The European Journal of Media Art and Photography (ISSN: 1339-4940), published by UNIV SS CYRIL & METHODIUS TRNAVA, serves as a vital platform for innovative scholarship in the intersection of media, art, and photography. With a focus on contemporary practices and theoretical explorations, this journal aims to advance discourse within these dynamic fields, attracting researchers, practitioners, and students alike. By providing a forum for original research papers, critical essays, and groundbreaking projects, it promotes the exchange of ideas that can influence future trends in art and visual culture. Although specific metrics such as impact factor and H-index are not available, the journal is committed to upholding rigorous academic standards and fostering accessibility in research while encouraging submissions that push the boundaries of traditional media and artistic expression. Located in Slovakia, the journal invites engaging contributions that critically examine the role of media in shaping visual narratives today.

Fotocinema-Revista Cientifica de Cine y Fotografia is a leading open-access journal published by FOTOCINEMA since 2014, dedicated to the academic exploration of cinema and photography. Based in Spain, this journal serves as a vital platform for researchers, professionals, and students, fostering innovative discourse in the fields of Visual Arts, Performing Arts, and History. With an impressive Q2 rank in both History and Visual Arts, as well as a Q4 rank in Communication in 2023, Fotocinema reflects a commitment to high-quality scholarship, backed by Scopus rankings that highlight its growing influence within the academic community. By offering open access to its content, the journal ensures that significant research is available to a broader audience, encouraging collaboration and knowledge sharing across disciplines. As it continues its converged publication run from 2019 to 2024, Fotocinema stands at the forefront of cinematic and photographic studies, providing an essential resource for those dedicated to understanding the intricate relationships between visual media and society.

Artibus et Historiae is a distinguished academic journal published by IRSA PUBLISHING HOUSE, focusing on the fields of Visual Arts and Performing Arts within the broader scope of Arts and Humanities. With an ISSN of 0391-9064, this journal has become a crucial platform for the dissemination of scholarly research, critical discourse, and innovative ideas in art history and visual culture. Though its coverage in Scopus was discontinued in 2018, it maintained a respectable ranking of #279 out of 502 in its category, placing it in the 44th percentile. This positions Artibus et Historiae as a respected contributor to scholarly conversations in its field. Researchers, professionals, and students will find valuable insights and analyses that deepen their understanding of artistic practices and historical contexts. While not an open-access journal, it aims to bridge the gap between academia and broader audiences interested in the dynamic interplay of art and history.

WORD & IMAGE is a distinguished journal published by Routledge Journals, Taylor & Francis Ltd, focusing on the dynamic interplay between visual and verbal communication. Established in 1985, this esteemed journal covers a wide array of topics within linguistics, literature, and visual arts, contributing significantly to these interdisciplinary fields. With a commitment to fostering scholarly dialogue and innovation, WORD & IMAGE presents qualitative research, critical analyses, and theoretical explorations that illuminate the complex relationships between text and image. The journal's current impact factor reflects its role in nurturing academic discourse, making it a vital resource for researchers, professionals, and students alike. Although currently not open access, the journal maintains a rigorous peer-review process to ensure the highest academic standards. As it continues to engage a global audience, WORD & IMAGE serves as a key platform for advancing knowledge at the intersection of language and visual culture.

The Journal of Visual Communication in Medicine, published by TAYLOR & FRANCIS LTD, stands as a pivotal platform in the interdisciplinary exploration of visual communication within the medical field. With its origins dating back to 1978 and a convergence set to reach 2024, this journal not only boasts an impressive impact factor but also occupies prominent positions in the Scopus ranking, with Q2 classification in Health Professions and Q1 in Visual Arts and Performing Arts. Situated in the United Kingdom, the journal embraces rigorous peer-reviewed research and innovative practices that bridge art and health communication, thus serving as an essential resource for researchers, healthcare professionals, and students eager to enhance their understanding of visual methodologies. Although it does not currently offer Open Access, its rich content and scholarly contributions deeply influence practices and policies across related disciplines. As a thought leader in its field, the journal encourages the advancement of knowledge and fosters dialogue among professionals committed to improving health communication through visual means.

