Nordic Theatre Studies is a prestigious academic journal published by FORENINGEN NORDISKA TEATERFORSKARE, dedicated to the field of visual arts and performing arts, with a special emphasis on Nordic traditions and contemporary practices. With an ISSN of 0904-6380 and E-ISSN of 2002-3898, this journal serves as a vital forum for scholars, theatre practitioners, and students looking to explore the rich tapestry of Nordic theatre. Recognized for its quality, it ranks in the Q3 category in the latest 2023 rankings and boasts a significant position in the Scopus database, standing at Rank #209/667 with a 68th percentile. The journal, covering converged years from 2011 to 2012 and 2014 to 2023, provides open access to a variety of research articles, reviews, and theoretical explorations that address both historical and contemporary issues in theatre studies. By bridging academic rigor with practical insights, Nordic Theatre Studies aims to contribute to the dialogue surrounding the evolving landscape of theatre, making it an indispensable resource for researchers and practitioners alike.

Early Theatre is a pioneering journal dedicated to the study of early modern drama and theatre, published by ITER, a recognized leader in scholarly publishing. With its ISSN number 1206-9078, the journal aims to foster a deeper understanding of the rich history and cultural significance of theatrical traditions prior to the 18th century. Although it does not have an open access model, Early Theatre provides invaluable insights through rigorous peer-reviewed articles, reviews, and critical essays that underscore its commitment to academic excellence. The journal serves as an essential resource for researchers, professionals, and students interested in the intersections of literature, performance studies, and history. By publishing cutting-edge research, it plays a crucial role in enhancing scholarly dialogue and advancing the field of early theatre studies. The journal’s physical address is located at UNIV TORONTO LIBRARIES, STE 7009 130 ST GEORGE ST, TORONTO, ON M5S 1A5, CANADA, and it champions future scholarship that contributes to the ongoing conversation surrounding theatrical arts from the early modern period.

Applied Theatre Research is a distinguished journal published by Intellect Ltd, focusing on the dynamic intersection of theatre, cultural studies, literature, and the performing arts. With the ISSN 2049-3010 and E-ISSN 2049-3029, this publication has carved a niche for itself in academic circles, evidenced by its categorization in various Scopus metrics, including ranking in the top quartiles for literature and literary theory, visual arts, and performing arts. The journal caters to a global audience and is recognized for its significant contribution to the understanding and development of applied theatre concepts and practices. As an essential resource for researchers, professionals, and students alike, it aims to foster interdisciplinary dialogue and exploration, making crucial strides in identifying the transformative role of theatre in diverse societal contexts. The journal operates under a rigorous peer-review system to ensure the highest academic standards, embracing open access to foster wider dissemination of knowledge. With a convergence period extending from 2017 to 2024, it continues to impact the academic landscape, holding a substantial place within the broad field of cultural studies.

The Harold Pinter Review-Essays on Contemporary Drama, published by Penn State University Press, is an esteemed academic journal dedicated to the exploration of contemporary drama through the lens of Harold Pinter's significant contributions to the field. With an ISSN of 2473-8433 and an E-ISSN of 2473-8441, the journal aims to synthesize critical essays and reviews that enhance the understanding of Pinter's work and its impact on modern theatrical practices. Engaging with a diverse range of topics related to drama, performance, and literature, this journal targets scholars, theater professionals, and students alike, providing them with a platform to share rigorous analysis and innovative perspectives. Although it does not currently operate under an Open Access model, the Harold Pinter Review remains a vital resource for anyone devoted to the study of contemporary theatre and the lasting influence of Pinter's narratives on global drama.

Studies in Musical Theatre, an esteemed journal published by INTELLECT LTD, is a vital resource for those immersed in the complex interplay of music, literature, and performance. This journal, with ISSN 1750-3159 and E-ISSN 1750-3167, boasts a robust academic reputation, evidenced by its presence in the second quartile (Q2) across the categories of Literature and Literary Theory, Music, and Visual Arts and Performing Arts as of 2023. With a Scopus ranking that positions it within the 63rd percentile in Literature and Literary Theory, and noteworthy rankings in other relevant fields, Studies in Musical Theatre provides scholars, students, and practitioners with a platform to explore innovative research and critical discourse. Addressing pivotal themes in musical theatre, it aims to foster an interdisciplinary approach that enhances understanding and appreciation of this dynamic art form. Though a traditional access model is employed, the journal’s commitment to the scholarly community ensures that it remains an essential tool for those dedicated to advancing the field.

