Jeu-Revue de Theatre is a distinguished journal dedicated to the exploration and analysis of theatrical arts, published by CAHIERS THEATRE JEU INC. With a rich history reflected in its ISSN 0382-0335 and E-ISSN 1923-2578, this journal serves as a vital platform for scholars, practitioners, and students interested in the multifaceted dimensions of theatre. Based in Montreal, Canada, the journal aims to foster a deeper understanding of theatre through scholarly articles, performance reviews, and critical essays, making it essential reading for those engaged in the performing arts. While the journal does not currently offer open access options, its comprehensive discussions and research contribute significantly to the field, encouraging a vibrant dialogue among artists and academics alike. With a commitment to promoting innovative scholarship, Jeu-Revue de Theatre stands as an invaluable resource in the dramatic arts landscape.

NEW THEATRE QUARTERLY, published by Cambridge University Press, is a leading academic journal in the realm of Visual Arts and Performing Arts, demonstrating significant contributions to the study and practice of theatre since its inception in 1985. With an ISSN of 0266-464X and an E-ISSN of 1474-0613, this Journal not only features scholarly articles but also engages practitioners and academics with thought-provoking discussions and analyses relevant to contemporary theatrical practices. Its current standing in the Q2 category for the year 2023 showcases its influence, ranked at 282 out of 667 in its field, placing it in the 57th percentile according to Scopus rankings. Spanning from the field of aesthetics to performance studies, NEW THEATRE QUARTERLY aims to foster a dialogue that bridges historical perspectives with modern theoretical frameworks, enriching the academic landscape and supporting budding theatre scholars and practitioners alike. Although not an open-access journal, it provides diverse access options through various academic libraries globally, ensuring that key insights within theatre research are readily available to students and professionals striving to enhance their understanding and engagement with the performing arts.

Classical Receptions Journal, published by Oxford University Press, is a leading scholarly periodical that engages with the intersection of classical studies and contemporary culture. With its ISSN 1759-5134 and E-ISSN 1759-5142, the journal has established itself as a notable platform for innovative research that examines how classical texts, themes, and ideas continue to resonate in modern contexts. With a scope that includes the realms of Arts and Humanities, Classics, and Cultural Studies, this journal is ranked in the Q2 category for Classics and Q3 for both Arts and Humanities and Cultural Studies, demonstrating its significant impact in the field. Researchers and students will find a wealth of peer-reviewed articles that not only explore historical reception but also inspire new conversations and methodologies. The journal's commitment to publishing quality scholarship makes it an essential resource for anyone interested in the ongoing relevance of classical antiquity in today’s world, from its home base in the United Kingdom at Great Clarendon St, Oxford.

Canadian Theatre Review, published by University of Toronto Press Inc, stands as a leading academic journal in the fields of Visual Arts and Performing Arts. With its ISSN 0315-0836 and E-ISSN 1920-941X, this journal features a robust collection of scholarly articles that contribute significant insights into Canadian theatre, its history, critical theory, and contemporary practices. Renowned for its rigorous academic standards, it has achieved a prestigious Q1 ranking in the 2023 category of Visual Arts and Performing Arts, reflecting its influential position in the scholarly community. The journal, which converged years span from 2009 to 2024, does not currently offer open access; however, it provides a platform for researchers, practitioners, and students to engage with critically important issues in theatrical studies. Located at Journals Division, 5201 Dufferin St, Downsview, Toronto, ON M3H 5T8, Canada, Canadian Theatre Review continues to shape the dialogue around performance, serving both as a historical repository and a contemporary critique of the art form.

Multicultural Shakespeare: Translation, Appropriation and Performance is an esteemed open-access journal published by LODZ UNIV PRESS since 2011, dedicated to advancing scholarship in the fields of cultural studies, linguistics, and the performing arts. With an ISSN of 2083-8530 and an E-ISSN of 2300-7605, this journal plays a pivotal role in exploring the intersections of Shakespearean texts within diverse cultural contexts, offering fresh interpretations and performances. Hailing from Poland, it has made a noticeable impact by emerging in notable quartiles, particularly achieving Q3 rankings in both Literature and Literary Theory as well as Visual Arts and Performing Arts in 2023. The journal caters to a global audience of researchers, professionals, and students committed to enriching their understanding of multicultural perspectives on Shakespeare, embracing the nuances of translation and its relevance in today's multifaceted world. By providing an accessible platform for rigorous scholarship, this journal not only encourages academic discourse but also inspires innovative interpretations and performances that reflect our multicultural society.

