BURLINGTON MAGAZINE

Scope & Guideline

Illuminating Artistic Insights Since 1980

Introduction

Welcome to the BURLINGTON MAGAZINE information hub, where our guidelines provide a wealth of knowledge about the journal’s focus and academic contributions. This page includes an extensive look at the aims and scope of BURLINGTON MAGAZINE, highlighting trending and emerging areas of study. We also examine declining topics to offer insight into academic interest shifts. Our curated list of highly cited topics and recent publications is part of our effort to guide scholars, using these guidelines to stay ahead in their research endeavors.
LanguageEnglish
ISSN0007-6287
PublisherBURLINGTON MAG PUBL LTD
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Converge1980, from 2002 to 2024
AbbreviationBURLINGTON MAG / Burlingt. Mag.
Frequency12 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address14-16 DUKES RD, LONDON WC1H 9AD, ENGLAND

Aims and Scopes

The Burlington Magazine is a prestigious journal dedicated to the study of art history, focusing on a wide range of artistic expressions from various periods and geographical contexts. Its aim is to provide a platform for scholarly research that enhances the understanding of visual culture, art historical methodologies, and the significance of artworks within their social and historical contexts.
  1. Art Historical Research:
    The journal emphasizes rigorous art historical analysis, often delving into the provenance, attribution, and contextual significance of artworks across various periods.
  2. Interdisciplinary Approaches:
    It encourages interdisciplinary methodologies, integrating insights from history, literature, sociology, and cultural studies to enrich the discourse surrounding art.
  3. Focus on European Art:
    A significant portion of the journal's content is devoted to European art, particularly from the Renaissance to the contemporary period, exploring its evolution and influence.
  4. Global Perspectives:
    While rooted in European art, the journal increasingly incorporates global perspectives, examining non-Western art forms and their interactions with Western art.
  5. Exhibition Reviews and Art Criticism:
    The Burlington Magazine also provides critical reviews of exhibitions, alongside discussions on contemporary art practices and the evolving role of art in society.
In recent years, the Burlington Magazine has witnessed the emergence of new themes and methodologies that reflect contemporary art historical discourse, showcasing the journal's adaptability and responsiveness to evolving academic interests.
  1. Decolonization of Art History:
    There is a growing trend towards decolonizing art history, which seeks to challenge Eurocentric narratives and highlight the contributions of marginalized artists and cultures.
  2. Interdisciplinary Studies:
    An increase in interdisciplinary studies is evident, as scholars draw from various fields such as anthropology, sociology, and gender studies to explore the complexities of art.
  3. Digital Art and New Media:
    The journal has begun to feature more articles on digital art and new media, reflecting the impact of technology on contemporary artistic practices and its implications for art history.
  4. Environmental Art History:
    Emerging discussions around environmental art history are gaining traction, focusing on how art engages with ecological themes and the representation of nature in various contexts.
  5. Art and Activism:
    There is a notable rise in articles addressing the intersection of art and activism, exploring how artists respond to social issues and contribute to political discourse.

Declining or Waning

As the field of art history evolves, certain themes and methodologies have shown a decline in prominence within the Burlington Magazine's recent publications. This reflects a shifting focus in the discipline and changing interests among scholars.
  1. Traditional Attribution Studies:
    There appears to be a waning interest in traditional attribution studies, which focus primarily on identifying the creator of artworks without considering broader contextual influences.
  2. Exclusive Focus on European Masters:
    The journal has historically emphasized European masters, but this focus is gradually being overshadowed by a more inclusive approach that values diverse artistic expressions.
  3. Historical Documentation Over Interpretation:
    There is a noticeable decline in articles that prioritize exhaustive historical documentation at the expense of interpretative analysis, which engages with the meanings and implications of artworks.
  4. Art Market Analysis:
    The analysis of the art market, while still relevant, is less frequently addressed compared to more critical examinations of social and cultural contexts surrounding artworks.

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