RIDE-The Journal of Applied Theatre and Performance

Scope & Guideline

Advancing Knowledge at the Intersection of Art and Society

Introduction

Welcome to the RIDE-The Journal of Applied Theatre and Performance information hub, where our guidelines provide a wealth of knowledge about the journal’s focus and academic contributions. This page includes an extensive look at the aims and scope of RIDE-The Journal of Applied Theatre and Performance, highlighting trending and emerging areas of study. We also examine declining topics to offer insight into academic interest shifts. Our curated list of highly cited topics and recent publications is part of our effort to guide scholars, using these guidelines to stay ahead in their research endeavors.
LanguageEnglish
ISSN1356-9783
PublisherROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD
Support Open AccessNo
CountryUnited States
TypeJournal
Convergefrom 2010 to 2024
AbbreviationRIDE-J APPL THEATRE / RIDE-J. Appl. Theatre Perform.
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND

Aims and Scopes

RIDE - The Journal of Applied Theatre and Performance focuses on the intersection of theatre and performance with social issues, education, and community engagement. Its core aim is to explore how applied theatre can be a transformative practice in various contexts, emphasizing inclusivity, social justice, and participatory methodologies.
  1. Applied Theatre Practices:
    The journal emphasizes methodologies of applied theatre, exploring how theatre can be used as a tool for social change, education, and community engagement.
  2. Interdisciplinary Approaches:
    RIDE promotes interdisciplinary research, integrating perspectives from education, sociology, psychology, and the arts to enrich the understanding of applied theatre.
  3. Social Justice and Advocacy:
    A core focus is on social justice themes, examining how theatre can address issues of race, gender, disability, and environmental crises.
  4. Youth and Community Engagement:
    The journal frequently highlights the role of youth theatre and community-based projects, showcasing how these practices empower marginalized voices and foster solidarity.
  5. Cultural Representation and Identity:
    RIDE explores cultural representation in theatre, considering how performance can reflect and shape identities and communal narratives.
  6. Innovative Pedagogies:
    The journal investigates innovative pedagogical practices in drama education, focusing on how applied theatre can enhance learning experiences across various educational settings.
RIDE is currently witnessing a dynamic shift towards themes that reflect contemporary societal challenges and innovative practices in applied theatre. This section highlights the emerging trends and themes gaining traction in recent publications.
  1. Climate and Environmental Engagement:
    There is a growing emphasis on how applied theatre can address climate change and environmental issues, reflecting an urgent need for creative responses to these global challenges.
  2. Digital and Virtual Performance:
    With the rise of digital technologies, research exploring virtual performance and online drama education has increased, indicating a shift towards integrating technology in theatre practices.
  3. Intersectionality in Theatre:
    Emerging themes around intersectionality are becoming more prominent, exploring how various identities and social issues interact and influence each other in the context of applied theatre.
  4. Participatory and Community-Based Practices:
    There is a notable trend towards participatory methodologies that involve communities in the creation and performance process, emphasizing co-creation and collaboration.
  5. Mental Health and Wellbeing:
    Research focusing on the therapeutic aspects of applied theatre, particularly in relation to mental health and wellbeing, is gaining importance as practitioners recognize the potential for healing through performance.
  6. Youth Activism and Empowerment:
    Themes surrounding youth activism and empowerment through theatre are increasingly prominent, reflecting a commitment to engaging younger generations in social change.

Declining or Waning

While RIDE continues to explore a wide range of themes, some areas of focus appear to be diminishing in prominence. This section outlines the themes that have seen a decline in recent publications, indicating shifts in research priorities.
  1. Traditional Performance Forms:
    There seems to be a declining interest in traditional forms of theatre that do not engage with contemporary social issues, as the journal shifts towards more innovative and socially relevant practices.
  2. Historical Analysis of Theatre:
    Research focused on historical analyses of theatre practices appears to be less frequent, indicating a move towards contemporary applications and urgent social contexts.
  3. Theoretical Discourse on Theatre:
    There is a noticeable reduction in purely theoretical discussions that do not connect to practical applications, as the journal increasingly favors research that demonstrates real-world impact.
  4. Performance Aesthetics:
    While aesthetics remain important, there is a waning focus on discussions centered solely on performance aesthetics without linking them to social or educational outcomes.
  5. Regional Theatre Practices:
    Specific regional theatre practices that do not engage with broader social themes are being overshadowed by research that emphasizes global issues and transnational connections.

Similar Journals

Theatre Dance and Performance Training

Innovating Methods in Theatre and Dance Education
Publisher: ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTDISSN: 1944-3927Frequency: 3 issues/year

Theatre Dance and Performance Training, an esteemed journal published by Routledge Journals, Taylor & Francis Ltd, serves as a pivotal platform for the exploration and discourse surrounding the methodologies and practices in the fields of theatre, dance, and performance. With an ISSN of 1944-3927 and E-ISSN of 1944-3919, this journal has established an influential presence since its inception in 2010, showcasing high-quality research and critical insights that are vital for educators, practitioners, and scholars alike. The journal currently holds impressive quartile rankings, positioned in Q1 for Visual Arts and Performing Arts, and Q3 for Education, reflecting its rigorous academic standards and significant contributions to its field. With a Scopus rank of #191 in Visual Arts and Performing Arts and #1313 in Educational Sciences, the journal is recognized for its impact and quality, appealing to a broad audience eager to stay at the forefront of contemporary performance training practices. The ongoing commitment to innovation and excellence makes Theatre Dance and Performance Training a vital resource for anyone invested in the dynamic realm of performing arts education and training.

