Musicology Today, published by SCIENDO, is a pivotal journal in the field of musicology, presenting a platform for scholars, researchers, and practitioners to disseminate their findings and engage with current trends in music research. With its ISSN 1734-1663 and E-ISSN 2353-5733, the journal aims to provide a comprehensive overview of various aspects of music, including theory, history, and ethnomusicology, fostering a multidisciplinary dialogue among its contributors. Located in Warsaw, Mazovia, Poland, this journal is not only committed to high academic standards but also to promoting open access to knowledge, thereby enhancing accessibility for a global audience. As it continues to bolster its reputation in the academic community, Musicology Today plays an essential role in shaping the future of music scholarship and invites the engagement of seasoned researchers and emerging voices alike.

LIED UND POPULARE KULTUR-SONG AND POPULAR CULTURE, published by WAXMANN VERLAG GMBH, is a unique interdisciplinary journal that delves into the rich interconnections between song and popular culture, facilitating discourse among researchers, professionals, and students interested in cultural studies and musicology. With ISSN 1619-0548, this prestigious journal serves as a crucial platform for scholarly analysis, critical reviews, and innovative research exploring various facets of popular music and cultural expressions in Germany and beyond. Although classified in the 2023 Scopus category quartiles as Q4 in both Cultural Studies and Music, the journal maintains an essential role in fostering engagement and reflection on evolving cultural practices. Although it is not available as Open Access, articles from the journal have previously contributed valuable insights and shaped the conversation on popular culture from its inception in 2002 to its recent issues in 2023. Researchers will find this journal particularly relevant for its focus on underrepresented voices and themes within the cultural landscape.

JOURNAL OF MUSICOLOGICAL RESEARCH, published by Taylor & Francis Ltd, is an esteemed platform that delves into the field of musicology, contributing to the ongoing dialogue in music research and scholarship since its establishment in 1979. With an ISSN of 0141-1896 and an E-ISSN of 1547-7304, this journal serves as a vital resource for researchers, professionals, and students, offering insights into diverse musicological topics. Although currently categorized in Q4 in Music with Scopus rankings placing it at #110 out of 180 in the Arts and Humanities field, its commitment to excellence and broader discourses in music studies is evident. The journal does not have Open Access options, yet it provides accessible content through reputable academic channels, fostering scholarly exchanges within the community. It aims to publish high-quality research that advances understanding of musical practices and cultural implications, making it a critical resource for those passionate about music and its myriad influences.

Cuadernos de Musica Artes Visuales y Artes Escenicas is an esteemed academic journal published by the PONTIFICIA UNIV JAVERIANA, FAC ARTES in Colombia. With a dedicated focus on the dynamic interplay between music, visual arts, and performing arts, this journal serves as a pivotal resource for researchers, professionals, and students engaged in these vibrant disciplines. The journal boasts impressive category quartiles, ranking Q2 in Linguistics and Language, Q2 in Music, and Q1 in Visual Arts and Performing Arts as of 2023, reflecting its growing influence and recognition in the academic community. With a commitment to open scholarly communication, Cuadernos fosters innovative research and critical dialogue among practitioners and scholars. The journal's international perspectives and comprehensive analyses help shape contemporary discourse, making it an essential platform for advancing knowledge in these fields. For contributors and readers alike, it represents a valuable opportunity to engage with emerging trends and influential works from across the globe.

The INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC, published by the Croatian Musicological Society, is a pivotal scholarly journal dedicated to the intricate intersection of music, aesthetics, and sociology. With a special focus on exploring the cultural and social dimensions of music, this journal serves as a platform for researchers, professionals, and students alike to disseminate innovative ideas and transformative research. Although it operates under a traditional access model, the journal's impact within the field of music studies is underscored by its commendable Scopus ranking in the Q3 category and its established history from 2009 to 2016, with a renewed focus from 2018 to 2023. With an ISSN of 0351-5796, it continues to shape academic discourse with its insightful contributions and is essential for those aiming to engage deeply with the evolving dynamics of music in society.

