Musicologist is a premier academic journal dedicated to the exploration and analysis of music theory, history, and practice, published by the esteemed Trabzon University State Conservatory in Turkey. With an ISSN of 2618-5652, this journal has been a vital platform for scholars since its inception in 2019, reflecting a commitment to fostering innovative research in the field of music. Recognized for its quality, the journal currently holds a Q2 ranking in the music category for 2023, placing it within the top segments of its discipline, as evidenced by its position at #72 out of 180 in the Scopus rankings, representing the 60th percentile. Although the journal employs a traditional publication model, it serves as a crucial repository for contemporary musicological discourse, aiming to advance knowledge and understanding within a vibrant academic community. Musicologist is not only a resource for seasoned researchers but also an invaluable tool for students and professionals alike, nurturing a comprehensive appreciation of music as an art form and scholarly pursuit.

Revista de Musicologia is a distinguished academic journal dedicated to the exploration and analysis of musicology, published by the SOC ESPANOLA MUSICOLOGIA. Based in Spain, this journal serves as a vital platform for music scholars, researchers, and enthusiasts to share innovative insights and original research concerning various aspects of music, including historical studies, ethnomusicology, and contemporary critiques. With its ISSN 0210-1459 and a current Scopus ranking placing it in the Q3 quartile of Music studies, the journal reflects a commitment to enhancing the discourse in this rich field. Although it currently does not publish under an open-access model, it continuously aims to provide a rigorous peer-reviewed environment for contributions that engage both academic inquiry and practical applications within musicology. The Revista de Musicologia is thus an essential resource for anyone in the field looking to expand their understanding and expertise in music studies from 2016 through 2024 and beyond.

MUSIK IN BAYERN is a distinguished journal devoted to the study of music within the rich cultural context of Bavaria, published by HANS SCHNEIDER. With the ISSN 0937-583X, this publication serves as an essential resource for researchers, professionals, and students interested in the historical and contemporary musical landscape of the region. Spanning topics from traditional Bavarian folk music to modern interpretations, the journal aims to foster a deeper understanding and appreciation of Bavarian music in a global context. Although the journal's coverage in Scopus has been discontinued, it remains an essential platform for scholarly communication and analysis in music studies. While MUSIK IN BAYERN operates under a subscription model, it continues to hold significance as an intellectual resource for advancing research in musicology.

Revista Musical Chilena, an esteemed publication from the Faculty of Arts at Universidad de Chile, has been a pivotal platform in the field of music and cultural studies since its inception in 1945. With a commitment to open access, this journal promotes the dissemination of innovative research and critical discourse that bridges the gap between cultural theory and musical practice. Holding a notable Q2 ranking in both the Cultural Studies and Music categories as of 2023, it serves as a vital resource for scholars and professionals alike. The journal's inclusion in the Scopus database, with rankings that reflect its influence in the arts and humanities, underscores its significance in shaping the contemporary landscape of music studies. Given its convergence of research output from 2007 to 2024, Revista Musical Chilena continues to engage its audience with diverse scholarship that reflects Chilean musical heritage and global cultural dynamics.

LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA stands as a prominent scholarly journal dedicated to the profound and diverse traditions of Latin American music. Published by University of Texas Press, this journal offers a platform for critical analysis, innovative research, and the dissemination of knowledge concerning the rich cultural heritage of Latin America. Although it currently does not provide open access options, the journal has made significant contributions to the field since its establishment, engaging a wide array of interdisciplinary perspectives. With coverage spanning from 2002 to 2009, the journal has been central to fostering scholarly dialogue and expanding the academic understanding of Latin American musicology, serving as an essential resource for researchers, professionals, and students alike. The journal is vital for those exploring the intersections of music, culture, and identity within the vibrant landscapes of Latin America.

