CONNAISSANCE DES ARTS, published by SFPA-CONNAISSANCE ARTS, is a prominent French journal that has been enriching the landscape of Visual Arts and Performing Arts since its inception in 1969. With an ISSN of 0293-9274, this journal offers a platform for critical exploration and scholarly discourse, making notable contributions especially in the realms of art history, criticism, and contemporary artistic practices. Although the journal currently holds a Q4 quartile ranking in its category and ranks in the lower echelon of Scopus ranks (#638 out of 667), its focus on niche topics within the arts makes it a valuable resource for researchers and professionals who seek to engage with less mainstream topics that often go overlooked. The journal publishes insightful articles, reviews, and essays, contributing to the nurturing of artistry and culture in France and beyond. While it is not an open-access publication, the journal remains a significant entity for academics and practitioners keen on advancing their understanding of visual and performing arts. For further engagement with the journal, interested parties can reach out or submit inquiries to its address at 51 RUE VIVIENNE, 75095 PARIS CEDEX 02, FRANCE.

Empirical Studies of the Arts is a prominent academic journal published by SAGE Publications Inc, specializing in the interdisciplinary fields of Literature, Music, and Visual Arts and Performing Arts. With an impressive Q1 ranking in multiple categories for 2023, this journal serves as a crucial platform for scholars, researchers, and practitioners engaged in the empirical exploration of arts and their influence on society. Established to foster rigorous inquiry, the journal features peer-reviewed articles that delve into both qualitative and quantitative research methodologies. This commitment to maintaining a high academic standard is evident in its Scopus rankings, which place it in the 99th percentile in Literature, 96th percentile in Visual Arts, and 92nd percentile in Music, making it a vital resource for those seeking to enrich their understanding of arts-related phenomena. While the journal does not currently offer open access options, it remains dedicated to advancing knowledge through comprehensive research, contributing significantly to the ongoing discourse in the arts.

Boletin de Arte-UMA is a distinguished academic journal published by the University of Malaga, Department of History of Art, focusing on the rich interplay between history, visual arts, and performing arts. Operating under an Open Access model since 2013, this journal ensures that valuable research is freely available for scholars and practitioners worldwide. With an impact factor currently reflecting its academic rigor through its Q2 ranking in History and Q1 ranking in Visual Arts and Performing Arts, Boletin de Arte-UMA serves as a vital platform for cutting-edge research, critical analysis, and the promotion of cultural heritage studies. Based in Malaga, Spain, the journal not only provides insights into its thematic scope but also fosters a global dialogue among researchers, professionals, and students passionate about the visual and performing arts.

Asian Diasporic Visual Cultures and the Americas is a pioneering journal published by BRILL, dedicated to exploring the intersections of visual culture, identity, and diaspora within the context of the Americas. With an ISSN of 2352-3077 and E-ISSN of 2352-3085, this journal has established itself as a significant resource for academics, researchers, and students interested in the visual arts and their broader social implications. Since its inception in 2015, the journal has been committed to fostering interdisciplinary dialogue, providing a platform for innovative research that examines how Asian diasporic communities express their identities through visual mediums. Despite its relatively recent establishment, it endeavors to challenge and expand the narratives related to visual arts in a diverse and globalized world. Though the journal currently does not offer open access options, it remains a vital asset for those engaged in understanding the critical dynamics of race, ethnicity, and culture in contemporary visual practices. Converging insights from both the arts and social sciences, this journal invites contributions that illuminate the complexities of diasporic experiences, making it a pertinent choice for those aiming to contribute to this evolving field.

PsyArt Journal is a leading online journal dedicated to the psychological study of the arts, published by the PSYART FOUNDATION. With an E-ISSN of 1088-5870, this journal provides a dynamic platform for researchers, professionals, and students to explore the intricate connections between psychology and various art forms. While specific metrics such as impact factor and h-index are not disclosed, its commitment to advancing the understanding of artistic expression through psychological lenses is unparalleled. PsyArt Journal embraces an open-access approach, allowing for wide dissemination of research and fostering a collaborative academic environment. The journal covers a broad scope including, but not limited to, visual arts, music, literature, and performance, providing valuable insights into how art influences mental processes and vice versa. Situated in the vibrant academic landscape of Cambridge, MA, PsyArt Journal continues to attract a diverse range of scholarly articles, reviews, and theoretical discussions, making it an essential resource for anyone invested in the intersection of psychology and the arts.

