FOLK MUSIC JOURNAL

Scope & Guideline

Connecting Communities Through Melodies and Rhythms

Introduction

Welcome to the FOLK MUSIC JOURNAL information hub, where our guidelines provide a wealth of knowledge about the journal’s focus and academic contributions. This page includes an extensive look at the aims and scope of FOLK MUSIC JOURNAL, highlighting trending and emerging areas of study. We also examine declining topics to offer insight into academic interest shifts. Our curated list of highly cited topics and recent publications is part of our effort to guide scholars, using these guidelines to stay ahead in their research endeavors.
LanguageEnglish
ISSN0531-9684
PublisherENGLISH FOLK DANCE SONG SOC.
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 2002 to 2008, from 2011 to 2020 (coverage discontinued in Scopus)
AbbreviationFOLK MUSIC J / Folk Music J.
Frequency1 issue/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressCECIL SHARP HOUSE, 2 REGENTS PARK RD, LONDON NW1 7AY, ENGLAND

Aims and Scopes

The FOLK MUSIC JOURNAL aims to explore the diverse landscapes of folk music through historical, cultural, and pedagogical lenses. It emphasizes the significance of traditional music in shaping cultural identity and community, while also examining the socio-political contexts surrounding folk traditions.
  1. Exploration of Folk Music Traditions:
    The journal delves deep into various folk music traditions from around the world, documenting their historical evolution, cultural significance, and community roles.
  2. Socio-Cultural Analysis:
    It focuses on the socio-political contexts of folk music, analyzing how these musical forms intersect with issues of identity, migration, and social change.
  3. Archival Research and Documentation:
    The journal emphasizes the importance of archival materials, presenting research that uncovers lost or underrepresented folk traditions and song collections.
  4. Interdisciplinary Approaches:
    FOLK MUSIC JOURNAL employs interdisciplinary methodologies, integrating perspectives from musicology, cultural studies, history, and anthropology.
  5. Pedagogy and Community Engagement:
    The journal supports discussions around teaching folk music, community engagement, and the transmission of traditions to future generations.
The FOLK MUSIC JOURNAL has seen a rise in certain themes that reflect contemporary issues and interests in folk music scholarship. These emerging scopes indicate a dynamic and responsive research environment.
  1. Cultural Identity and Folk Music:
    There is a growing trend towards exploring the role of folk music in expressing and shaping cultural identities, particularly in multicultural contexts.
  2. Folk Music and Political Activism:
    Recent publications increasingly address the connections between folk music and political movements, highlighting how traditional songs serve as tools for social change.
  3. Digital Archiving and Accessibility:
    Emerging research focuses on digital archives and the accessibility of folk music resources, reflecting the impact of technology on preservation and dissemination.
  4. Community-Based Folk Practices:
    A significant increase in studies about community-based folk practices emphasizes participatory approaches and the role of local communities in sustaining folk traditions.
  5. Gender and Folk Music:
    There is an expanding interest in the roles of gender within folk music, examining how women and LGBTQ+ individuals contribute to and shape folk traditions.

Declining or Waning

While the FOLK MUSIC JOURNAL has maintained a robust focus on various folk traditions, some themes have shown a decline in prominence over recent years. These waning scopes reflect changes in research interests and the evolving landscape of folk music scholarship.
  1. Focus on Regional Folk Music:
    Research specifically centered on regional folk traditions has diminished, possibly due to a broader interest in global folk music contexts.
  2. Historical Reenactments:
    The journal has seen fewer articles dedicated to historical reenactments of folk traditions, suggesting a shift away from performance-based studies.
  3. Traditional Folk Instruments:
    There appears to be a decline in papers focusing solely on traditional folk instruments, as the journal increasingly emphasizes thematic and cultural analyses over instrument-specific studies.
  4. Folk Music in Popular Media:
    Less emphasis is placed on the intersection of folk music and popular media, indicating a potential shift in focus towards more traditional and community-based aspects of folk music.
  5. Commercialization of Folk Music:
    Discussions around commercialization and commodification of folk music have decreased, perhaps reflecting an evolving discourse that prioritizes authenticity and tradition.

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