Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean

Scope & Guideline

Unveiling Cultural Connections Across Time and Space

Introduction

Welcome to the Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean information hub, where our guidelines provide a wealth of knowledge about the journal’s focus and academic contributions. This page includes an extensive look at the aims and scope of Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean, highlighting trending and emerging areas of study. We also examine declining topics to offer insight into academic interest shifts. Our curated list of highly cited topics and recent publications is part of our effort to guide scholars, using these guidelines to stay ahead in their research endeavors.
LanguageMulti-Language
ISSN2336-3452
PublisherMASARYKOVA UNIV
Support Open AccessNo
CountryBelgium
TypeJournal
Convergefrom 2017 to 2023
AbbreviationCONVIV-EXCH INTERACT / Conviv.-Exch. Interact. Arts Mediev. Eur. Byz. Mediterr.
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressZEROTINOVO NAM 9, BRNO 60177, CZECH REPUBLIC

Aims and Scopes

The journal 'Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean' focuses on the multifaceted interactions and exchanges of artistic practices and cultural narratives across medieval Europe, Byzantium, and the Mediterranean. It aims to explore the rich tapestry of artistic expressions, historical contexts, and cultural dialogues that shaped the medieval world.
  1. Interdisciplinary Approaches to Medieval Art:
    The journal emphasizes the integration of various disciplines such as art history, archaeology, theology, and cultural studies to analyze medieval artistic practices and their socio-political contexts.
  2. Exploration of Cross-Cultural Interactions:
    A core focus is on the interactions between different cultures within the medieval period, particularly how Byzantine, Latin, and Islamic art influenced each other across regions, emphasizing the Mediterranean as a dynamic space for exchange.
  3. Narratives of Memory and Identity:
    The journal investigates how narratives surrounding memory, identity, and historical events were constructed through visual culture, exploring the role of art in shaping collective memories and cultural identities.
  4. Regional Studies with a Global Perspective:
    While the journal publishes works focusing on specific regions (e.g., Venice, Armenia, Svaneti), it situates these studies within broader global interconnections, providing a comprehensive understanding of medieval art's evolution.
  5. Digital Humanities and New Methodologies:
    The journal encourages contributions that utilize digital humanities methods to analyze and visualize medieval art and architecture, promoting innovative approaches to historical research.
The journal demonstrates a clear evolution in its thematic focus, with several areas gaining traction among recent publications. This section identifies these emerging themes, reflecting contemporary scholarly interests.
  1. Digital Approaches to Art History:
    There is a growing emphasis on the use of digital tools and methodologies to analyze, visualize, and disseminate research on medieval art, highlighting the importance of technology in contemporary scholarship.
  2. Gender and Intersectionality in Medieval Studies:
    Emerging themes related to gender, sexuality, and race are increasingly present, with scholars examining how these factors influenced artistic production and representation in the medieval period.
  3. Environmental and Material Culture Studies:
    Recent publications show a trend towards exploring the relationship between art and its materiality, as well as the environmental contexts in which medieval art was created and experienced.
  4. Revisiting Historical Narratives:
    There is an increasing trend of re-evaluating established historical narratives, particularly in relation to identity and memory, and how these narratives are expressed through visual culture.
  5. Interdisciplinary Dialogues on Religious Art:
    The journal is seeing a rise in interdisciplinary studies that connect religious art to broader themes such as ritual, performance, and sensory experiences, reflecting a deeper exploration of the spiritual dimensions of medieval artwork.

Declining or Waning

As the journal evolves, certain themes and approaches appear to be diminishing in frequency or prominence. This section highlights these waning scopes, reflecting shifts in scholarly focus and interests.
  1. Traditional Iconography Studies:
    There has been a noticeable decline in papers focusing solely on traditional iconography without contextual analysis. Scholars are increasingly seeking interdisciplinary approaches that integrate iconography with broader cultural narratives.
  2. Static Interpretations of Art:
    Papers that offer static or singular interpretations of artworks are becoming less common, as the journal's contributors favor dynamic, multifaceted analyses that consider varying perspectives and interpretations across different contexts.
  3. Narrow Regional Focus:
    While regional studies remain important, there is a declining trend in works that focus exclusively on isolated regional narratives without connecting them to wider Mediterranean or cross-cultural dialogues.

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