THEATER, an esteemed journal published by DUKE UNIVERSITY PRESS, stands at the intersection of scholarly discourse in the fields of Literature, Literary Theory, and the Visual and Performing Arts. Established in 2002, this journal offers a platform for critical analysis and innovative research, aiming to enrich the understanding of theatrical practices and their broader cultural implications. With a current impact factor that places it in the Q3 category for both Literary Theory and the Visual Arts in 2023, THEATER caters to a diverse audience of researchers, professionals, and students, fostering engagement and dialogue through its rigorous peer-reviewed articles. Although it does not currently offer open access, its commitment to scholarly excellence makes it a vital resource for anyone involved in the performing arts landscape. The journal appreciated for its analytical depth and diverse perspectives, aims to illuminate the ways theater intertwines with contemporary cultural discussions, thereby establishing itself as an important publication within the academic community.

Ibsen Studies, published by ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD, is an esteemed peer-reviewed journal dedicated to the exploration and critical analysis of the works and influence of playwright Henrik Ibsen. With an ISSN of 1502-1866 and E-ISSN of 1741-8720, this journal serves as a vital platform for scholars and researchers in the fields of Literature and Literary Theory and History, holding prestigious categorization in the 2023 quartiles—Q1 in Literature and Literary Theory and Q2 in History. The journal, which converges its focus from the year 2000 to 2024, features high-quality research that enriches our understanding of Ibsen’s legacy and his impact across various contexts. The journal's robust rankings in Scopus—placing it in the 73rd percentile for Literature and Literary Theory—underscore its significant contribution to academic discourse. Researchers, professionals, and students alike will find Ibsen Studies a critical resource for advancing their knowledge and engaging with contemporary scholarship on one of the most influential playwrights in modern drama.

South Asian History and Culture, published by Routledge Journals, Taylor & Francis Ltd, is an essential academic platform aimed at advancing the understanding of the historical and cultural dimensions of South Asia. With an ISSN of 1947-2498 and an E-ISSN of 1947-2501, this journal has established itself as a key resource for researchers and professionals in the fields of Arts and Humanities, Cultural Studies, Sociology, and Political Science. The journal occupies a significant standing in academia, reflected by its categorization in Q2 across multiple disciplines, highlighting its impact and relevance. Its Scopus rankings further emphasize its influence, ranking 31/173 in General Arts and Humanities and maintaining an 82nd percentile. Additionally, South Asian History and Culture provides a unique forum for scholarly discourse, ensuring the latest research is accessible to a global audience, thereby enriching the academic community's understanding of South Asian dynamics. By delving into themes ranging from social structures to cultural identities, the journal invites contributions that can drive forward innovative discussions and establish new paradigms in South Asian studies.

RAMUS: Critical Studies in Greek and Roman Literature, published by Cambridge University Press, stands as a premier journal dedicated to the exploration and analysis of classical literary texts. Established in 2002, this journal has garnered recognition in its field, achieving a Q1 category ranking in both Classics and Literature and Literary Theory for 2023, which reflects its commitment to scholarly excellence. With an impressive Scopus ranking, where it places in the 76th percentile for Literature and Literary Theory and the 70th percentile for Classics, RAMUS is a critical resource for researchers, professionals, and students engaged in the study of ancient texts and their lasting impact on contemporary literature. Although currently not an open-access journal, it offers a wealth of peer-reviewed articles, reviews, and critical essays that enrich understanding and foster discussions in the realms of Greek and Roman literary traditions. This journal not only serves as an academic platform but also contributes to the ongoing dialogue on the relevance of classical literature in today's cultural and literary discourse.

Comedia Performance is a prestigious journal dedicated to the dynamic field of performance studies, published by Penn State University Press. With its ISSN 1553-6505 and E-ISSN 2572-4428, this journal serves as a critical platform for scholars, artists, and practitioners alike to explore the intricate relationship between performance and its cultural contexts. While it currently operates under a traditional access model, its content is invaluable for researchers interested in the rich tapestry of theatrical, musical, and experimental performance practices. The journal aims to foster interdisciplinary dialogue and promote innovative research methodologies, making it an essential resource for those looking to deepen their understanding of performance as an academic discipline. Situated in University Park, Pennsylvania, Comedia Performance continues to contribute significantly to the evolving narratives within the arts and cultural studies, encouraging scholarly conversations that resonate with both historical and contemporary performance trends.

