The European Journal of Media Art and Photography (ISSN: 1339-4940), published by UNIV SS CYRIL & METHODIUS TRNAVA, serves as a vital platform for innovative scholarship in the intersection of media, art, and photography. With a focus on contemporary practices and theoretical explorations, this journal aims to advance discourse within these dynamic fields, attracting researchers, practitioners, and students alike. By providing a forum for original research papers, critical essays, and groundbreaking projects, it promotes the exchange of ideas that can influence future trends in art and visual culture. Although specific metrics such as impact factor and H-index are not available, the journal is committed to upholding rigorous academic standards and fostering accessibility in research while encouraging submissions that push the boundaries of traditional media and artistic expression. Located in Slovakia, the journal invites engaging contributions that critically examine the role of media in shaping visual narratives today.

Visual Ethnography, published by UNIV BASILICATA, is an innovative academic journal dedicated to the interdisciplinary exploration of visual methodologies within the realms of Anthropology, Communication, and Cultural Studies. With a notable emphasis on visual ethnographic practices, this journal serves as an essential platform for researchers, professionals, and students aiming to bridge the gap between visual representation and cultural analysis. Since its inception in 2012, Visual Ethnography has contributed significantly to the academic discourse, despite its current positioning in the lower quartiles of its field as evidenced by its Scopus rankings. The journal actively engages its audience by providing open access options, ensuring that scholarship in visual culture is available to a wider community. With the academic landscape continually evolving, Visual Ethnography remains a vital resource for those seeking to understand the complexities of culture through a visual lens in the context of today’s globalized society.

WORD & IMAGE is a distinguished journal published by Routledge Journals, Taylor & Francis Ltd, focusing on the dynamic interplay between visual and verbal communication. Established in 1985, this esteemed journal covers a wide array of topics within linguistics, literature, and visual arts, contributing significantly to these interdisciplinary fields. With a commitment to fostering scholarly dialogue and innovation, WORD & IMAGE presents qualitative research, critical analyses, and theoretical explorations that illuminate the complex relationships between text and image. The journal's current impact factor reflects its role in nurturing academic discourse, making it a vital resource for researchers, professionals, and students alike. Although currently not open access, the journal maintains a rigorous peer-review process to ensure the highest academic standards. As it continues to engage a global audience, WORD & IMAGE serves as a key platform for advancing knowledge at the intersection of language and visual culture.

Sala Preta is a distinguished academic journal published by UNIV SAO PAULO, ESCOLA COMUNICACOES & ARTES, dedicated to the exploration of communication and art in contemporary society. With its ISSN 2238-3867, this journal serves as an essential platform for researchers, professionals, and students to disseminate innovative research and critical analysis in the fields of visual arts, media studies, and cultural communication. Although not classified as Open Access, Sala Preta remains pivotal for fostering academic discourse, encouraging interdisciplinary collaboration, and advancing knowledge within its scope. Situated in the vibrant cultural landscape of São Paulo, Brazil, this journal signifies a commitment to high-quality scholarship that is both relevant and impactful in today's rapidly evolving digital and artistic contexts.

Visual Inquiry: Learning & Teaching Art is a premier journal published by Intellect Ltd, dedicated to exploring innovative methods and practices in art education. With its ISSN 2045-5879 and E-ISSN 2045-5887, the journal provides a vital platform for researchers, educators, and practitioners to share their findings and insights into the pedagogy of visual arts. Although currently not open access, its influence in the field of art education is underscored by the quality of contributions from both established and emerging scholars. As the dialogue surrounding visual literacy and creative methodologies evolves, this journal remains essential for those invested in improving teaching strategies and fostering artistic expression. Its commitment to advancing knowledge in art education makes it a critical resource for anyone looking to enhance their understanding of how art can effectively be taught and learned.

