Folk Music Journal, published by the English Folk Dance Song Society, is a prominent publication within the fields of Music and Visual Arts and Performing Arts. This journal, based in the United Kingdom at Cecil Sharp House, has been instrumental in advancing the study and appreciation of folk music, sharing invaluable research and insights from 2002 until its recent coverage concluded in 2020. Notably indexed with a Q3 rank in both the Music and Visual Arts categories for 2023, it stands as a significant resource for researchers, professionals, and students alike, contributing to a deeper understanding of folk music's cultural impact. Although it does not currently offer Open Access, the journal has fostered scholarly discourse, reflecting its vital role in the preservation and analysis of traditional musical forms.

Musicologica Brunensia, an esteemed journal published by Masaryk University, Faculty of Arts, serves as a significant platform for the dissemination of knowledge in the field of musicology. Based in the Czech Republic, this Open Access journal has been facilitating scholarly communication since 2009, allowing unrestricted access to its rich array of research articles. With an ISSN of 1212-0391 and an E-ISSN of 2336-436X, Musicologica Brunensia proudly holds a Q3 ranking in the Music category as of 2023, reflecting its dedication to advancing research in the arts and humanities, particularly music. The journal accepts contributions spanning diverse topics within music studies, fostering interdisciplinary dialogue among researchers, professionals, and students alike. Located at Arne Novaka 1, Brno, 60200, Czech Republic, Musicologica Brunensia is poised to continue its journey of promoting innovative scholarship in musicology until 2024 and beyond, making it a valuable resource for anyone passionate about the field.

British Journal of American Legal Studies is a dynamic open-access journal published by SCIENDO, focusing on the intricate and evolving landscape of American legal studies. Since its inception in 2016, this journal has aimed to provide a platform for the dissemination of research that enhances understanding of U.S. law in a global context, promoting interdisciplinary dialogue among legal scholars, practitioners, and policy-makers. With an ISSN of 2049-4092 and an E-ISSN of 2719-5864, the journal holds a Q4 category in Law according to the 2023 rankings, reflecting its commitment to nurturing legal scholarship despite being positioned in the lower quartile among its peers. The journal's presence in Scopus, ranked #927 out of 1025 in the Social Sciences _ Law category with a percentile of 9th, demonstrates its emerging role in the field. As an open access publication, it is dedicated to making research freely available to ensure that findings and discussions reach a broader audience. The British Journal of American Legal Studies is not only instrumental for researchers and students keen on American law but also serves as an essential resource for professionals looking to stay informed about current legal challenges and developments.

HUDEBNI VEDA is a distinguished journal published by the Czech Academy of Sciences Press, specializing in the field of music. With its ISSN 0018-7003 and E-ISSN 2694-6998, this journal serves as a vital platform for scholarly communication in music studies, promoting innovative research and critical discourse. Since its inception in 2002 and scheduled for continuation until 2024, it has emerged as a respected publication within the music academic community, though currently holding a Category Quartiles ranking of Q4 in Music. Notably, it ranks #127 out of 180 in the Scopus Arts and Humanities - Music category, placing it in the 29th percentile. While it operates under traditional access constraints, HUDEBNI VEDA is committed to fostering an inclusive academic environment, inviting contributions that push the boundaries of musicology. This journal is essential for researchers, professionals, and students eager to explore and engage with contemporary issues and developments in the study of music.

WINTERTHUR PORTFOLIO: A Journal of American Material Culture, published by University of Chicago Press, is an esteemed academic journal dedicated to the exploration and analysis of American material culture. With its ISSN 0084-0416 and E-ISSN 1545-6927, this journal provides a robust platform for interdisciplinary scholarship that examines historical artifacts, their cultural contexts, and their significance in understanding American identity. Despite facing a challenging competitive landscape, as reflected in its Q3 rankings in History, Museology, and Visual Arts and Performing Arts, WINTERTHUR PORTFOLIO remains a vital resource for researchers, professionals, and students alike, fostering engagement with material culture studies since its inception in 1979. Though it does not offer Open Access options, the journal's rich repository of research and critical theories provides invaluable insights across multiple disciplines, making it an essential tool for those committed to advancing the field.