TDR-The Drama Review-The Journal of Performance Studies, published by Cambridge University Press, is a premier academic journal dedicated to the exploration of performance studies through a multidisciplinary lens. With an impressive Q1 ranking in both Literature and Literary Theory and Visual Arts and Performing Arts, TDR is recognized for its significant impact in advancing theoretical frameworks and critical discourses within these fields. The journal proudly encompasses a wide range of topics, from contemporary performance to historical analysis, making it a vital resource for researchers, practitioners, and students alike. As a platform for innovative scholarship, it encourages the exchange of ideas and methodologies that shape our understanding of performance in cultural contexts. Although it does not offer open access options, the contributions published in TDR are instrumental in fostering a deeper understanding of the arts and humanities, positioning it at the forefront of academic inquiry.

Studies in Theatre and Performance is a distinguished academic journal published by Routledge Journals, Taylor & Francis Ltd, dedicated to advancing scholarship in the dynamic fields of visual arts and performing arts. Since its inception in 2000, the journal has become an essential resource for researchers and professionals, exemplified by its ranking within the Q2 category of visual and performing arts, and its commendable position at the 76th percentile among its peers. With an ISSN of 1468-2761 and an E-ISSN of 2040-0616, the journal serves as a platform for insightful research, critique, and innovation across a variety of topics in theatre and performance studies. Although it operates under a traditional access model, its rigorous peer-review process ensures that every publication contributes significantly to the broader understanding of theatrical practices and performance methodologies. As we move towards 2024, Studies in Theatre and Performance continues to be a vital reference point for scholars and practitioners alike in exploring new dimensions of performance theory and practice in an ever-evolving cultural landscape.

Ecumenica-Performance and Religion is a distinguished journal published by Penn State University Press, focusing on the intersection of performance studies and religious discourse. Since its inception, the journal has dedicated itself to fostering critical dialogue among scholars, practitioners, and students interested in understanding how religious themes manifest through performance arts. Although it operates on a non-open access model, the journal's contributions are pivotal in advancing research in the realms of visual arts, music, and religious studies, as evidenced by its respectable Scopus rankings. With its convergence period spanning from 2019 to 2024, Ecumenica offers a platform for innovative scholarship that explores the complex relationships between religion and performance, pushing the boundaries of contemporary academic discourse. This journal is essential for any researcher or student aiming to deepen their understanding of the dynamic interplay between these multifaceted fields.

PERFORMANCE RESEARCH is a distinguished journal published by Taylor & Francis Ltd, dedicated to advancing the field of Visual Arts and Performing Arts. With a significant history dating back to 1996, it provides a critical platform for innovative and interdisciplinary research, promoting dialogue among scholars, practitioners, and students alike. The journal features peer-reviewed articles that explore diverse aspects of performance practice, theory, and criticism, making it a vital resource for those engaged in the creative arts. Recognized as a Q2 journal in its category for 2023 and holding a respectable rank in Scopus, its content is influential in shaping contemporary discussions in performance studies. Although not an open access journal, PERFORMANCE RESEARCH remains accessible through various academic libraries, ensuring the dissemination of knowledge and fostering scholarly communication. Engage with this journal to stay at the forefront of performance research and contribute to the evolving landscape of the arts.

MUSIC ANALYSIS, published by WILEY, is a prestigious journal in the field of musicology, recognized for its critical contributions to the analysis of music and its myriad influences on culture and society. With an ISSN of 0262-5245 and an E-ISSN of 1468-2249, this journal has established itself as a vital resource for researchers, professionals, and students alike, boasting a Q1 ranking in the 2023 category of Music. As part of a highly competitive field, it ranks 70th out of 180 in the Arts and Humanities Music category on Scopus, positioning it within the 61st percentile. MUSIC ANALYSIS serves as an essential platform for innovative research and insightful discourse, engaging with musical theory, practice, and education from 1996 to 2024. Its commitment to fostering rigorous scholarship makes it indispensable for those seeking to deepen their understanding of music and its analytical frameworks. Although it does not offer Open Access options, its relevance and impact in the genre ensure accessibility through institutional subscriptions and university libraries.