Classical Receptions Journal, published by Oxford University Press, is a leading scholarly periodical that engages with the intersection of classical studies and contemporary culture. With its ISSN 1759-5134 and E-ISSN 1759-5142, the journal has established itself as a notable platform for innovative research that examines how classical texts, themes, and ideas continue to resonate in modern contexts. With a scope that includes the realms of Arts and Humanities, Classics, and Cultural Studies, this journal is ranked in the Q2 category for Classics and Q3 for both Arts and Humanities and Cultural Studies, demonstrating its significant impact in the field. Researchers and students will find a wealth of peer-reviewed articles that not only explore historical reception but also inspire new conversations and methodologies. The journal's commitment to publishing quality scholarship makes it an essential resource for anyone interested in the ongoing relevance of classical antiquity in today’s world, from its home base in the United Kingdom at Great Clarendon St, Oxford.

ASIAN THEATRE JOURNAL, published by University of Hawaii Press, is a distinguished scholarly journal dedicated to the exploration of theatrical arts in Asia. With its ISSN 0742-5457 and E-ISSN 1527-2109, the journal serves as a crucial platform for researchers, practitioners, and students interested in the dynamic intersections of culture, performance, and social commentary within Asian theatre traditions. As of 2023, it proudly holds a Q2 ranking in the fields of Visual Arts and Performing Arts, highlighting its significance and influence in shaping academic discourse. The journal is indexed in Scopus, ranking at #257 out of 667 in the Arts and Humanities category, placing it in the 61st percentile. Despite not being open access, ASIAN THEATRE JOURNAL remains committed to fostering a deeper understanding of Asian theatrical practices and their global implications. With a convergence of years from 2002 to 2024, it promises to be an invaluable resource for those seeking to delve into the richness of Asian performance traditions.

NEW THEATRE QUARTERLY, published by Cambridge University Press, is a leading academic journal in the realm of Visual Arts and Performing Arts, demonstrating significant contributions to the study and practice of theatre since its inception in 1985. With an ISSN of 0266-464X and an E-ISSN of 1474-0613, this Journal not only features scholarly articles but also engages practitioners and academics with thought-provoking discussions and analyses relevant to contemporary theatrical practices. Its current standing in the Q2 category for the year 2023 showcases its influence, ranked at 282 out of 667 in its field, placing it in the 57th percentile according to Scopus rankings. Spanning from the field of aesthetics to performance studies, NEW THEATRE QUARTERLY aims to foster a dialogue that bridges historical perspectives with modern theoretical frameworks, enriching the academic landscape and supporting budding theatre scholars and practitioners alike. Although not an open-access journal, it provides diverse access options through various academic libraries globally, ensuring that key insights within theatre research are readily available to students and professionals striving to enhance their understanding and engagement with the performing arts.

Stanislavski Studies is a distinguished academic journal dedicated to exploring the profound impact of Konstantin Stanislavski's methodologies on the field of performing arts. Published by Routledge Journals, Taylor & Francis Ltd, this journal has quickly established itself as a leading resource since its inception in 2012, achieving a Q1 ranking in both Visual Arts and Performing Arts categories as of 2023. With a Scopus Rank of #181 out of 667, it occupies a prominent position within the 72nd percentile in Arts and Humanities, affirming its significance to scholars and practitioners alike. Although currently not an Open Access journal, it provides crucial insights and scholarly articles that delve into Stanislavski's techniques, applications, and influence on contemporary theater practices. Based in the United Kingdom, the journal aims to facilitate rigorous scholarship and stimulate discussions among researchers, professionals, and students passionate about the performing arts, thereby contributing to the ongoing evolution of theater education and practice.

Jeu-Revue de Theatre is a distinguished journal dedicated to the exploration and analysis of theatrical arts, published by CAHIERS THEATRE JEU INC. With a rich history reflected in its ISSN 0382-0335 and E-ISSN 1923-2578, this journal serves as a vital platform for scholars, practitioners, and students interested in the multifaceted dimensions of theatre. Based in Montreal, Canada, the journal aims to foster a deeper understanding of theatre through scholarly articles, performance reviews, and critical essays, making it essential reading for those engaged in the performing arts. While the journal does not currently offer open access options, its comprehensive discussions and research contribute significantly to the field, encouraging a vibrant dialogue among artists and academics alike. With a commitment to promoting innovative scholarship, Jeu-Revue de Theatre stands as an invaluable resource in the dramatic arts landscape.