Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean
Scope & Guideline
Connecting Scholars in the Study of Byzantine and Mediterranean Arts
Introduction
Aims and Scopes
- Interdisciplinary Approaches to Medieval Art:
The journal emphasizes the integration of various disciplines such as art history, archaeology, theology, and cultural studies to analyze medieval artistic practices and their socio-political contexts. - Exploration of Cross-Cultural Interactions:
A core focus is on the interactions between different cultures within the medieval period, particularly how Byzantine, Latin, and Islamic art influenced each other across regions, emphasizing the Mediterranean as a dynamic space for exchange. - Narratives of Memory and Identity:
The journal investigates how narratives surrounding memory, identity, and historical events were constructed through visual culture, exploring the role of art in shaping collective memories and cultural identities. - Regional Studies with a Global Perspective:
While the journal publishes works focusing on specific regions (e.g., Venice, Armenia, Svaneti), it situates these studies within broader global interconnections, providing a comprehensive understanding of medieval art's evolution. - Digital Humanities and New Methodologies:
The journal encourages contributions that utilize digital humanities methods to analyze and visualize medieval art and architecture, promoting innovative approaches to historical research.
Trending and Emerging
- Digital Approaches to Art History:
There is a growing emphasis on the use of digital tools and methodologies to analyze, visualize, and disseminate research on medieval art, highlighting the importance of technology in contemporary scholarship. - Gender and Intersectionality in Medieval Studies:
Emerging themes related to gender, sexuality, and race are increasingly present, with scholars examining how these factors influenced artistic production and representation in the medieval period. - Environmental and Material Culture Studies:
Recent publications show a trend towards exploring the relationship between art and its materiality, as well as the environmental contexts in which medieval art was created and experienced. - Revisiting Historical Narratives:
There is an increasing trend of re-evaluating established historical narratives, particularly in relation to identity and memory, and how these narratives are expressed through visual culture. - Interdisciplinary Dialogues on Religious Art:
The journal is seeing a rise in interdisciplinary studies that connect religious art to broader themes such as ritual, performance, and sensory experiences, reflecting a deeper exploration of the spiritual dimensions of medieval artwork.
Declining or Waning
- Traditional Iconography Studies:
There has been a noticeable decline in papers focusing solely on traditional iconography without contextual analysis. Scholars are increasingly seeking interdisciplinary approaches that integrate iconography with broader cultural narratives. - Static Interpretations of Art:
Papers that offer static or singular interpretations of artworks are becoming less common, as the journal's contributors favor dynamic, multifaceted analyses that consider varying perspectives and interpretations across different contexts. - Narrow Regional Focus:
While regional studies remain important, there is a declining trend in works that focus exclusively on isolated regional narratives without connecting them to wider Mediterranean or cross-cultural dialogues.
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