BUSINESS HISTORY

Scope & Guideline

Advancing Knowledge at the Intersection of Business and History

Introduction

Welcome to the BUSINESS HISTORY information hub, where our guidelines provide a wealth of knowledge about the journal’s focus and academic contributions. This page includes an extensive look at the aims and scope of BUSINESS HISTORY, highlighting trending and emerging areas of study. We also examine declining topics to offer insight into academic interest shifts. Our curated list of highly cited topics and recent publications is part of our effort to guide scholars, using these guidelines to stay ahead in their research endeavors.
LanguageEnglish
ISSN0007-6791
PublisherROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 1958 to 2024
AbbreviationBUS HIST / Bus. Hist.
Frequency8 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND

Aims and Scopes

BUSINESS HISTORY is dedicated to exploring the intricate relationships between art, culture, and commerce throughout history. The journal promotes a comprehensive understanding of how aesthetic practices intersect with economic and social developments. It emphasizes interdisciplinary approaches, drawing from art history, cultural studies, and economic analysis.
  1. Interdisciplinary Analysis of Art and Commerce:
    The journal focuses on the interplay between artistic expression and economic activity, examining how art serves as both a reflection and a driver of cultural and commercial trends.
  2. Historical Contextualization:
    Papers often place artistic works within their broader historical contexts, analyzing how specific events, such as political changes or economic shifts, influenced artistic production and reception.
  3. Cultural Heritage and Preservation:
    The journal contributes to the discourse on the preservation of cultural heritage, discussing methodologies and practices for conserving art and historical artifacts in relation to their economic significance.
  4. Artistic Practices and Techniques:
    Research in the journal frequently delves into the technical aspects of artistic creation, exploring how different methods and materials impact the aesthetic and market value of artworks.
  5. Socio-economic Impacts of Art:
    The journal investigates the socio-economic implications of art, including the role of art in shaping identities, community dynamics, and market economies.
Recent publications in BUSINESS HISTORY reveal a dynamic shift towards emerging themes that reflect contemporary scholarly interests. These trends indicate a growing awareness of the complex interrelations between art, society, and economics, as well as a desire to engage more critically with the implications of these connections.
  1. Intersections of Art and Identity:
    An increasing number of papers explore how art contributes to the formation and expression of cultural identities, particularly in relation to issues of race, gender, and nationality.
  2. Globalization and Art Markets:
    There is a notable trend towards examining the global art market, including how globalization affects art production, distribution, and valuation, indicating a shift towards understanding art in a broader economic context.
  3. Sustainability in Art Practices:
    Emerging discussions around sustainability reflect a growing concern for the environmental implications of art production and collection, showcasing the journal's responsiveness to contemporary issues.
  4. Technological Influence on Art:
    Research increasingly investigates the impact of technology on artistic practice and dissemination, including digital media and its implications for traditional forms of art.
  5. Community Engagement and Art:
    There is a rising focus on community-driven art initiatives and their socio-economic impacts, emphasizing the role of art in fostering social cohesion and addressing local issues.

Declining or Waning

While the journal has consistently covered various themes related to art and its historical contexts, certain areas of focus appear to be diminishing in prominence. This decline may reflect shifting research interests or broader trends within the field of art history.
  1. Traditional Art Historical Methods:
    There is a noticeable decline in papers that strictly adhere to traditional art historical methodologies, such as iconography and formal analysis, suggesting a shift towards more interdisciplinary and contextual approaches.
  2. Focus on Individual Artists:
    Research centered around single artists or isolated case studies has become less frequent, as the journal increasingly emphasizes broader cultural and economic contexts over individual narratives.
  3. Regional Art Studies:
    The journal seems to be moving away from region-specific studies, particularly those that do not connect to larger global or transnational themes, indicating a trend towards more universally applicable research.
  4. Art as a Static Reflection of History:
    There is a waning interest in the notion of art as merely a reflection of historical events, with more emphasis placed on active engagement and the reciprocal influences between art and socio-economic conditions.

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