Antropologia e Teatro-Rivista di Studi

Scope & Guideline

Innovating Perspectives on Performance and Society

Introduction

Welcome to your portal for understanding Antropologia e Teatro-Rivista di Studi, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageMulti-Language
ISSN2039-2281
PublisherUNIV STUDI BOLOGNA, DIPT MUSICA & SPETTACOLO
Support Open AccessNo
Country-
Type-
Converge-
AbbreviationANTROPOL TEATRO / Antropol. Teatro
Frequency1 issue/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressVIA GALLIERA 3-40121, BOLOGNA 00000, ITALY

Aims and Scopes

The journal 'Antropologia e Teatro-Rivista di Studi' serves as a platform for interdisciplinary exploration of the intersection between anthropology and performance arts. It aims to foster an understanding of how cultural heritage, identity, and performance practices influence one another across diverse contexts.
  1. Intercultural Dialogue in Performance Arts:
    The journal emphasizes the role of performance arts as a medium for intercultural dialogue, exploring how different cultures express their identities and heritage through various performance forms.
  2. Preservation of Intangible Cultural Heritage:
    A significant focus lies on the preservation and valorization of intangible cultural heritage, particularly through the lens of UNESCO conventions, examining case studies and methodologies for safeguarding these practices.
  3. Ethnographic Approaches to Performance:
    The journal employs ethnographic methodologies to analyze performance practices, providing insights into the lived experiences of artists and communities, and how these experiences shape cultural narratives.
  4. Historical Contextualization of Performance Training:
    Research often delves into the historical evolution of actor training and performance practices, reflecting on how these methodologies have adapted over time in response to socio-cultural changes.
  5. Reflections on Contemporary Cultural Issues:
    Articles frequently address contemporary issues such as cultural diversity, identity politics, and the impacts of globalization on local performance practices.
Recent publications in 'Antropologia e Teatro-Rivista di Studi' reflect emerging themes that indicate a shift in research focus, capturing the evolving landscape of performance studies and anthropology.
  1. Impact of UNESCO Conventions on Cultural Practices:
    A growing interest in the implications of UNESCO's intangible cultural heritage conventions highlights how these frameworks influence local practices and the global dialogue surrounding cultural preservation.
  2. Cross-Cultural Collaborations and Exchanges:
    There is an increasing frequency of studies focusing on cross-cultural collaborations in performance, showcasing how artists from diverse backgrounds engage in shared projects that challenge traditional boundaries.
  3. Interdisciplinary Approaches to Performance Analysis:
    The journal is witnessing a trend towards interdisciplinary methods that integrate anthropology, sociology, and performance studies, enriching the analysis of cultural expressions and their contexts.
  4. Reflections on the Role of Performance in Social Change:
    Emerging themes explore how performance acts as a catalyst for social change, examining artistic practices that address contemporary societal issues such as identity, migration, and community resilience.
  5. Digital and Virtual Performance Spaces:
    The rise of digital platforms for performance has become a significant topic of interest, with research focusing on how these virtual spaces reshape audience engagement and performance practices.

Declining or Waning

While the journal maintains a broad range of interests, certain themes have shown a decline in frequency or relevance in recent publications. These waning scopes reflect shifts in focus and emerging priorities within the field.
  1. Traditional Performance Forms:
    There appears to be a reduction in discussions focused solely on traditional performance forms, as the journal increasingly prioritizes contemporary interpretations and intercultural exchanges.
  2. Local vs. Global Narratives:
    The journal has seen less emphasis on purely local narratives, shifting towards more global perspectives that consider transnational influences and hybrid practices in performance arts.
  3. Theoretical Frameworks in Performance Studies:
    There has been a noticeable decrease in papers strictly adhering to classical theoretical frameworks in performance studies, with a pivot towards more applied and interdisciplinary approaches.

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