BULLETIN OF THE COUNCIL FOR RESEARCH IN MUSIC EDUCATION

Scope & Guideline

Fostering Scholarly Inquiry in Music Education

Introduction

Welcome to your portal for understanding BULLETIN OF THE COUNCIL FOR RESEARCH IN MUSIC EDUCATION, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN0010-9894
PublisherUNIV ILLINOIS PRESS
Support Open AccessNo
CountryUnited States
TypeJournal
Convergefrom 2002 to 2024
AbbreviationB COUN RES MUSIC ED / Bull. Counc. Res. Mus. Educ.
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address1325 S OAK ST, MC-566, CHAMPAIGN, IL 61820-6903

Aims and Scopes

The 'Bulletin of the Council for Research in Music Education' serves as a vital platform for disseminating research that intersects music education with diverse social, cultural, and pedagogical dimensions. The journal emphasizes empirical investigations, theoretical explorations, and innovative pedagogical practices, aiming to enrich the field of music education through rigorous scholarly contributions.
  1. Diversity and Inclusion in Music Education:
    The journal focuses on the experiences and challenges faced by diverse groups within music education, including racial and ethnic minorities, LGBTQ+ individuals, and students with disabilities. This includes exploring identity trauma, cultural competence, and the role of music educators in fostering inclusive environments.
  2. Pedagogical Innovation and Technology Integration:
    Research on innovative teaching practices and the integration of technology into music education is a core focus. This includes studies on mobile adaptation, online teaching experiences during the COVID-19 pandemic, and the effects of creative pedagogical approaches on student engagement and learning.
  3. Collaborative and Community-Based Music Practices:
    The journal emphasizes collaborative learning and community engagement in music education, exploring how music can serve as a vehicle for social change and citizenship education. This includes investigations into youth orchestras, community choruses, and the role of music in addressing social issues.
  4. Assessment and Evaluation in Music Education:
    A significant area of research includes the assessment practices within music education, focusing on teacher perceptions, student evaluations, and the development of assessment tools. This research aims to enhance the effectiveness of music teaching and learning through evidence-based evaluation.
  5. Theoretical and Empirical Investigations of Music Learning:
    The journal publishes both theoretical frameworks and empirical studies that investigate various aspects of music learning, including cognitive processes, creativity, and the impact of cultural traditions on musical development.
The landscape of music education research is rapidly evolving, with several themes emerging as particularly relevant and impactful in recent publications. These trending themes reflect current societal concerns, pedagogical innovations, and the ongoing transformation of music education.
  1. Social Justice and Advocacy in Music Education:
    An increasing number of studies are focusing on social justice issues within music education, including anti-racist practices, advocacy for marginalized communities, and the role of music in promoting social change. This theme underscores the importance of equity and representation in music education.
  2. Impact of Technology on Music Education:
    The integration of technology in music education has become a significant focus, especially in light of the challenges posed by the COVID-19 pandemic. Research is exploring how technology can enhance teaching and learning experiences, including online education and digital tools for music composition.
  3. Mental Health and Well-Being of Music Educators:
    Research examining the mental health challenges faced by music educators, particularly those from marginalized identities, is gaining momentum. This theme highlights the importance of addressing mental health and well-being within the music education community.
  4. Culturally Relevant Pedagogy:
    There is a growing emphasis on culturally relevant teaching practices that honor and incorporate students' diverse backgrounds and experiences into music education. This trend reflects a broader shift towards inclusivity and relevance in music curricula.
  5. Creative and Collaborative Learning Approaches:
    Emerging research is focusing on creative problem-solving and collaborative learning in music education. This includes studies on how these approaches foster creativity, enhance student engagement, and promote deeper learning experiences in music.

Declining or Waning

While the 'Bulletin of the Council for Research in Music Education' continues to explore a wide range of themes, certain areas of research appear to be declining in prominence. These waning themes reflect shifts in focus and the evolving landscape of music education research.
  1. Traditional Music Education Methods:
    There is a noticeable decline in research focusing solely on traditional methods of music teaching, such as standard instrumental techniques and classical pedagogy. As the field embraces more diverse and innovative practices, traditional approaches are being overshadowed.
  2. General Music Education without Contextualization:
    Research that treats general music education as a standalone subject, without connecting it to broader social, cultural, or technological contexts, is becoming less frequent. There is a growing emphasis on situating music education within specific community and cultural frameworks.
  3. Focus on Standardized Testing in Music Education:
    The emphasis on standardized testing and traditional assessment methods in music education appears to be waning. Researchers are increasingly advocating for alternative assessment approaches that consider creativity and individual student growth rather than standardized metrics.
  4. Historical Perspectives on Music Education:
    Research that solely focuses on historical perspectives or the evolution of music education practices is declining. The current trend favors contemporary issues, innovative practices, and practical applications over historical analysis.
  5. Solo Performance Emphasis:
    There is a decreasing focus on solo performance as the primary measure of musical success. The trend is shifting towards collaborative music-making and ensemble participation, reflecting a broader understanding of music's social nature.

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