RIHA Journal, an esteemed publication in the field of Visual Arts and Performing Arts, is published by the RIHA-INT ASSOC RESEARCH, INST HISTORY ART in Germany. Since its inception in 2010, this Open Access journal has aimed to foster scholarly discussion and dissemination of research within art history and related disciplines. With a commitment to providing a platform for innovative and interdisciplinary approaches, RIHA Journal is easily accessible to a global audience, encouraging researchers, professionals, and students alike to engage with cutting-edge scholarship. Despite its current position within the Q4 category and a Scopus rank of #402 out of 667, the journal's role is increasingly pivotal as it continues to expand its reach and impact within the academic community. Located at the Central Institute for Art History in Munich, Germany, RIHA Journal is dedicated to enriching the study of art history from 2010 to 2024 and beyond, paving the way for future explorations and discussions in the visual arts.

MITTEILUNGEN DES KUNSTHISTORISCHEN INSTITUTES IN FLORENZ, published by LIBRERIA SALIMBENI, is a prestigious journal based in Germany that serves as a vital resource for scholars and practitioners in the fields of history, visual arts, and performing arts. With an ISSN of 0342-1201, this journal reflects significant academic excellence, as evidenced by its Scopus rankings, placing it in the second quartile (Q2) for both History and Visual Arts and Performing Arts in 2023. The journal covers a broad scope from 2002 to 2010 and from 2013 to 2023, focusing on interdisciplinary studies that bridge historical context with contemporary artistic practices. Although not open access, MITTEILUNGEN continues to contribute important insights and critical discourse, making it an essential read for researchers, professionals, and students committed to advancing knowledge in these dynamic fields.

GOYA, published by the esteemed FUNDACION LAZARO GALDIANO, is a pivotal journal in the field of Visual Arts and Performing Arts. With an ISSN of 0017-2715, this Spanish journal serves as a critical platform for scholars, artists, and practitioners to engage with contemporary issues, trends, and methodologies in the arts. Since its inception, GOYA has strived to illuminate the intersection of artistic expression and cultural discourse, with coverage spanning from 2002 to 2024. The journal proudly holds a Q3 category ranking in the 2023 Scopus assessments for its field, reflecting its respected position among peers, with a notable rank of #377 out of 667. Though it does not follow an Open Access model, GOYA continues to contribute significantly to the academic landscape, enabling a deeper understanding of artistic practices and their societal implications. Researchers and students alike will find the journal an invaluable resource for insights and inspiration within the dynamic realm of the arts.

Experiment-A Journal of Russian Culture is a distinctive publication dedicated to exploring the multifaceted dimensions of Russian culture, encompassing literature, art, and social history. Published by BRILL, a respected name in academic publishing, this journal provides a platform for original research and insightful discourse, fostering a deeper understanding of Russia's rich cultural heritage. With an ISSN of 1084-4945 and an E-ISSN of 2211-730X, the journal is organized in a quarterly format, although it has seen varied publication years from 1996 through 2023. While it currently holds a Q4 ranking in both Cultural Studies and Visual Arts and Performing Arts, its commitment to interdisciplinary inquiry makes it a vital resource for researchers, professionals, and students interested in contemporary and historical Russian cultural phenomena. Despite its modest impact factors, the journal remains an essential platform for the dissemination of critical perspectives and theoretical frameworks, contributing to the ongoing dialogue about Russian identity and its artistic representations. The journal is available in print and may have limited digital access options, making it all the more precious for collectors and libraries committed to cultural studies.

OUD HOLLAND is a prestigious journal published by BRILL, focusing on the rich history and developments in the visual arts and performing arts. With a historical lineage dating back to its initial publication years from 1883 and periodic revivals until 2024, this journal has maintained its relevance amidst evolving artistic discourse. It holds an impressive standing in the Arts and Humanities field, ranking 338 out of 667 in the Visual Arts and Performing Arts category, positioning it comfortably within the 49th percentile. The journal disseminates critical research and insightful articles that cater to scholars, professionals, and students dedicated to advancing their understanding of artistic heritage and contemporary methodologies. Though currently not open access, OUD HOLLAND represents an invaluable resource for those committed to exploring the multifaceted dimensions of art, offering access to a wealth of knowledge grounded in meticulous research and scholarship.