New Review of Film and Television Studies, published by Routledge Journals, Taylor & Francis Ltd, stands as a vital platform for scholars and practitioners engaged in the dynamic fields of film and television studies within the United Kingdom. This journal, which has been in circulation since 2010 and will continue through 2024, provides a rigorous academic forum for contemporary research, critical analysis, and innovative discourse surrounding visual storytelling. With an impressive Scopus rank placing it in the 66th percentile for Visual Arts and Performing Arts, and a respectable Q2 categorization, the journal fosters an interdisciplinary approach, bridging communication and cultural studies. While the journal does not currently operate under an open access model, it remains an invaluable resource for researchers, students, and professionals aiming to understand and influence the evolving landscape of film and television in our digital age. As it navigates the intersection of media and society, New Review of Film and Television Studies is essential reading for those looking to advance their knowledge and contribute to the ongoing scholarly conversation.

Transnational Screens is a premier academic journal published by Taylor & Francis Ltd, focusing on the dynamic intersections of visual arts, performing arts, and communication in a globalized context. Since its inception, the journal has garnered significant recognition, featuring in the Q1 category for Visual Arts and Performing Arts and Q3 for Communication as of 2023, reflecting its influential contributions to these fields. With a Scopus ranking placing it in the 78th percentile in Visual Arts and Performing Arts, this journal serves as a vital platform for researchers, professionals, and students aiming to explore the implications of transnational narratives in contemporary media and artistic practices. The journal is accessible to a diverse readership and promotes open dialogue through its commitment to publishing innovative and interdisciplinary research from 2020 to 2024. As a key resource for understanding the complexities of transnational screens, it invites submissions that push the boundaries of traditional scholarship and engage with pressing global issues through the lens of the visual and performing arts.

The Journal of Victorian Culture, published by Oxford University Press, is an esteemed academic journal that explores the multifaceted cultural landscape of the Victorian era. With a publication history spanning from 1996 to 2024, this journal serves as a critical platform for scholars and practitioners in the fields of Cultural Studies, History, Literature and Literary Theory, and Visual Arts and Performing Arts. It currently holds notable rankings, including Q3 in Cultural Studies and History, and Q2 in Literature, making it a prominent resource in these disciplines. Targeted at an audience that includes dedicated researchers, professionals, and students, the journal promotes interdisciplinary exploration and innovation, encouraging contributors to engage deeply with Victorian themes and their influence on contemporary culture. For those interested in cutting-edge discussions and insights, the Journal of Victorian Culture provides access to rich, scholarly content that is indispensable for understanding the era's impact on modern artistic and social paradigms.

Visual Inquiry: Learning & Teaching Art is a premier journal published by Intellect Ltd, dedicated to exploring innovative methods and practices in art education. With its ISSN 2045-5879 and E-ISSN 2045-5887, the journal provides a vital platform for researchers, educators, and practitioners to share their findings and insights into the pedagogy of visual arts. Although currently not open access, its influence in the field of art education is underscored by the quality of contributions from both established and emerging scholars. As the dialogue surrounding visual literacy and creative methodologies evolves, this journal remains essential for those invested in improving teaching strategies and fostering artistic expression. Its commitment to advancing knowledge in art education makes it a critical resource for anyone looking to enhance their understanding of how art can effectively be taught and learned.

Visual Studies, published by Taylor & Francis Ltd, is a leading international journal that serves as a vital platform for interdisciplinary scholarship in the fields of visual arts, cultural studies, and anthropology. Established in 2002 and continuing strong through 2024, it holds impressive rankings including Q1 in Cultural Studies and Visual Arts and Performing Arts, as well as Q2 in Anthropology, reflecting its significant impact and prestige within these disciplines. With a robust Scopus ranking placing it in the 89th percentile for Visual Arts and Performing Arts, this journal does not only publish original research but also fosters rich dialogues on visual culture, representation, and critical theory. Although it is not open access, researchers, practitioners, and students alike can benefit from its rigorous peer-reviewed content, which contributes to advancing knowledge and understanding of visual phenomena. Located in the United Kingdom, Visual Studies continues to shape the conversations surrounding visual practices and their societal implications.