leader in scholarly publishing. With its ISSN number 1206-9078, the journal aims to foster a deeper understanding of the rich history and cultural significance of theatrical traditions prior to the 18th century. Although it does not have an open access model, Early Theatre provides invaluable insights through rigorous peer-reviewed articles, reviews, and critical essays that underscore its commitment to academic excellence. The journal serves as an essential resource for researchers, professionals, and students interested in the intersections of literature, performance studies, and history. By publishing cutting-edge research, it plays a crucial role in enhancing scholarly dialogue and advancing the field of early theatre studies. The journal’s physical address is located at UNIV TORONTO LIBRARIES, STE 7009 130 ST GEORGE ST, TORONTO, ON M5S 1A5, CANADA, and it champions future scholarship that contributes to the ongoing conversation surrounding theatrical arts from the early modern period.

THEATRE NOTEBOOK is a distinguished journal published by the Society for Theatre Research, focusing on the rich and diverse field of theatre studies. With an ISSN of 0040-5523 and an E-ISSN of 2051-8358, this journal serves as a crucial platform for scholars, practitioners, and enthusiasts to explore theatrical practices, historical contexts, and critical analyses. Although currently not operating under an open access model, it remains an invaluable resource for advancing discourse in performance studies. Often regarded as a key publication in its field, THEATRE NOTEBOOK encompasses a variety of topics, from contemporary theatre critiques to historical retrospectives, fostering a deeper understanding of the theatrical arts. Throughout its publication history, including coverage from 2002 to 2008 and 2010 to 2011, the journal has upheld a commitment to scholarly rigor and innovation, making it an essential reading for anyone dedicated to the study and appreciation of theatre.