ASIAN MUSIC is a distinguished academic journal published by University of Texas Press, focusing on the rich and diverse musical traditions of Asia. With an ISSN of 0044-9202 and an E-ISSN of 1553-5630, this journal serves as a key platform for interdisciplinary research that encompasses musicology, ethnomusicology, and cultural studies related to Asian music practices. While ASIAN MUSIC is not an open-access journal, it provides valuable insights and scholarly articles that contribute significantly to the understanding of music’s role within Asian cultures. The journal originally covered works from 2002 to 2010 and has a reputation for fostering discussions that celebrate the intricacies of sound, performance, and society. Targeting researchers, professionals, and students alike, ASIAN MUSIC stands as a crucial resource for those engaged in the study of music in its multifaceted context.

World of Music-New Series, an esteemed journal published by VWB-VERLAG WISSENSCHAFT & BILDUNG, serves as a pivotal platform for scholarly discourse in the field of music studies. With an ISSN of 0043-8774 and a significant presence in the academic community, this journal has demonstrated its commitment to advancing knowledge in music through rigorous peer-reviewed research. Since its inception in 2002, the journal has undergone several converged years, culminating in its current iteration which continues to publish innovative work as of 2023. Recognized for its contributions, World of Music-New Series holds a Q3 category ranking in the Music category and is positioned within the 52nd percentile among its peers, reflecting its growing impact in the arts and humanities domain. Although currently not an open access journal, it remains an essential resource for researchers, professionals, and students seeking to deepen their understanding of music theory, history, and cultural implications. Located in Germany at URBANSTRASSE 71, D-10967 BERLIN, this journal is committed to promoting diverse voices and perspectives within the music scholarship landscape.

MEXICAN STUDIES-ESTUDIOS MEXICANOS, published by University of California Press, is a distinguished journal that explores critical issues in the fields of cultural studies and history, with a keen focus on Mexican and Latin American contexts. Established in 1985, this journal serves as an invaluable platform for researchers, professionals, and students alike, aiming to deepen understanding of Mexico's complex social, cultural, and historical landscapes. With an impressive placement in the Q2 category in both Cultural Studies and History, it ranks within the top tiers of scholarly discourse, demonstrating a strong impact factor that reflects its significance in the academic community. Although it does not currently offer Open Access, the journal remains committed to delivering high-quality, peer-reviewed research that stimulates ongoing debates and enriches scholarship in the humanities and social sciences. Nestled at the heart of scholarly conversations, MEXICAN STUDIES-ESTUDIOS MEXICANOS continues to play a pivotal role in advancing academic inquiry into Mexico's past and present.

Sic-A Journal of Literature Culture and Literary Translation, published by UNIV ZADAR in Croatia, is an esteemed Open Access journal that has been empowering academic dialogue since 2010. With a focused scope on literature, culture, and the intricacies of literary translation, this journal serves as a vital resource for researchers, professionals, and students alike. Although currently listed in the Q4 category for both Linguistics and Language and Literature and Literary Theory in 2023, Sic-A is committed to fostering high-quality research that bridges linguistic and cultural divides. The journal's impact within Scopus rankings, placing it within the 25th and 10th percentiles for various arts and humanities categories, signifies its growing relevance in the field. As it converges into a new era from 2019 to 2024, Sic-A invites contributions that explore the transformative power of literature and translation in a global context, providing an accessible platform for dissemination of innovative ideas and research findings.

JOURNAL OF MUSICOLOGICAL RESEARCH, published by Taylor & Francis Ltd, is an esteemed platform that delves into the field of musicology, contributing to the ongoing dialogue in music research and scholarship since its establishment in 1979. With an ISSN of 0141-1896 and an E-ISSN of 1547-7304, this journal serves as a vital resource for researchers, professionals, and students, offering insights into diverse musicological topics. Although currently categorized in Q4 in Music with Scopus rankings placing it at #110 out of 180 in the Arts and Humanities field, its commitment to excellence and broader discourses in music studies is evident. The journal does not have Open Access options, yet it provides accessible content through reputable academic channels, fostering scholarly exchanges within the community. It aims to publish high-quality research that advances understanding of musical practices and cultural implications, making it a critical resource for those passionate about music and its myriad influences.