ZEITSCHRIFT FUR KUNSTGESCHICHTE is a prestigious journal dedicated to the study of art history, offering insightful analyses and discussions that enrich the understanding of visual arts and performing arts. Published by DEUTSCHER KUNSTVERLAG GMBH in Germany, this journal has established itself as a significant platform for researchers and professionals alike since its inception. With a print ISSN of 0044-2992 and an e-ISSN of 2569-1619, it spans a comprehensive range of topics in art history, reflecting both traditional and contemporary perspectives. Although categorized in the Q4 quartile for Visual Arts and Performing Arts, the journal contributes to a rich dialogue within its field, aiming to foster academic discourse and promote scholarly research. Its scope has evolved notably from converged years starting in 1975 and gathering strength from 2001 to 2024, and it is committed to serving as an essential resource for students, academics, and practitioners in the arts. While not offering open access, the journal maintains a rigorous peer-review process to ensure high-quality submissions that advance knowledge and stimulate critical thought.

Asian Diasporic Visual Cultures and the Americas is a pioneering journal published by BRILL, dedicated to exploring the intersections of visual culture, identity, and diaspora within the context of the Americas. With an ISSN of 2352-3077 and E-ISSN of 2352-3085, this journal has established itself as a significant resource for academics, researchers, and students interested in the visual arts and their broader social implications. Since its inception in 2015, the journal has been committed to fostering interdisciplinary dialogue, providing a platform for innovative research that examines how Asian diasporic communities express their identities through visual mediums. Despite its relatively recent establishment, it endeavors to challenge and expand the narratives related to visual arts in a diverse and globalized world. Though the journal currently does not offer open access options, it remains a vital asset for those engaged in understanding the critical dynamics of race, ethnicity, and culture in contemporary visual practices. Converging insights from both the arts and social sciences, this journal invites contributions that illuminate the complexities of diasporic experiences, making it a pertinent choice for those aiming to contribute to this evolving field.

Visual Anthropology is a distinguished journal published by Routledge Journals, Taylor & Francis Ltd in the United Kingdom. With an ISSN of 0894-9468 and E-ISSN 1545-5920, this journal focuses on the intersection of visual media and anthropological research, exploring the ways in which visual representations influence cultural practices and perceptions. Since its inception in 1987, Visual Anthropology has contributed significantly to the fields of Anthropology and Cultural Studies, earning a Q2 rank in both categories as of 2023. With a solid impact factor and strategic indexing, the journal maintains a vital place for scholars seeking to understand the visual dimensions of human behavior and societal structures. Although it operates under a traditional subscription model, its rigorous peer-review process ensures the dissemination of high-quality research. The journal invites researchers, professionals, and students alike to engage with cutting-edge studies that bridge visual culture and anthropological inquiry.

Visual Studies, published by Taylor & Francis Ltd, is a leading international journal that serves as a vital platform for interdisciplinary scholarship in the fields of visual arts, cultural studies, and anthropology. Established in 2002 and continuing strong through 2024, it holds impressive rankings including Q1 in Cultural Studies and Visual Arts and Performing Arts, as well as Q2 in Anthropology, reflecting its significant impact and prestige within these disciplines. With a robust Scopus ranking placing it in the 89th percentile for Visual Arts and Performing Arts, this journal does not only publish original research but also fosters rich dialogues on visual culture, representation, and critical theory. Although it is not open access, researchers, practitioners, and students alike can benefit from its rigorous peer-reviewed content, which contributes to advancing knowledge and understanding of visual phenomena. Located in the United Kingdom, Visual Studies continues to shape the conversations surrounding visual practices and their societal implications.

French Screen Studies is a distinguished journal published by Routledge Journals, Taylor & Francis Ltd, focusing on the dynamic interactions between film, media, and cultural studies within the context of French cinema. Since its inception in 2020, the journal has contributed significantly to the academic landscape, providing a platform for innovative research and critical discussion on visual arts and performance as reflected in its prestigious Q1 ranking in Visual Arts and Performing Arts for 2023. Despite being a burgeoning journal, it holds an impressive position within Scopus rankings, particularly in the Arts and Humanities sphere. Researchers and scholars will find the journal a vital resource, as it endeavors to explore the intersections of screen studies with broader social and cultural implications. Although currently not open access, French Screen Studies continues to foster an inclusive dialogue among academics, paving the way for future exploration of France’s influential cinematic heritage.