Art & Perception

Scope & Guideline

Innovating Research at the Crossroads of Art and Perception

Introduction

Welcome to the Art & Perception information hub, where our guidelines provide a wealth of knowledge about the journal’s focus and academic contributions. This page includes an extensive look at the aims and scope of Art & Perception, highlighting trending and emerging areas of study. We also examine declining topics to offer insight into academic interest shifts. Our curated list of highly cited topics and recent publications is part of our effort to guide scholars, using these guidelines to stay ahead in their research endeavors.
LanguageEnglish
ISSN2213-4905
PublisherBRILL
Support Open AccessNo
CountryNetherlands
TypeJournal
Convergefrom 2013 to 2024
AbbreviationART PERCEPT / Art Percept.
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressPLANTIJNSTRAAT 2, P O BOX 9000, 2300 PA LEIDEN, NETHERLANDS

Aims and Scopes

The journal 'Art & Perception' aims to bridge the gap between artistic expression and perceptual science, fostering a multidisciplinary dialogue that enhances our understanding of how art is perceived and interpreted. It focuses on empirical research that employs various methodologies to explore the cognitive, emotional, and aesthetic dimensions of visual art.
  1. Interdisciplinary Research on Art Perception:
    The journal emphasizes studies that integrate insights from psychology, neuroscience, and art theory to examine how individuals perceive and interpret visual art.
  2. Empirical Methodologies:
    It supports empirical research, including experimental designs, eye-tracking studies, and qualitative analyses, to provide evidence-based insights into the aesthetic experience.
  3. Cognitive and Emotional Responses to Art:
    Research exploring how art elicits emotional and cognitive responses is a core focus, contributing to our understanding of the psychological impact of visual stimuli.
  4. Cultural Contexts and Art:
    The journal also addresses the role of cultural and historical contexts in shaping art perception, highlighting the significance of diverse artistic traditions.
  5. Innovative Approaches to Visual Analysis:
    It encourages innovative methodologies for visual analysis, including the use of technology in art history and contemporary art practices.
Recent publications in 'Art & Perception' indicate a shift towards certain emerging themes that reflect contemporary issues in art and perception. These trends highlight the journal's adaptability to the evolving landscape of art research.
  1. Perception and Technology in Art:
    There is an increasing focus on how technology, including digital art and new media, influences perception. This includes studies on eye-tracking in digital artworks and the impact of interactive installations.
  2. Affective and Emotional Engagement with Art:
    Recent publications emphasize the emotional engagement of viewers with art, exploring how different artistic elements evoke emotional responses, which is crucial for understanding viewer experience.
  3. Interdisciplinary Approaches to Aesthetics:
    Emerging themes reflect a blending of disciplines, with studies integrating cognitive science, philosophy, and art theory to create a more holistic understanding of perception.
  4. Ecological and Environmental Art Perspectives:
    There is a growing interest in how ecological themes and environmental contexts shape artistic expression and viewer perception, indicating a potential shift in the thematic focus of visual arts.
  5. Cultural and Social Impacts on Art Perception:
    Recent articles examine how cultural backgrounds and social contexts influence the perception and appreciation of art, highlighting the importance of diversity in art interpretation.

Declining or Waning

While 'Art & Perception' continues to explore a wide array of themes, certain areas of focus appear to be declining in prominence. This shift may reflect changing interests in the field or the evolution of research methodologies.
  1. Traditional Art Historical Analysis:
    There seems to be a waning interest in purely traditional art historical analyses without empirical support, as the journal increasingly favors studies that incorporate psychological and perceptual frameworks.
  2. Static Representations of Art:
    Research focusing solely on static representations of art, such as traditional still life or portraiture, is becoming less frequent, likely due to a growing interest in dynamic and interactive forms of art.
  3. Single-Disciplinary Approaches:
    Papers that rely on a single disciplinary perspective, such as purely aesthetic or philosophical discussions without empirical backing, are less common, as the journal trends towards interdisciplinary studies.

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