Cuadernos de Musica Artes Visuales y Artes Escenicas is an esteemed academic journal published by the PONTIFICIA UNIV JAVERIANA, FAC ARTES in Colombia. With a dedicated focus on the dynamic interplay between music, visual arts, and performing arts, this journal serves as a pivotal resource for researchers, professionals, and students engaged in these vibrant disciplines. The journal boasts impressive category quartiles, ranking Q2 in Linguistics and Language, Q2 in Music, and Q1 in Visual Arts and Performing Arts as of 2023, reflecting its growing influence and recognition in the academic community. With a commitment to open scholarly communication, Cuadernos fosters innovative research and critical dialogue among practitioners and scholars. The journal's international perspectives and comprehensive analyses help shape contemporary discourse, making it an essential platform for advancing knowledge in these fields. For contributors and readers alike, it represents a valuable opportunity to engage with emerging trends and influential works from across the globe.

Popular Music, published by Cambridge University Press, is a leading academic journal that has been at the forefront of contemporary music studies since its inception in 1981. With its comprehensive scope encompassing a rich diversity of topics within the fields of Cultural Studies and Music, this journal holds a respectable Q2 ranking in both categories as of 2023, underscoring its significant impact on the scholarly discourse surrounding popular music. Researchers, professionals, and students alike will find invaluable insights within its pages as it explores the socio-cultural dynamics of music from various global perspectives. While it is not an open-access journal, the publication aims to foster critical dialogue and interdisciplinary scholarship. Based in the United Kingdom, Popular Music serves as a vital resource for those interested in the intersections of music, culture, and society, sustaining a vibrant academic community through rigorous peer-reviewed articles and reviews. Engage with the latest research and deepen your understanding of popular music's ever-evolving landscape.

Resonancias is a distinguished open-access journal published by the Pontificia Universidad Católica de Chile, dedicated to advancing the field of music studies. With an ISSN of 0717-3474 and an E-ISSN of 0719-5702, this journal has been promoting scholarly discourse in music since its transition to open access in 2014. Resonancias serves as a critical platform for researchers, professionals, and students alike, enabling them to disseminate knowledge and explore innovative perspectives in musicology. With its current Q2 ranking in the field of music as of 2023, and a Scopus ranking of #108 out of 180, this journal exemplifies its commitment to quality and impact within the academic community, fostering an accessible database of music research from Chile and beyond. Situated at AVENIDA VICUNA MACKENNA 4860, MACUL, SANTIAGO, CHILE, Resonancias not only promotes original research but also includes critical reviews, interviews, and essays that contribute to the rich tapestry of musical knowledge.

Musicology Australia is a leading journal published by Routledge Journals, Taylor & Francis Ltd, specializing in the field of musicology and the study of music within the context of Australian culture. With its longstanding legacy dating back to 1964, this peer-reviewed journal offers a platform for innovative research and critical discourse that engages with a diverse range of topics in music studies. While it is ranked in the third quartile (Q3) for music in 2023 and holds a Scopus rank of #102 out of 180 in the Arts and Humanities, its contributions are vital for both established scholars and emerging researchers. The journal is based in the United Kingdom, with headquarters located in Milton Park, Abingdon. Although currently unavailable for open access, Musicology Australia remains committed to enhancing the understanding and appreciation of music in a global context, making it an essential resource for researchers, professionals, and students alike.

Arti Musices is a distinguished open-access journal published by the Croatian Musicological Society since 2007, dedicated to advancing the field of musicology and related arts and humanities disciplines. Operating from Zagreb, Croatia, this journal aims to provide a platform for scholarly communication, fostering international dialogue among researchers, musicologists, and practitioners. Although it has a current Scopus ranking in the bottom quartile within its category (Q4 in Music), it offers a unique perspective on the musicological landscape, particularly from a regional standpoint. Researchers seeking to contribute to or glean insights from this evolving field will find that Arti Musices serves an important role in disseminating innovative ideas and empirical research. The journal accepts submissions across a broad spectrum of music-related topics, inviting contributions that reflect the complexities and cultural contexts of music today.