Muzikologija-Musicology, published by the esteemed Serbian Academy of Sciences and Arts, Institute of Musicology (SASA), serves as a pivotal platform for scholarly discourse in the field of musicology. With its ISSN 1450-9814 and E-ISSN 2406-0976, this open-access journal has been committed to disseminating high-quality research since 2002, making significant contributions to the understanding and analysis of music in diverse cultural contexts. Located in Belgrade, Serbia, the journal proudly holds a Q2 ranking in the Music category for 2023, reflecting its high-impact contributions as evidenced by its Scopus rank of #136/180 and a percentile of 24th. Covering a wide array of topics within music, from ethnomusicology to music theory and history, it invites contributions that push the boundaries of music research. By fostering an open-access model, Muzikologija-Musicology aims to ensure that its findings are accessible to a global audience, thereby enriching the discourse and fostering collaboration in the musicology community.

Journal of World Popular Music, published by EQUINOX PUBLISHING LTD, serves as a pivotal platform for scholars and practitioners within the evolving field of popular music studies. With an ISSN of 2052-4900, this esteemed journal has notably positioned itself within the Q2 category of Music as of 2023 and ranks at #90 out of 180 in the Arts and Humanities sector according to Scopus metrics. Spanning research from 2014 to 2023, the journal invites contributions that span diverse musical genres, cultural studies, and global perspectives, ultimately enriching the discourse surrounding the sociocultural impact of popular music. While not open access, the journal offers a robust platform for interdisciplinary research, making it indispensable for researchers, educators, and students keen on exploring the dynamics of popular music and its role in contemporary societies.

Arti Musices is a distinguished open-access journal published by the Croatian Musicological Society since 2007, dedicated to advancing the field of musicology and related arts and humanities disciplines. Operating from Zagreb, Croatia, this journal aims to provide a platform for scholarly communication, fostering international dialogue among researchers, musicologists, and practitioners. Although it has a current Scopus ranking in the bottom quartile within its category (Q4 in Music), it offers a unique perspective on the musicological landscape, particularly from a regional standpoint. Researchers seeking to contribute to or glean insights from this evolving field will find that Arti Musices serves an important role in disseminating innovative ideas and empirical research. The journal accepts submissions across a broad spectrum of music-related topics, inviting contributions that reflect the complexities and cultural contexts of music today.

Musicology Today, published by SCIENDO, is a pivotal journal in the field of musicology, presenting a platform for scholars, researchers, and practitioners to disseminate their findings and engage with current trends in music research. With its ISSN 1734-1663 and E-ISSN 2353-5733, the journal aims to provide a comprehensive overview of various aspects of music, including theory, history, and ethnomusicology, fostering a multidisciplinary dialogue among its contributors. Located in Warsaw, Mazovia, Poland, this journal is not only committed to high academic standards but also to promoting open access to knowledge, thereby enhancing accessibility for a global audience. As it continues to bolster its reputation in the academic community, Musicology Today plays an essential role in shaping the future of music scholarship and invites the engagement of seasoned researchers and emerging voices alike.

ETHNOMUSICOLOGY, published by SOC ETHNOMUSICOLOGY INC, is a premier journal that stands at the intersection of music, anthropology, and cultural studies. With an ISSN of 0014-1836 and an E-ISSN of 2156-7417, this journal has made significant contributions to the field since its inception in 2002, and continues to engage with contemporary issues through to 2024. ETHNOMUSICOLOGY is indexed in esteemed databases and ranks impressively in its respective categories, including Q2 in Cultural Studies and Music, and Q3 in Anthropology for the year 2023. Its Scopus rankings reflect its robust academic impact, placing it in the 79th percentile for Music within the Arts and Humanities, and 78th in Cultural Studies. The journal provides a vital platform for the dissemination of innovative research and fosters scholarly dialogue among researchers, professionals, and students interested in understanding the complex relationships between music and culture across the globe.