AMERICAN MUSIC

Scope & Guideline

Unveiling the Intersections of Music and Society

Introduction

Welcome to the AMERICAN MUSIC information hub, where our guidelines provide a wealth of knowledge about the journal’s focus and academic contributions. This page includes an extensive look at the aims and scope of AMERICAN MUSIC, highlighting trending and emerging areas of study. We also examine declining topics to offer insight into academic interest shifts. Our curated list of highly cited topics and recent publications is part of our effort to guide scholars, using these guidelines to stay ahead in their research endeavors.
LanguageEnglish
ISSN0734-4392
PublisherUNIV ILLINOIS PRESS
Support Open AccessNo
CountryUnited States
TypeJournal
Convergefrom 2002 to 2023
AbbreviationAM MUSIC / Am. Music
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address1325 S OAK ST, MC-566, CHAMPAIGN, IL 61820-6903

Aims and Scopes

The journal 'AMERICAN MUSIC' serves as a critical platform for the exploration of diverse musical traditions and their intersections with American culture, identity, and society. Its research focus spans a broad range of topics, methodologies, and theoretical frameworks that reflect the complexities and dynamism of music in America.
  1. Cultural Intersections in Music:
    The journal emphasizes studies that explore how music interacts with various cultural, ethnic, and social identities in America, including discussions on Asian American jazz, Latin American influences, and the role of music in immigrant communities.
  2. Historical Contextualization of Music:
    A core focus is placed on understanding the historical contexts of American music, including its evolution during significant socio-political events, such as the Vietnam War and the Civil Rights Movement.
  3. Public Musicology and Community Engagement:
    The journal values public musicology, showcasing research that connects music scholarship with community engagement, diversity, equity, and inclusion efforts in music practices.
  4. Multimedia and Technological Influences:
    Research often explores the impact of technology and multimedia on music consumption, production, and education, reflecting contemporary shifts in the music landscape.
  5. Theoretical and Methodological Innovations:
    The journal encourages innovative methodologies and theoretical approaches to studying music, including quantitative studies and interdisciplinary collaborations.
The journal 'AMERICAN MUSIC' has witnessed a rise in several themes that reflect current societal issues, technological advancements, and a growing interest in diverse musical identities. These emerging scopes highlight the journal's responsiveness to contemporary discourse in music studies.
  1. Anti-Racism and Social Justice in Music:
    A significant trend is the exploration of anti-racism and social justice themes within music, such as the impact of anti-Asian hate on musical practices and the role of music in social movements.
  2. Transnational and Diasporic Music Studies:
    Emerging research increasingly focuses on transnational music practices and the experiences of diasporic communities, illustrating how global movements influence American music.
  3. Interdisciplinary Approaches:
    There is a growing trend towards interdisciplinary studies that incorporate insights from cultural studies, sociology, and history, reflecting the interconnectedness of music with various fields.
  4. Public Engagement and Digital Media:
    The journal is also seeing increased attention to how music engages with digital media and public platforms, emphasizing podcasts, online performances, and community-based music initiatives.
  5. Health and Well-being in Music Practices:
    Recent publications are starting to address the intersections between music, health, and well-being, indicating an emerging focus on the therapeutic aspects of musical engagement.

Declining or Waning

While 'AMERICAN MUSIC' continues to evolve, certain themes appear to be losing prominence in recent publications. These waning scopes suggest a shift in focus towards more pressing contemporary issues in music studies.
  1. Traditional Genre Studies:
    There seems to be a decline in research focusing solely on traditional music genres without contextual analysis. Rather, the journal is shifting towards exploring music within broader social and cultural frameworks.
  2. Eurocentric Music Narratives:
    Studies centered on Eurocentric narratives and classical music traditions are becoming less frequent, as the journal increasingly prioritizes diverse and marginalized musical voices.
  3. Isolated Music Histories:
    There is a noticeable reduction in papers that examine music histories in isolation. The current trend favors integrated approaches that connect various musical practices and their societal implications.

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