ARTMargins
Scope & Guideline
Advancing scholarship at the margins of visual and performing arts.
Introduction
Aims and Scopes
- Contemporary Art Contextualization:
The journal seeks to contextualize contemporary art within historical and socio-political frameworks, examining how art interacts with movements such as socialism, nationalism, and postcolonialism. - Interdisciplinary Approaches:
ARTMargins employs interdisciplinary methodologies, drawing from art history, cultural studies, and political theory to provide a comprehensive analysis of artistic practices across diverse contexts. - Focus on Marginalized Narratives:
A key aim is to highlight the voices and narratives of marginalized artists and movements, particularly in regions that have been underrepresented in mainstream art discourse. - Global Perspectives:
The journal emphasizes global perspectives on art, encouraging contributions that reflect a diverse range of cultural contexts and artistic practices, particularly from non-Western viewpoints. - Critical Theory and Aesthetics:
ARTMargins engages with critical theories of aesthetics, exploring how art can act as a medium for resistance, social commentary, and cultural critique.
Trending and Emerging
- Socialism and Contemporary Art:
Increasingly, the journal highlights the relationship between socialism and contemporary art, exploring how artists engage with socialist themes and aesthetics in various contexts, particularly in post-colonial and transitional societies. - Decolonial Art Practices:
There is a growing emphasis on decolonial practices within contemporary art, examining how artists challenge colonial narratives and represent indigenous and marginalized voices in their work. - Performance Art and Activism:
The intersection of performance art and activism is emerging as a significant theme, with discussions around how performance can function as a site of resistance and social commentary, particularly in politically charged contexts. - Globalization and Art Networks:
Explorations of globalization and its impact on art networks are trending, focusing on how artists navigate international collaborations and the implications of global art markets on local practices. - Environmental and Anthropocentric Themes:
Recent publications are increasingly addressing environmental issues and anthropocentrism in art, reflecting a growing concern for ecological narratives and the role of art in environmental activism.
Declining or Waning
- Traditional Art Historical Narratives:
There has been a noticeable decline in papers that adhere strictly to traditional art historical methodologies, suggesting a move away from conventional narratives towards more critical and interdisciplinary approaches. - Eurocentric Perspectives:
Papers focusing solely on Eurocentric art movements are becoming less common, indicating a shift towards more global and inclusive discussions that prioritize non-Western art histories. - Formalism in Art Critique:
The emphasis on formalist critique, which analyzes the aesthetic forms and techniques of art in isolation, is waning in favor of more contextually grounded analyses that consider the socio-political implications of art. - Isolation of Artistic Practices:
There is a decreasing focus on isolated artistic practices, with a growing trend towards examining art within broader cultural and political movements, reflecting a more integrated approach to understanding art. - Historical Case Studies:
The frequency of historical case studies that do not connect to contemporary issues is declining, suggesting a preference for analyses that link past and present artistic practices.
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