Visual Ethnography

Scope & Guideline

Innovating Cultural Analysis with Visual Methodologies

Introduction

Delve into the academic richness of Visual Ethnography with our guidelines, detailing its aims and scope. Our resource identifies emerging and trending topics paving the way for new academic progress. We also provide insights into declining or waning topics, helping you stay informed about changing research landscapes. Evaluate highly cited topics and recent publications within these guidelines to align your work with influential scholarly trends.
LanguageMulti-Language
ISSN2281-1605
PublisherUNIV BASILICATA
Support Open AccessNo
CountryItaly
TypeJournal
Convergefrom 2012 to 2023
AbbreviationVIS ETHNOGR / Vis. Ethnogr.
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressVIA SAN ROCCO, 3, MATERA 75100, ITALY

Aims and Scopes

Visual Ethnography focuses on the intersection of visual methodologies and ethnographic inquiry, emphasizing how visual representations can enhance our understanding of cultural phenomena. The journal aims to explore diverse forms of visual storytelling, documenting lived experiences and social realities through various artistic and ethnographic lenses.
  1. Visual Methodologies:
    The journal consistently explores innovative visual methodologies in ethnographic research, including photography, film, and digital media, to document and analyze cultural practices.
  2. Cultural Representation:
    A core area of focus is the representation of marginalized voices and communities through visual narratives, aiming to challenge dominant discourses and provide a platform for underrepresented perspectives.
  3. Embodiment and Identity:
    The journal often delves into themes of embodiment, identity, and the politics of representation, examining how visual culture influences perceptions of gender, ethnicity, and social status.
  4. Interdisciplinary Approaches:
    Visual Ethnography encourages interdisciplinary collaboration, drawing insights from anthropology, sociology, art, and media studies to enrich ethnographic practices.
  5. Ethics of Representation:
    A significant concern within the journal is the ethical implications of visual representation, particularly regarding consent, authorship, and the responsibilities of the researcher towards their subjects.
Recent issues of Visual Ethnography highlight several emerging themes that reflect current societal concerns and the evolving nature of visual methodologies. These trends indicate a proactive engagement with contemporary issues and innovative research practices.
  1. Intersectionality in Visual Research:
    There is a growing focus on intersectionality, particularly how various aspects of identity (e.g., race, gender, sexuality) intersect in visual narratives, allowing for a nuanced understanding of complex social dynamics.
  2. Digital Ethnography:
    The rise of digital technologies has led to an increase in publications exploring digital ethnography, including social media and online platforms as sites of cultural production and representation.
  3. Art as Research:
    A trend towards integrating art practices within ethnographic research has emerged, where artistic methods serve as both a mode of inquiry and a means of representation, emphasizing the creative process in understanding culture.
  4. Participatory Visual Methods:
    Participatory approaches that engage communities in the research process are increasingly prevalent, reflecting a commitment to collaborative methodologies that empower subjects and promote co-creation of knowledge.
  5. Health and Well-Being:
    Themes related to health, well-being, and the visual representation of lived experiences in these contexts are gaining traction, highlighting the role of visual ethnography in addressing social issues and advocating for marginalized groups.

Declining or Waning

While Visual Ethnography remains vibrant in many areas, certain themes have shown signs of decline in recent publications. These waning scopes may suggest shifts in the journal's focus or changes in the broader academic landscape.
  1. Historical Ethnography:
    There has been a noticeable decline in publications focusing on historical ethnographic practices, such as the analysis of photography and film from earlier centuries, indicating a potential shift towards contemporary issues.
  2. Traditional Ethnographic Methods:
    The emphasis on traditional ethnographic methods has waned, with fewer articles discussing conventional fieldwork techniques in favor of more visual and participatory approaches.
  3. Single-Disciplinary Focus:
    The journal's trend towards interdisciplinary work has led to a decline in articles that strictly adhere to a single disciplinary lens, such as anthropology alone, reflecting a broader push for collaboration across fields.
  4. Static Representations:
    There appears to be less emphasis on static visual representations such as traditional photography, as the journal increasingly prioritizes dynamic, participatory, and multimedia approaches.

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