THEATRE RESEARCH INTERNATIONAL, published by Cambridge University Press, stands as a vital academic journal dedicated to the dynamic and multifaceted field of theatre studies. With its ISSN 0307-8833 and E-ISSN 1474-0672, this journal has been a cornerstone of scholarly discourse since its inception in 1970, continuing to provide valuable insights through 2024. Ranked in the Q2 quartile for both Literature and Literary Theory and Visual Arts and Performing Arts, it boasts impressive performance metrics reflected in its Scopus rankings at the 72nd and 62nd percentiles, respectively. The journal aims to illuminate the interplay between theatre and its cultural, social, and historical contexts, fostering a platform for both established and emerging voices in the field. While the journal is not Open Access, it ensures rigorous peer-reviewed content that engages researchers, professionals, and students alike, making it indispensable for anyone seeking to broaden their understanding and contribute to theatre research.

RIDE - The Journal of Applied Theatre and Performance is an esteemed academic publication dedicated to exploring the multifaceted relationships between theatre, performance, and applied practices. Published by Routledge Journals, Taylor & Francis Ltd, this journal serves as a vital resource for scholars, practitioners, and students in the fields of education, literature, and the visual and performing arts. With a commendable 2023 Impact Factor indicating its significance in the arts and humanities, RIDE ranks in the top quartiles (Q1 and Q3) across various categories, including Literature and Literary Theory, and Visual Arts and Performing Arts. This rigorous journal encompasses a broad range of topics such as transformative learning through performance, the role of theatre in social change, and innovative pedagogical strategies. While not open access, RIDE provides valuable insights and research that are crucial for advancing the understanding and practice of applied theatre and performance. With its extensive scope and compelling content, RIDE stands as a cornerstone for those interested in the dynamic intersections of art, education, and society, continuing to publish impactful research from 2010 to 2024 and beyond.

THEATRE NOTEBOOK is a distinguished journal published by the Society for Theatre Research, focusing on the rich and diverse field of theatre studies. With an ISSN of 0040-5523 and an E-ISSN of 2051-8358, this journal serves as a crucial platform for scholars, practitioners, and enthusiasts to explore theatrical practices, historical contexts, and critical analyses. Although currently not operating under an open access model, it remains an invaluable resource for advancing discourse in performance studies. Often regarded as a key publication in its field, THEATRE NOTEBOOK encompasses a variety of topics, from contemporary theatre critiques to historical retrospectives, fostering a deeper understanding of the theatrical arts. Throughout its publication history, including coverage from 2002 to 2008 and 2010 to 2011, the journal has upheld a commitment to scholarly rigor and innovation, making it an essential reading for anyone dedicated to the study and appreciation of theatre.

THEATRE HISTORY STUDIES, published by University of Alabama Press, serves as an essential platform for scholarly discourse and research in the fields of Cultural Studies and Visual Arts and Performing Arts. With an ISSN of 0733-2033, this journal offers critical insights into the evolution of theatre and performance, positioning itself as a valuable resource for researchers and practitioners alike. Despite its niche focus, it holds a commendable ranking in Scopus, reflecting its cultural significance and academic rigor—ranked #356 out of 667 in Visual Arts and Performing Arts and #911 out of 1304 in Cultural Studies. The journal has published continuously from 2002 to 2012, and again in 2014 to 2019, as well as from 2021 to 2023, consistently fostering a rich dialogue around artistic practices and historical contexts. Although not open access, its articles are pivotal for advancing knowledge and inspiring new perspectives in the interplay of theatre, culture, and society. For those dedicated to understanding the intricate tapestry of performance studies, THEATRE HISTORY STUDIES is a must-read.

Australasian Drama Studies is a renowned academic journal published by the Australasian Association for Theatre, Drama & Performance Studies that serves as a vital platform for the exploration and discourse on drama and performance studies within the Australasian context. With a commitment to fostering scholarly research in the arts, this journal plays a significant role in the visual and performing arts landscape, boasting an impressive Scopus rank, positioned at #374 among 667 journals in its category, reflecting its academic relevance and quality. Although it operates on a non-open access model, its rigorous content spanning from 2002 to 2004, 2009 to 2012, and recently from 2019 to 2023, engages a diverse audience of researchers, practitioners, and students. With a current category quartile ranking of Q3 in both Visual Arts and Performing Arts for 2023, Australasian Drama Studies continues to enrich the academic community by inviting contributions that bridge both theoretical and practical dimensions of drama, enhancing the understanding of its cultural significance in Australasia and beyond.