CANADIAN THEATRE REVIEW

Scope & Guideline

Celebrating the Legacy and Evolution of Canadian Theatre.

Introduction

Explore the comprehensive scope of CANADIAN THEATRE REVIEW through our detailed guidelines, including its aims and scope. Stay updated with trending and emerging topics, and delve into declining areas to understand shifts in academic interest. Our guidelines also showcase highly cited topics, featuring influential research making a significant impact. Additionally, discover the latest published papers and those with high citation counts, offering a snapshot of current scholarly conversations. Use these guidelines to explore CANADIAN THEATRE REVIEW in depth and align your research initiatives with current academic trends.
LanguageEnglish
ISSN0315-0836
PublisherUNIV TORONTO PRESS INC
Support Open AccessNo
CountryCanada
TypeJournal
Convergefrom 2009 to 2024
AbbreviationCAN THEATRE REV / Can. Theatre Rev.
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressJOURNALS DIVISION, 5201 DUFFERIN ST, DOWNSVIEW, TORONTO, ON M3H 5T8, CANADA

Aims and Scopes

The Canadian Theatre Review serves as a vital platform for exploring diverse perspectives and practices within Canadian theatre, focusing on both historical and contemporary issues.
  1. Participatory and Community-Engaged Theatre:
    The journal emphasizes the significance of participatory and community-engaged theatre practices, showcasing how these forms can foster social change and community connections.
  2. Intersectionality and Identity in Performance:
    Research in the journal often explores themes of identity, including race, gender, and disability, analyzing how these intersect with theatrical practices and representations.
  3. Political and Social Commentary through Theatre:
    The journal highlights the role of theatre as a medium for political and social commentary, reflecting on current events and historical narratives through a theatrical lens.
  4. Innovation in Performance Practices:
    The Canadian Theatre Review showcases innovative performance practices, including the integration of technology in theatre and new methodologies in performance creation.
  5. Exploration of Indigenous Voices and Perspectives:
    The journal prioritizes the inclusion of Indigenous voices and perspectives, contributing to a broader understanding of theatre's role in representing diverse cultural narratives.
Recent publications in the Canadian Theatre Review reveal several emerging themes that reflect the current landscape of Canadian theatre and its socio-political context.
  1. Climate Change and Sustainability in Theatre:
    An increasing number of papers are addressing the intersection of theatre and environmental issues, highlighting how performances can raise awareness and provoke action regarding climate change.
  2. Digital and Hybrid Theatre Practices:
    The rise of digital and hybrid formats in theatrical presentations is a prominent theme, as the journal explores how these practices redefine audience experiences and artistic expression.
  3. Health and Wellbeing in Performance:
    There is a growing focus on health-related themes, particularly how theatre can serve as a medium for discussing illness, recovery, and community healing.
  4. Anti-Colonial and Decolonial Practices:
    Emerging discussions around anti-colonial and decolonial practices in theatre are gaining traction, emphasizing the importance of Indigenous narratives and the critique of colonial legacies.
  5. Interdisciplinary Collaborations:
    The journal is increasingly documenting interdisciplinary collaborations that merge theatre with other art forms and social practices, reflecting a broader trend towards integrative artistic expressions.

Declining or Waning

While the Canadian Theatre Review continues to evolve, certain themes appear to be diminishing in frequency or prominence within its recent publications.
  1. Traditional Theatre Forms:
    There seems to be a decline in the focus on traditional theatre forms, such as classical plays and conventional staging methods, as the journal increasingly embraces experimental and contemporary practices.
  2. Eurocentric Perspectives:
    Papers that solely focus on Eurocentric perspectives in theatre are becoming less frequent, indicating a shift towards more inclusive and diverse viewpoints.
  3. Commercial Theatre Analysis:
    Analysis of mainstream commercial theatre seems to be waning, replaced by a focus on grassroots, community-driven, and socially engaged performances.
  4. Historical Retrospectives:
    While historical analysis still holds value, there is a noticeable decrease in papers that strictly focus on historical retrospectives without connecting them to contemporary issues or practices.
  5. Conventional Audience Engagement:
    There is a decline in discussions surrounding conventional audience engagement strategies, with more emphasis now on innovative and immersive experiences.

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