REVUE DE MUSICOLOGIE

Scope & Guideline

Delving Deep into Music's Theoretical Dimensions

Introduction

Immerse yourself in the scholarly insights of REVUE DE MUSICOLOGIE with our comprehensive guidelines detailing its aims and scope. This page is your resource for understanding the journal's thematic priorities. Stay abreast of trending topics currently drawing significant attention and explore declining topics for a full picture of evolving interests. Our selection of highly cited topics and recent high-impact papers is curated within these guidelines to enhance your research impact.
LanguageFrench
ISSN0035-1601
PublisherEDITIONS TRANSATLANTIQUES
Support Open AccessNo
CountryFrance
TypeJournal
Convergefrom 2002 to 2023
AbbreviationREV MUSICOL / Rev. Music.
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address50 RUE JOSEPH DE MAISTRE, 75018 PARIS, FRANCE

Aims and Scopes

The journal "REVUE DE MUSICOLOGIE" is dedicated to the multifaceted study of musicology, encompassing a wide range of historical, cultural, and analytical perspectives. Its core aims include promoting scholarly discourse on music across different eras, styles, and geographical contexts, while also fostering interdisciplinary approaches that bridge music with other fields of study.
  1. Historical Musicology:
    The journal places a strong emphasis on historical musicology, exploring the evolution of music through various periods, including medieval, Renaissance, Baroque, and modern times.
  2. Cultural Contexts of Music:
    It investigates the cultural, social, and political factors that shape music practices and reception, such as music's role in national identity, migration, and societal changes.
  3. Interdisciplinary Approaches:
    The journal encourages interdisciplinary research that connects musicology with fields like literature, history, anthropology, and digital humanities, facilitating a broader understanding of music's impact and significance.
  4. Music Analysis and Criticism:
    A focus on analytical studies of musical works, performance practices, and the theoretical frameworks that underpin music criticism, enabling a deeper appreciation of compositional techniques.
  5. Contemporary Music Studies:
    The journal also addresses contemporary issues in music, including popular music studies, ethnomusicology, and the effects of globalization on music traditions.
Recent publications in "REVUE DE MUSICOLOGIE" indicate a vibrant evolution in the journal's thematic focus. Emerging trends reflect the journal's responsiveness to contemporary issues in musicology and cultural studies, highlighting the relevance of music in various contexts.
  1. Music and Identity:
    There is a growing emphasis on the interplay between music and identity, examining how music shapes and reflects personal, community, and national identities, particularly in multicultural contexts.
  2. Digital Humanities in Musicology:
    The integration of digital humanities methodologies is increasingly evident, with studies utilizing digital tools for music analysis, archiving, and dissemination, reflecting a modern approach to music scholarship.
  3. Music and Politics:
    Research exploring the relationship between music and political movements, including how music serves as a form of resistance or propaganda, is gaining traction, especially in the context of historical and contemporary politics.
  4. Global and Transnational Perspectives:
    The journal is expanding its focus on global and transnational music studies, analyzing how music transcends borders and influences cultural exchanges, particularly in the context of migration and diaspora.
  5. Intersections with Other Disciplines:
    Emerging themes highlight the intersections of music with other disciplines, such as sociology, anthropology, and cultural studies, fostering a more holistic understanding of music's role in society.

Declining or Waning

While "REVUE DE MUSICOLOGIE" continues to thrive in various research areas, some themes appear to be declining or receiving less emphasis in recent publications. This shift may reflect changing academic interests or broader trends in the field of musicology.
  1. Traditional Music Forms:
    Studies focused exclusively on traditional music forms, such as folk music and classical genres, seem to be waning as the journal increasingly embraces contemporary and interdisciplinary approaches.
  2. Eurocentric Perspectives:
    There is a noticeable decline in research that strictly adheres to Eurocentric perspectives on music history, as the journal expands its scope to include more global and transnational viewpoints.
  3. Single-Composer Studies:
    Research concentrating solely on individual composers or isolated works has decreased, giving way to broader thematic explorations that consider multiple influences and contexts.
  4. Music Pedagogy:
    The focus on music education and pedagogy as standalone topics appears to be diminishing, possibly as the journal prioritizes more critical and analytical studies.
  5. Static Historical Narratives:
    There is a shift away from static historical narratives that do not consider the dynamic interactions between music and society, as the current trend favors more fluid and interconnected analyses.

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