GLQ: A Journal of Lesbian and Gay Studies, published by Duke University Press, is a pioneering academic journal that has made significant contributions to the critical discourse around LGBTQ+ issues since its inception in 1996. With an ISSN of 1064-2684 and an E-ISSN of 1527-9375, this esteemed publication engages a wide audience of researchers, professionals, and students in cultural studies, gender studies, and queer theory. Ranked in Q2 for Cultural Studies and Q3 for Gender Studies in 2023, GLQ is recognized for its rigorous scholarship and innovative approaches to the study of sexuality and identity. The journal offers an invaluable platform for interdisciplinary dialogue, exploring the complexities of LGBTQ+ lives, cultures, and movements. Although not open access, GLQ remains a vital resource for those looking to stay at the forefront of scholarship in these dynamic fields. Whether you are a seasoned researcher or a newcomer to queer studies, GLQ provides essential insights and fosters ongoing conversations that challenge and expand our understanding of sexuality and gender.

Early Theatre is a pioneering journal dedicated to the study of early modern drama and theatre, published by ITER, a recognized leader in scholarly publishing. With its ISSN number 1206-9078, the journal aims to foster a deeper understanding of the rich history and cultural significance of theatrical traditions prior to the 18th century. Although it does not have an open access model, Early Theatre provides invaluable insights through rigorous peer-reviewed articles, reviews, and critical essays that underscore its commitment to academic excellence. The journal serves as an essential resource for researchers, professionals, and students interested in the intersections of literature, performance studies, and history. By publishing cutting-edge research, it plays a crucial role in enhancing scholarly dialogue and advancing the field of early theatre studies. The journal’s physical address is located at UNIV TORONTO LIBRARIES, STE 7009 130 ST GEORGE ST, TORONTO, ON M5S 1A5, CANADA, and it champions future scholarship that contributes to the ongoing conversation surrounding theatrical arts from the early modern period.

Ecumenica-Performance and Religion is a distinguished journal published by Penn State University Press, focusing on the intersection of performance studies and religious discourse. Since its inception, the journal has dedicated itself to fostering critical dialogue among scholars, practitioners, and students interested in understanding how religious themes manifest through performance arts. Although it operates on a non-open access model, the journal's contributions are pivotal in advancing research in the realms of visual arts, music, and religious studies, as evidenced by its respectable Scopus rankings. With its convergence period spanning from 2019 to 2024, Ecumenica offers a platform for innovative scholarship that explores the complex relationships between religion and performance, pushing the boundaries of contemporary academic discourse. This journal is essential for any researcher or student aiming to deepen their understanding of the dynamic interplay between these multifaceted fields.

SHAKESPEARE QUARTERLY is a premier academic journal dedicated to the interdisciplinary study of William Shakespeare’s works and their profound impact on literature and the arts. Published by Oxford University Press Inc, this influential journal has established itself as a vital resource for scholars and students alike, catering to a wide-ranging audience interested in the intersections of literature, performance, and visual arts. With its consistent ranking in the Q1 category for both Literature and Literary Theory, as well as Visual Arts and Performing Arts, SHAKESPEARE QUARTERLY maintains a formidable presence in the academic landscape, currently positioned in the 65th percentile for literature within the Arts and Humanities. The journal's effective and rigorous peer-review process ensures that only high-quality research articles are published, contributing significantly to ongoing scholarly conversations. By fostering critical dialogue and innovation in the study of Shakespearean texts, this journal plays a crucial role in advancing the field and inspiring future research.

TDR-The Drama Review-The Journal of Performance Studies, published by Cambridge University Press, is a premier academic journal dedicated to the exploration of performance studies through a multidisciplinary lens. With an impressive Q1 ranking in both Literature and Literary Theory and Visual Arts and Performing Arts, TDR is recognized for its significant impact in advancing theoretical frameworks and critical discourses within these fields. The journal proudly encompasses a wide range of topics, from contemporary performance to historical analysis, making it a vital resource for researchers, practitioners, and students alike. As a platform for innovative scholarship, it encourages the exchange of ideas and methodologies that shape our understanding of performance in cultural contexts. Although it does not offer open access options, the contributions published in TDR are instrumental in fostering a deeper understanding of the arts and humanities, positioning it at the forefront of academic inquiry.