ETHNOMUSICOLOGY, published by SOC ETHNOMUSICOLOGY INC, is a premier journal that stands at the intersection of music, anthropology, and cultural studies. With an ISSN of 0014-1836 and an E-ISSN of 2156-7417, this journal has made significant contributions to the field since its inception in 2002, and continues to engage with contemporary issues through to 2024. ETHNOMUSICOLOGY is indexed in esteemed databases and ranks impressively in its respective categories, including Q2 in Cultural Studies and Music, and Q3 in Anthropology for the year 2023. Its Scopus rankings reflect its robust academic impact, placing it in the 79th percentile for Music within the Arts and Humanities, and 78th in Cultural Studies. The journal provides a vital platform for the dissemination of innovative research and fosters scholarly dialogue among researchers, professionals, and students interested in understanding the complex relationships between music and culture across the globe.

LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA stands as a prominent scholarly journal dedicated to the profound and diverse traditions of Latin American music. Published by University of Texas Press, this journal offers a platform for critical analysis, innovative research, and the dissemination of knowledge concerning the rich cultural heritage of Latin America. Although it currently does not provide open access options, the journal has made significant contributions to the field since its establishment, engaging a wide array of interdisciplinary perspectives. With coverage spanning from 2002 to 2009, the journal has been central to fostering scholarly dialogue and expanding the academic understanding of Latin American musicology, serving as an essential resource for researchers, professionals, and students alike. The journal is vital for those exploring the intersections of music, culture, and identity within the vibrant landscapes of Latin America.

Opus is an esteemed open-access journal published by the Associação Nacional de Pesquisa e Pós-Graduação em Música in Brazil, focusing on the field of music studies. With an ISSN of 1517-7017, Opus has been dedicated to fostering innovative research since its inception and has embraced the open-access model since 2009, ensuring that its findings are readily accessible to scholars and enthusiasts globally. The journal has achieved a commendable Q2 ranking in Music as of 2023, showcasing its impact and relevance within the arts and humanities. Although currently ranked #130 out of 180 in Scopus in the music category, Opus maintains a commitment to enhancing the scholarly discourse in musicology through empirical studies, theoretical analyses, and interdisciplinary approaches. The journal's convergence over the years, from 2017 to 2024, reflects its dedication to evolving educational and research methodologies in music. Situated in the vibrant academic landscape of Campinas, SP, Brazil, Opus invites researchers, professionals, and students to contribute to its mission of exploring the multifaceted dimensions of music.

Arti Musices is a distinguished open-access journal published by the Croatian Musicological Society since 2007, dedicated to advancing the field of musicology and related arts and humanities disciplines. Operating from Zagreb, Croatia, this journal aims to provide a platform for scholarly communication, fostering international dialogue among researchers, musicologists, and practitioners. Although it has a current Scopus ranking in the bottom quartile within its category (Q4 in Music), it offers a unique perspective on the musicological landscape, particularly from a regional standpoint. Researchers seeking to contribute to or glean insights from this evolving field will find that Arti Musices serves an important role in disseminating innovative ideas and empirical research. The journal accepts submissions across a broad spectrum of music-related topics, inviting contributions that reflect the complexities and cultural contexts of music today.

POPULAR MUSIC AND SOCIETY, published by Taylor & Francis Ltd, is a leading interdisciplinary journal that explores the intricate relationships between popular music and social dynamics. With an ISSN of 0300-7766 and E-ISSN 1740-1712, this esteemed journal has established a significant presence in the academic community since its inception, covering a broad scope from 1971 and continuing to provide critical insights into contemporary issues in popular music research. Currently classified as Q1 in both Cultural Studies and Music for 2023, it ranks impressively within the top quartile of its fields, showcasing its scholarly impact and relevance. With a Scopus ranking of #42 in Music and #305 in Cultural Studies, POPULAR MUSIC AND SOCIETY serves as an essential platform for researchers, educators, and students to engage with innovative theories and analyses that reflect the evolving cultural landscape. The journal does not currently offer Open Access options, ensuring a focused readership that values in-depth scholarly work. Nestled in the United Kingdom, this publication continues to shape discussions around music's role in society, making it a pivotal resource for those dedicated to understanding the cultural significance of popular music.