Musica Oral del Sur is a prominent academic journal published by the Junta Andalucía through the Centro Documentación Musical Andalucía. With its ISSN 1138-8579 and E-ISSN 2445-0391, this pioneering publication has championed open access since 1995, providing a vital platform for scholars dedicated to the exploration of traditional and contemporary oral music practices in Southern Spain and beyond. The journal is essential for researchers, professionals, and students interested in musicology, ethnomusicology, and cultural studies, promoting scholarly discourse through a rich assortment of articles, reviews, and field research. Set in the vibrant cultural landscape of Granada, the journal encourages the fusion of theoretical insights with practical implications, making significant contributions to the understanding of oral musical traditions. By fostering accessible academic dialogue, Musica Oral del Sur plays an invaluable role in preserving and highlighting the heritage of Southern musical expressions while addressing contemporary issues in the field.

JOURNAL OF THE ROYAL MUSICAL ASSOCIATION, published by Cambridge University Press, stands as a significant repository for innovative research and scholarly discourse within the field of music studies. Recognized for its contributions to the understanding of musical practices, theory, and history, this esteemed journal offers a platform for academics and researchers to disseminate their findings to a broad audience. With an ISSN of 0269-0403 and E-ISSN of 1471-6933, the journal has maintained a notable presence since its inception, merging insights from both traditional and contemporary musicology. It currently occupies a Q4 ranking in Music within the Scopus database, reflecting its inclusion within the arts and humanities landscape. While the journal traditionally operates under subscription access, its continuing commitment to advancing music scholarship ensures that it remains an essential resource for students, scholars, and practitioners alike, fostering greater understanding and appreciation of musical artistry from 1987 to the current era.

Oido Pensante is a prominent open-access journal dedicated to the multifaceted field of music, published by the esteemed University of Buenos Aires, specifically through its Faculty of Philosophy and Letters, Institute of Anthropological Sciences. Since its inception in 2013, this journal has fostered a rich platform for scholarly discourse and innovative research at the intersection of music and cultural studies. With an ISSN of 2250-7116, Oido Pensante aims to bridge theoretical frameworks and practical applications, making significant contributions to the understanding of music in its social context. Currently, it holds an impressive Q3 ranking in the Arts and Humanities – Music category for 2023, with a Scopus rank of #99 out of 180 journals, reflecting its commitment to academic rigor and relevance. The journal's open access policy ensures that research is widely disseminated and accessible, making it an invaluable resource for researchers, professionals, and students alike in Argentina and beyond. With converged years from 2017 to 2024, Oido Pensante continues to expand its reach, encouraging intellectual exchange and stimulating dialogue within the music community.

Muziki - Journal of Music Research in Africa is a leading publication dedicated to exploring the rich tapestry of music research across the African continent. Published by Routledge Journals, Taylor & Francis Ltd, this journal has been at the forefront of scholarly discourse since its inception in 2004, providing a platform for innovative and interdisciplinary approaches to the study of music. With an ISSN of 1812-5980 and E-ISSN of 1753-593X, it ensures wide accessibility to both print and digital audiences. As of 2023, it holds a prestigious Q3 ranking in the field of Music, reflecting its commitment to quality scholarship and the promotion of diverse musical narratives. Muziki is particularly invaluable for researchers, professionals, and students seeking to deepen their understanding of African musicology and its socio-cultural relevance. The journal publishes original research articles, reviews, and critical essays, highlighting contemporary developments and historical contexts in music research. With a Scopus rank of 59/180 in the Arts and Humanities Music category, it stands as a respected source for advancing knowledge and fostering dialogue within the global music community.

Women and Music: A Journal of Gender and Culture is a pioneering academic journal published by University of Nebraska Press, focusing on the intersection of gender and music. With a commitment to exploring issues pertinent to women and music in a range of cultural contexts, this journal provides a critical platform for scholars, musicians, and educators to share research that enriches our understanding of gender dynamics within the music industry and music's role in society. While currently not an open-access journal, it aims to make significant contributions to gender studies, cultural studies, and musicology, attracting a dedicated readership from various backgrounds. The journal is essential for those interested in feminist musicology and gender representation in the arts, fostering discourse that challenges traditional narratives and promotes inclusive scholarship. By bringing together diverse perspectives and innovative research, Women and Music continues to push boundaries and foster important conversations within both academic and artistic communities.