CONNAISSANCE DES ARTS, published by SFPA-CONNAISSANCE ARTS, is a prominent French journal that has been enriching the landscape of Visual Arts and Performing Arts since its inception in 1969. With an ISSN of 0293-9274, this journal offers a platform for critical exploration and scholarly discourse, making notable contributions especially in the realms of art history, criticism, and contemporary artistic practices. Although the journal currently holds a Q4 quartile ranking in its category and ranks in the lower echelon of Scopus ranks (#638 out of 667), its focus on niche topics within the arts makes it a valuable resource for researchers and professionals who seek to engage with less mainstream topics that often go overlooked. The journal publishes insightful articles, reviews, and essays, contributing to the nurturing of artistry and culture in France and beyond. While it is not an open-access publication, the journal remains a significant entity for academics and practitioners keen on advancing their understanding of visual and performing arts. For further engagement with the journal, interested parties can reach out or submit inquiries to its address at 51 RUE VIVIENNE, 75095 PARIS CEDEX 02, FRANCE.

The Australian and New Zealand Journal of Art, published by Taylor & Francis Ltd, stands as a critical platform for scholarly discourse in the fields of art, visual arts, and performing arts, contributing to the ongoing dialogue regarding contemporary artistic practices and methodologies across Australia and New Zealand. With an ISSN of 1443-4318 and an E-ISSN of 2203-1871, this journal invites submissions that strive for innovation and insightful critique, aiming to foster a deeper appreciation and understanding of diverse artistic expressions. Despite its classification in the fourth quartile under the Arts and Humanities categories, it continues to attract attention within its niche, as evidenced by its Scopus rankings, indicating its vital role in the academic landscape. The journal is committed to bridging the gap between research and practice, providing access to a wealth of interdisciplinary knowledge for researchers, professionals, and students alike.

SOURCE-NOTES IN THE HISTORY OF ART is a vital publication in the field of visual arts and performing arts, managed by the prestigious University of Chicago Press. With its ISSN 0737-4453 and E-ISSN 2328-207X, the journal serves as a scholarly platform for researchers, professionals, and students who are passionate about exploring the intricacies of art history. Although it currently holds a Q4 ranking in 2023, it provides a unique contribution by documenting and analyzing various dimensions of artistic endeavors, from historical references to contemporary practices. Despite being a newer entrant in the academic landscape, its focus on detailed source notes allows for deeper understanding and connections within art scholarship. Situated in the heart of Chicago, a city rich in artistic heritage, this journal is committed to promoting critical discourse and fostering awareness of the evolving narratives in art history. As the journal continues to cultivate rigorous academic dialogue, it stands as an essential resource for those dedicated to advancing and enriching the study of the arts.

Artibus et Historiae is a distinguished academic journal published by IRSA PUBLISHING HOUSE, focusing on the fields of Visual Arts and Performing Arts within the broader scope of Arts and Humanities. With an ISSN of 0391-9064, this journal has become a crucial platform for the dissemination of scholarly research, critical discourse, and innovative ideas in art history and visual culture. Though its coverage in Scopus was discontinued in 2018, it maintained a respectable ranking of #279 out of 502 in its category, placing it in the 44th percentile. This positions Artibus et Historiae as a respected contributor to scholarly conversations in its field. Researchers, professionals, and students will find valuable insights and analyses that deepen their understanding of artistic practices and historical contexts. While not an open-access journal, it aims to bridge the gap between academia and broader audiences interested in the dynamic interplay of art and history.

ZEITSCHRIFT FUR KUNSTGESCHICHTE is a prestigious journal dedicated to the study of art history, offering insightful analyses and discussions that enrich the understanding of visual arts and performing arts. Published by DEUTSCHER KUNSTVERLAG GMBH in Germany, this journal has established itself as a significant platform for researchers and professionals alike since its inception. With a print ISSN of 0044-2992 and an e-ISSN of 2569-1619, it spans a comprehensive range of topics in art history, reflecting both traditional and contemporary perspectives. Although categorized in the Q4 quartile for Visual Arts and Performing Arts, the journal contributes to a rich dialogue within its field, aiming to foster academic discourse and promote scholarly research. Its scope has evolved notably from converged years starting in 1975 and gathering strength from 2001 to 2024, and it is committed to serving as an essential resource for students, academics, and practitioners in the arts. While not offering open access, the journal maintains a rigorous peer-review process to ensure high-quality submissions that advance knowledge and stimulate critical thought.