THEATRE HISTORY STUDIES

Exploring the Evolution of Performance and Culture
Publisher: UNIV ALABAMA PRESSISSN: 0733-2033Frequency: 1 issue/year

THEATRE HISTORY STUDIES, published by University of Alabama Press, serves as an essential platform for scholarly discourse and research in the fields of Cultural Studies and Visual Arts and Performing Arts. With an ISSN of 0733-2033, this journal offers critical insights into the evolution of theatre and performance, positioning itself as a valuable resource for researchers and practitioners alike. Despite its niche focus, it holds a commendable ranking in Scopus, reflecting its cultural significance and academic rigor—ranked #356 out of 667 in Visual Arts and Performing Arts and #911 out of 1304 in Cultural Studies. The journal has published continuously from 2002 to 2012, and again in 2014 to 2019, as well as from 2021 to 2023, consistently fostering a rich dialogue around artistic practices and historical contexts. Although not open access, its articles are pivotal for advancing knowledge and inspiring new perspectives in the interplay of theatre, culture, and society. For those dedicated to understanding the intricate tapestry of performance studies, THEATRE HISTORY STUDIES is a must-read.

CANADIAN THEATRE REVIEW

Pioneering Research in Visual and Performing Arts.
Publisher: UNIV TORONTO PRESS INCISSN: 0315-0836Frequency: 4 issues/year

Canadian Theatre Review, published by University of Toronto Press Inc, stands as a leading academic journal in the fields of Visual Arts and Performing Arts. With its ISSN 0315-0836 and E-ISSN 1920-941X, this journal features a robust collection of scholarly articles that contribute significant insights into Canadian theatre, its history, critical theory, and contemporary practices. Renowned for its rigorous academic standards, it has achieved a prestigious Q1 ranking in the 2023 category of Visual Arts and Performing Arts, reflecting its influential position in the scholarly community. The journal, which converged years span from 2009 to 2024, does not currently offer open access; however, it provides a platform for researchers, practitioners, and students to engage with critically important issues in theatrical studies. Located at Journals Division, 5201 Dufferin St, Downsview, Toronto, ON M3H 5T8, Canada, Canadian Theatre Review continues to shape the dialogue around performance, serving both as a historical repository and a contemporary critique of the art form.

Studies in Theatre and Performance

Elevating Voices in the World of Performance Art
Publisher: ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTDISSN: 1468-2761Frequency: 3 issues/year

Studies in Theatre and Performance is a distinguished academic journal published by Routledge Journals, Taylor & Francis Ltd, dedicated to advancing scholarship in the dynamic fields of visual arts and performing arts. Since its inception in 2000, the journal has become an essential resource for researchers and professionals, exemplified by its ranking within the Q2 category of visual and performing arts, and its commendable position at the 76th percentile among its peers. With an ISSN of 1468-2761 and an E-ISSN of 2040-0616, the journal serves as a platform for insightful research, critique, and innovation across a variety of topics in theatre and performance studies. Although it operates under a traditional access model, its rigorous peer-review process ensures that every publication contributes significantly to the broader understanding of theatrical practices and performance methodologies. As we move towards 2024, Studies in Theatre and Performance continues to be a vital reference point for scholars and practitioners alike in exploring new dimensions of performance theory and practice in an ever-evolving cultural landscape.

MODERN DRAMA

Connecting Culture and Critique in Drama Studies
Publisher: UNIV TORONTO PRESS INCISSN: 0026-7694Frequency: 4 issues/year

MODERN DRAMA is a premier academic journal published by University of Toronto Press Inc, specializing in the field of literature and literary theory, with a particular focus on the dramatic arts. Established to foster scholarly dialogue, this journal offers a platform for innovative research and critical perspectives on modern theatrical practices and their cultural contexts. With an esteemed Q1 ranking in the category of Literature and Literary Theory for 2023, it places high importance on scholarly rigour and relevance, ensuring that its contributions resonate within the academic community. Though it operates under a traditional subscription model, MODERN DRAMA remains vital for researchers, professionals, and students dedicated to exploring the complexities of contemporary drama. With coverage ranging from 2002 to 2024, it continues to push the boundaries of literary discourse, making it an essential resource for anyone engaged in the dynamic field of drama studies.

