Images

Scope & Guideline

Exploring the Intersections of Visual Culture and Society

Introduction

Immerse yourself in the scholarly insights of Images with our comprehensive guidelines detailing its aims and scope. This page is your resource for understanding the journal's thematic priorities. Stay abreast of trending topics currently drawing significant attention and explore declining topics for a full picture of evolving interests. Our selection of highly cited topics and recent high-impact papers is curated within these guidelines to enhance your research impact.
LanguageEnglish
ISSN1871-7993
PublisherBRILL
Support Open AccessNo
CountryNetherlands
TypeJournal
Convergefrom 2007 to 2012, from 2015 to 2024
AbbreviationIMAGES / Images
Frequency1 issue/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressPLANTIJNSTRAAT 2, P O BOX 9000, 2300 PA LEIDEN, NETHERLANDS

Aims and Scopes

The journal 'Images' focuses on the intersections of visual culture, Jewish studies, and material culture, providing a multidisciplinary platform for examining the roles of images and objects in Jewish history and society.
  1. Visual Culture and Jewish Identity:
    The journal explores how visual representations, including art, manuscripts, and artifacts, shape and reflect Jewish identity across different historical contexts.
  2. Interdisciplinary Approaches:
    It employs a range of methodologies, including art history, cultural studies, and religious studies, to analyze Jewish imagery and its impact on society.
  3. Materiality and Meaning:
    The significance of material culture—how objects and their physical properties contribute to cultural and religious practices—is a core focus, examining items like ritual objects and manuscripts.
  4. Historical Contextualization:
    The journal emphasizes the importance of historical context in understanding visual artifacts, linking them to broader socio-political and cultural narratives.
  5. Contemporary Jewish Art:
    It also addresses contemporary issues in Jewish art, including the interactions between modern artists and traditional themes, highlighting ongoing dialogues within the community.
The journal 'Images' has identified several emerging themes that reflect contemporary issues and innovative approaches in Jewish visual culture.
  1. Contemporary Artistic Engagement:
    There is a growing trend towards examining contemporary Jewish artists and their engagement with historical and cultural themes, indicating a vibrant dialogue between past and present.
  2. Multidisciplinary Methodologies:
    Recent publications increasingly utilize multidisciplinary methodologies, integrating art history, sociology, and digital humanities, to provide richer analyses of Jewish visual culture.
  3. Visual Narratives of Trauma:
    The exploration of trauma, particularly in relation to Holocaust narratives and their visual representations, is gaining importance, reflecting a broader interest in how images can convey complex emotional and historical experiences.
  4. Material Culture Studies:
    An emerging focus on the materiality of objects and their cultural significance is evident, with studies addressing how physical artifacts shape Jewish practices and identities.
  5. Intersections of Faith and Art:
    There is a notable increase in themes exploring the intersections of faith and art, particularly how contemporary artists reinterpret religious symbols and narratives within modern contexts.

Declining or Waning

While 'Images' has maintained a strong focus on visual culture related to Jewish studies, certain themes have seen a decline in prominence over recent publications.
  1. Traditional Religious Art Forms:
    There appears to be a waning focus on traditional religious art forms, such as synagogue architecture or classical religious iconography, as the journal shifts towards contemporary interpretations and dialogues.
  2. Historical Manuscript Studies:
    The emphasis on purely historical manuscript studies has decreased, possibly in favor of more interdisciplinary and contemporary approaches that combine history with modern artistic expressions.
  3. Geographical Specificity:
    Themes specifically tied to particular geographies, such as Jewish life in isolated communities, seem to be less prevalent, indicating a potential shift towards more global or comparative analyses.
  4. Static Representations of Identity:
    There is a noticeable decline in discussions centered around static, traditional representations of Jewish identity, as the journal increasingly embraces dynamic and evolving narratives.

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