COMPARATIVE DRAMA is an esteemed journal published by Western Michigan University that examines a broad spectrum of drama across cultures and time periods. With an ISSN of 0010-4078 and an E-ISSN of 1936-1637, this journal serves as a critical platform for researchers, educators, and students in the fields of literature and literary theory. Although classified in the Q3 quartile for 2023, its commitment to scholarly rigor and innovative discourse on comparative drama ensures its relevance in the academic community, garnering attention from a global audience. The journal is particularly valued for its interdisciplinary approach, making it a vital resource for those interested in exploring the interplay between dramatic texts and their cultural, historical, and social contexts. With a strong foundational focus that spans from 2002 to 2024, COMPARATIVE DRAMA continues to engage with contemporary issues surrounding theatrical practice and performance studies, paving the way for new interpretations and scholarly conversations.

RAMUS: Critical Studies in Greek and Roman Literature, published by Cambridge University Press, stands as a premier journal dedicated to the exploration and analysis of classical literary texts. Established in 2002, this journal has garnered recognition in its field, achieving a Q1 category ranking in both Classics and Literature and Literary Theory for 2023, which reflects its commitment to scholarly excellence. With an impressive Scopus ranking, where it places in the 76th percentile for Literature and Literary Theory and the 70th percentile for Classics, RAMUS is a critical resource for researchers, professionals, and students engaged in the study of ancient texts and their lasting impact on contemporary literature. Although currently not an open-access journal, it offers a wealth of peer-reviewed articles, reviews, and critical essays that enrich understanding and foster discussions in the realms of Greek and Roman literary traditions. This journal not only serves as an academic platform but also contributes to the ongoing dialogue on the relevance of classical literature in today's cultural and literary discourse.

MUSIC ANALYSIS, published by WILEY, is a prestigious journal in the field of musicology, recognized for its critical contributions to the analysis of music and its myriad influences on culture and society. With an ISSN of 0262-5245 and an E-ISSN of 1468-2249, this journal has established itself as a vital resource for researchers, professionals, and students alike, boasting a Q1 ranking in the 2023 category of Music. As part of a highly competitive field, it ranks 70th out of 180 in the Arts and Humanities Music category on Scopus, positioning it within the 61st percentile. MUSIC ANALYSIS serves as an essential platform for innovative research and insightful discourse, engaging with musical theory, practice, and education from 1996 to 2024. Its commitment to fostering rigorous scholarship makes it indispensable for those seeking to deepen their understanding of music and its analytical frameworks. Although it does not offer Open Access options, its relevance and impact in the genre ensure accessibility through institutional subscriptions and university libraries.

Comedia Performance is a prestigious journal dedicated to the dynamic field of performance studies, published by Penn State University Press. With its ISSN 1553-6505 and E-ISSN 2572-4428, this journal serves as a critical platform for scholars, artists, and practitioners alike to explore the intricate relationship between performance and its cultural contexts. While it currently operates under a traditional access model, its content is invaluable for researchers interested in the rich tapestry of theatrical, musical, and experimental performance practices. The journal aims to foster interdisciplinary dialogue and promote innovative research methodologies, making it an essential resource for those looking to deepen their understanding of performance as an academic discipline. Situated in University Park, Pennsylvania, Comedia Performance continues to contribute significantly to the evolving narratives within the arts and cultural studies, encouraging scholarly conversations that resonate with both historical and contemporary performance trends.

Intersections: Gender and Sexuality in Asia and the Pacific is a pioneering scholarly journal published by the Australian National University, focusing on critical discourse surrounding gender and sexuality within the diverse cultural contexts of Asia and the Pacific. With its ISSN of 1440-9151, the journal invites researchers, professionals, and students to explore the intersections of identity, culture, and societal norms that shape experiences in this vibrant region. While the journal currently maintains an open access status, its contributions are pivotal in shedding light on underrepresented voices and narratives. With a commendable ranking within Q4 in the categories of Cultural Studies, Gender Studies, and History for 2023, it serves as a crucial platform for academics seeking to engage with interdisciplinary perspectives. Over its years of publication, from 2018 to 2023, Intersections has solidified its importance in advancing knowledge and fostering dialogue crucial for understanding the complexities of gender and sexuality in contemporary society. It continues to challenge conventional boundaries and aims to provide meaningful insights that resonate across cultures and disciplines.