THEATRE NOTEBOOK

Exploring the Depths of Theatre Scholarship
Publisher: SOC THEATRE RESISSN: 0040-5523Frequency: 3 issues/year

THEATRE NOTEBOOK is a distinguished journal published by the Society for Theatre Research, focusing on the rich and diverse field of theatre studies. With an ISSN of 0040-5523 and an E-ISSN of 2051-8358, this journal serves as a crucial platform for scholars, practitioners, and enthusiasts to explore theatrical practices, historical contexts, and critical analyses. Although currently not operating under an open access model, it remains an invaluable resource for advancing discourse in performance studies. Often regarded as a key publication in its field, THEATRE NOTEBOOK encompasses a variety of topics, from contemporary theatre critiques to historical retrospectives, fostering a deeper understanding of the theatrical arts. Throughout its publication history, including coverage from 2002 to 2008 and 2010 to 2011, the journal has upheld a commitment to scholarly rigor and innovation, making it an essential reading for anyone dedicated to the study and appreciation of theatre.

Shaw-The Journal of Bernard Shaw Studies

Delving into Shaw's World: Scholarship that Inspires Dialogue
Publisher: PENN STATE UNIV PRESSISSN: 0741-5842Frequency: 2 issues/year

Shaw - The Journal of Bernard Shaw Studies, published by Penn State University Press, is a critical resource dedicated to the exploration and analysis of the works and impact of playwright George Bernard Shaw. As a leading journal in the field of literature and literary theory, it serves as a forum for interdisciplinary scholarship that engages with Shaw's plays, political writings, and cultural critiques. With an ISSN of 0741-5842 and an E-ISSN of 1529-1480, this journal is an invaluable platform for researchers and students seeking to deepen their understanding of Shaw's contributions to literature and society. Although it currently resides in the Q4 Quartile in the Literature and Literary Theory category, and holds a Scopus rank of #757 out of 1106, it reflects a growing interest in Shaw's relevance to contemporary discussions in literature. The journal has been converging from 2010 to 2024, ensuring a sustained dialogue around Shaw's legacy. While it is not currently an open-access publication, it continues to attract a diverse readership eager to delve into the complexities of Shaw's thought and artistry.

Journal of Contemporary Drama in English

Connecting Literature and Performance in the Modern Era
Publisher: WALTER DE GRUYTER GMBHISSN: 2195-0156Frequency: 2 issues/year

Journal of Contemporary Drama in English is a prestigious academic publication dedicated to the exploration of contemporary drama written in English. Published by WALTER DE GRUYTER GMBH in Germany, this journal serves as a vital resource for researchers, professionals, and students engaged in the fields of literature, literary theory, visual arts, and performing arts. With an impressive impact factor reflected in its Q2 ranking in both Literature and Literary Theory and Visual Arts and Performing Arts categories for 2023, the journal demonstrates its relevance and influence in academic discourse. It provides a platform for critical examination and innovative scholarship, covering a broad range of topics related to contemporary dramatic texts and performances. The journal is committed to fostering interdisciplinary dialogue and exploring the socio-cultural contexts of drama, making it an essential reference for anyone invested in the contemporary landscape of theatre and performance studies.

COMPARATIVE DRAMA

Fostering Interdisciplinary Dialogues in Dramatic Studies
Publisher: WESTERN MICHIGAN UNIVISSN: 0010-4078Frequency: 4 issues/year

COMPARATIVE DRAMA is an esteemed journal published by Western Michigan University that examines a broad spectrum of drama across cultures and time periods. With an ISSN of 0010-4078 and an E-ISSN of 1936-1637, this journal serves as a critical platform for researchers, educators, and students in the fields of literature and literary theory. Although classified in the Q3 quartile for 2023, its commitment to scholarly rigor and innovative discourse on comparative drama ensures its relevance in the academic community, garnering attention from a global audience. The journal is particularly valued for its interdisciplinary approach, making it a vital resource for those interested in exploring the interplay between dramatic texts and their cultural, historical, and social contexts. With a strong foundational focus that spans from 2002 to 2024, COMPARATIVE DRAMA continues to engage with contemporary issues surrounding theatrical practice and performance studies, paving the way for new interpretations and scholarly conversations.

International Journal of Education and the Arts

Connecting Scholars and Artists for a Brighter Future.
Publisher: ARIZONA STATE UNIVISSN: 1529-8094Frequency:

Welcome to the International Journal of Education and the Arts, a distinguished publication dedicated to exploring the intersection of education and artistic expression. Published by Arizona State University, this open-access journal has been a vital platform for scholarly discourse since its inception in 2000. With an impressive quartile ranking in 2023, it sits in Q3 in Education and Q1 in Literature and Literary Theory, Music, and Visual Arts and Performing Arts, reflecting its significant contribution to multiple fields. The journal is indexed in Scopus, with remarkable rankings that place it in the 96th percentile in Literature and Literary Theory and the 90th percentile in Visual Arts and Performing Arts, marking it as a leading resource for researchers, educators, and students alike. By bridging the gap between art and education, the journal aims to foster innovative pedagogical strategies that inspire creativity and critical thought in the classroom. Whether you are a seasoned scholar or an emerging artist, the International Journal of Education and the Arts offers a rich repository of knowledge and a community committed to advancing the arts in education.