ART BULLETIN

Scope & Guideline

Cultivating a Community of Thoughtful Art Scholars

Introduction

Welcome to your portal for understanding ART BULLETIN, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN0004-3079
PublisherROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 1945 to 1948, from 1950 to 1959, from 1961 to 2024
AbbreviationART BULL / Art Bull.
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND

Aims and Scopes

The Art Bulletin serves as a premier platform for scholarly inquiry into the history of art, architecture, and visual culture. Its primary focus encompasses a wide range of methodologies and thematic explorations that reflect the evolving nature of art history and its intersections with various disciplines.
  1. Interdisciplinary Art Historical Research:
    The journal emphasizes interdisciplinary approaches to art history, integrating perspectives from anthropology, cultural studies, and digital humanities to enhance the understanding of visual culture.
  2. Material Culture and Object Studies:
    A consistent focus on materiality, examining how objects, their production, and their contexts inform art historical narratives.
  3. Critical Engagement with Contemporary Issues:
    The Art Bulletin engages with contemporary societal issues such as race, gender, and politics, exploring how these themes are reflected in artistic practices and visual representations.
  4. Digital Art History:
    Incorporating digital methodologies, the journal explores how technology reshapes art historical research, including computer vision, data analysis, and digital archives.
  5. Global and Transcultural Perspectives:
    The journal promotes a global art historical framework, emphasizing cross-cultural interactions and the impact of colonialism on artistic practices.
Recent publications in The Art Bulletin reveal emerging trends that reflect current scholarly priorities and societal dialogues within art history. These themes are indicative of a transformative period in the discipline.
  1. Art and Activism:
    An increasing number of articles examine the intersection of art and activism, highlighting how artists respond to social justice movements and political crises, thus positioning art as a catalyst for change.
  2. Queer and Gender Studies in Art History:
    Research focusing on LGBTQ+ perspectives and gender dynamics in art is gaining traction, exploring how these identities shape artistic expression and cultural production.
  3. Environmental Art History:
    There is a growing emphasis on environmental themes, addressing how art interacts with ecological issues and climate change, reflecting a broader societal concern for sustainability.
  4. Data-Driven and Computational Approaches:
    Emerging methodologies utilizing data analysis and computational tools are becoming prominent, allowing for innovative ways to analyze and interpret art historical data.
  5. Decolonization of Art Historical Practices:
    A significant trend is the critical examination of colonial legacies within art history, advocating for decolonization in methodologies and narratives to include diverse voices and perspectives.

Declining or Waning

While The Art Bulletin continues to thrive in many areas, certain themes have shown signs of declining prominence over recent years. This may reflect shifts in scholarly interest or the evolving landscape of art historical research.
  1. Traditional Biographical Studies:
    There has been a notable decrease in research focused solely on the biographies of artists, as the field increasingly prioritizes broader cultural and social contexts over individual narratives.
  2. Eurocentric Art Historical Narratives:
    The journal has seen a waning interest in Eurocentric perspectives, with a shift towards more inclusive narratives that address global art histories and the experiences of marginalized communities.
  3. Static Interpretations of Iconography:
    Traditional iconographic analysis, which often remains fixed in historical contexts, is being replaced by more dynamic interpretations that consider contemporary relevance and audience reception.

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