Religion and the Arts is a distinguished scholarly journal published by BRILL, based in the Netherlands, with a dedicated focus on the interdisciplinary exploration of religion and its interplay with various artistic expressions from historical and contemporary perspectives. Established in 1996, this journal serves as a vital platform for researchers, professionals, and students interested in Cultural Studies, History, Religious Studies, and the Visual and Performing Arts. Despite its current classification in the Q4 category across multiple fields, it remains committed to advancing academic discourse and fostering innovative approaches to understanding the complex relationships between spirituality and artistic creation. With its ISSN 1079-9265 and E-ISSN 1568-5292, the journal invites submissions that contribute to enriching this dynamic field, ensuring that a diverse range of voices and perspectives are represented. Although not an Open Access publication, the journal’s content continues to be pivotal for scholarly engagement and is essential reading for those dedicated to the study of art's profound connections with religious traditions.

MILLENNIUM FILM JOURNAL, published by MILLENNIUM FILM WORKSHOP INC, stands as a pivotal platform for exploration and discourse within the realm of film studies. With its ISSN 1064-5586, the journal has been noteworthy in delineating the complexities of visual arts and performing arts, contributing significantly to academic scholarship between the years 2009 to 2016, and in 2018. Though its coverage has been discontinued in Scopus, the journal has attained a respectable position within its category, ranking #320 out of 502 in the Arts and Humanities field. Researchers, professionals, and students alike are invited to engage with interdisciplinary discussions that illuminate the cultural and theoretical dimensions of cinema. While currently not offering open access options, the journal continues to serve as a vital resource for those deeply invested in the study of film, making it a respected voice in visual arts and performance research.

The Journal of Aesthetics and Art Criticism, published by Oxford University Press, stands as a premier platform for scholarly discourse in the realms of music, philosophy, and the visual and performing arts. Established in 1996 and continuing through 2024, this journal has achieved remarkable recognition, being ranked in the Q1 category across several disciplines, and securing prestigious positions in various Scopus rankings: 29th in Music, 50th in Visual Arts and Performing Arts, and 151st in Philosophy, showcasing its essential contribution to arts and humanities scholarship. While not an open-access journal, its rich repository of articles offers invaluable insights for researchers, professionals, and students alike, fostering a deeper understanding of aesthetics and critical theory. The journal's commitment to interdisciplinary approaches opens pathways for innovative dialogue, making it an indispensable resource for anyone engaged in the study and appreciation of the arts.

Third Text is a premier academic journal dedicated to the critical engagement with cultural and artistic practices, serving as a vital platform for scholars and practitioners in the fields of Cultural Studies and Visual Arts and Performing Arts. Published by Routledge Journals, Taylor & Francis Ltd in the United Kingdom, this journal has steadily established itself as a leader in its field since its inception in 1987. With an impressive Q2 ranking in both categories as of 2023, Third Text is noted for its rigorous peer-reviewed research and thought-provoking analysis, contributing significantly to contemporary discourse in the arts. While the journal maintains a traditional publication model, it offers a rich array of scholarly articles aimed at fostering dialogue and innovation among researchers, professionals, and students alike. Researchers looking to explore intricate cultural dynamics and the intersections of art, society, and politics will find Third Text an indispensable resource in their academic journey.

ZEITSCHRIFT FUR KUNSTGESCHICHTE is a prestigious journal dedicated to the study of art history, offering insightful analyses and discussions that enrich the understanding of visual arts and performing arts. Published by DEUTSCHER KUNSTVERLAG GMBH in Germany, this journal has established itself as a significant platform for researchers and professionals alike since its inception. With a print ISSN of 0044-2992 and an e-ISSN of 2569-1619, it spans a comprehensive range of topics in art history, reflecting both traditional and contemporary perspectives. Although categorized in the Q4 quartile for Visual Arts and Performing Arts, the journal contributes to a rich dialogue within its field, aiming to foster academic discourse and promote scholarly research. Its scope has evolved notably from converged years starting in 1975 and gathering strength from 2001 to 2024, and it is committed to serving as an essential resource for students, academics, and practitioners in the arts. While not offering open access, the journal maintains a rigorous peer-review process to ensure high-quality submissions that advance knowledge and stimulate critical thought.