Visual Communication Quarterly

Scope & Guideline

Fostering Critical Dialogue Through Visual Studies

Introduction

Immerse yourself in the scholarly insights of Visual Communication Quarterly with our comprehensive guidelines detailing its aims and scope. This page is your resource for understanding the journal's thematic priorities. Stay abreast of trending topics currently drawing significant attention and explore declining topics for a full picture of evolving interests. Our selection of highly cited topics and recent high-impact papers is curated within these guidelines to enhance your research impact.
LanguageEnglish
ISSN1555-1393
PublisherROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 1994 to 2024
AbbreviationVIS COMMUN Q / Vis. Commun. Q.
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND

Aims and Scopes

Visual Communication Quarterly focuses on the multifaceted roles that visual media play in society. The journal aims to explore the intersection of visual culture with communication, politics, and social issues, employing a variety of methodologies to analyze visual representations and their implications.
  1. Visual Culture Analysis:
    The journal emphasizes the critical examination of visual culture, investigating how images shape and are shaped by societal values, beliefs, and practices.
  2. Interdisciplinary Approaches:
    It adopts an interdisciplinary perspective, incorporating insights from fields such as media studies, sociology, psychology, and art history to enrich the understanding of visual communication.
  3. Political and Social Commentary:
    A significant focus is placed on the role of visual media in political discourse and social movements, analyzing how images can influence public perception and mobilize action.
  4. Methodological Diversity:
    The journal encourages diverse methodological approaches, including qualitative analyses, visual ethnography, and multimodal discourse analysis, to capture the complexity of visual communication.
  5. Impact of Digital Media:
    It critically examines the evolving landscape of digital media, exploring how platforms like social media alter visual communication practices and influence audience engagement.
Recent publications in Visual Communication Quarterly indicate several trending and emerging themes that reflect contemporary societal issues and the evolving landscape of visual communication.
  1. Visual Activism and Social Justice:
    There is a growing emphasis on visual activism, particularly in relation to social justice movements, highlighting how visual media can be used to advocate for change and represent marginalized voices.
  2. Digital and Social Media Dynamics:
    Research focusing on the impact of digital and social media on visual communication practices is on the rise, as scholars explore how these platforms shape visual narratives and audience interactions.
  3. Multimodal Communication:
    Emerging studies are increasingly embracing multimodal communication, analyzing how various modes of representation (text, image, sound) work together to convey complex messages.
  4. Representation of Global Crises:
    Themes surrounding the visual representation of global crises, such as climate change and refugee movements, are gaining traction, reflecting a heightened awareness of urgent global issues.
  5. Cognitive and Psychological Dimensions:
    An emerging focus on the cognitive and psychological aspects of visual perception and communication is evident, as researchers explore how images affect emotions, cognition, and social behavior.

Declining or Waning

In recent years, certain themes have shown a decline in prominence within Visual Communication Quarterly. This may reflect shifting interests and the journal's evolving focus.
  1. Traditional Photojournalism:
    There has been a noticeable decrease in studies centered around traditional photojournalism, possibly due to the rise of digital and social media platforms that alter how news is visually represented.
  2. Static Visual Representation:
    Research focusing solely on static images without considering dynamic contexts or interactive elements is becoming less frequent, as the field increasingly values interactivity and audience participation.
  3. Historical Visual Analysis:
    While historical perspectives remain important, there appears to be a waning interest in purely historical analysis of visual culture, with more emphasis now on contemporary issues and real-time visual communication.
  4. Narrowly Defined Genres:
    There has been a reduction in studies that focus on narrowly defined genres of visual media, as the journal encourages broader, more integrative analyses that capture multimedia interactions.
  5. Cultural Texts in Isolation:
    The examination of cultural texts in isolation is declining, with a shift towards understanding the interconnectedness of visual narratives across different media and cultural contexts.

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