ARTMargins

Scope & Guideline

Illuminating the socio-political contexts of artistic practice.

Introduction

Delve into the academic richness of ARTMargins with our guidelines, detailing its aims and scope. Our resource identifies emerging and trending topics paving the way for new academic progress. We also provide insights into declining or waning topics, helping you stay informed about changing research landscapes. Evaluate highly cited topics and recent publications within these guidelines to align your work with influential scholarly trends.
LanguageEnglish
ISSN2162-2574
PublisherMIT PRESS
Support Open AccessNo
CountryUnited States
TypeJournal
Convergefrom 2012 to 2024
AbbreviationARTMARGINS-CAMBRIDGE / ARTMargins
Frequency3 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressONE ROGERS ST, CAMBRIDGE, MA 02142-1209

Aims and Scopes

ARTMargins focuses on exploring the intersections of contemporary art, politics, and cultural practices, particularly from marginalized or underrepresented perspectives. The journal emphasizes critical discourse surrounding global modernisms, historical contexts, and the socio-political dimensions of art.
  1. Contemporary Art Contextualization:
    The journal seeks to contextualize contemporary art within historical and socio-political frameworks, examining how art interacts with movements such as socialism, nationalism, and postcolonialism.
  2. Interdisciplinary Approaches:
    ARTMargins employs interdisciplinary methodologies, drawing from art history, cultural studies, and political theory to provide a comprehensive analysis of artistic practices across diverse contexts.
  3. Focus on Marginalized Narratives:
    A key aim is to highlight the voices and narratives of marginalized artists and movements, particularly in regions that have been underrepresented in mainstream art discourse.
  4. Global Perspectives:
    The journal emphasizes global perspectives on art, encouraging contributions that reflect a diverse range of cultural contexts and artistic practices, particularly from non-Western viewpoints.
  5. Critical Theory and Aesthetics:
    ARTMargins engages with critical theories of aesthetics, exploring how art can act as a medium for resistance, social commentary, and cultural critique.
ARTMargins is witnessing a dynamic evolution in its thematic focus, with several emerging areas gaining traction in recent publications. These trends reflect the journal's responsiveness to contemporary issues and the evolving landscape of global art.
  1. Socialism and Contemporary Art:
    Increasingly, the journal highlights the relationship between socialism and contemporary art, exploring how artists engage with socialist themes and aesthetics in various contexts, particularly in post-colonial and transitional societies.
  2. Decolonial Art Practices:
    There is a growing emphasis on decolonial practices within contemporary art, examining how artists challenge colonial narratives and represent indigenous and marginalized voices in their work.
  3. Performance Art and Activism:
    The intersection of performance art and activism is emerging as a significant theme, with discussions around how performance can function as a site of resistance and social commentary, particularly in politically charged contexts.
  4. Globalization and Art Networks:
    Explorations of globalization and its impact on art networks are trending, focusing on how artists navigate international collaborations and the implications of global art markets on local practices.
  5. Environmental and Anthropocentric Themes:
    Recent publications are increasingly addressing environmental issues and anthropocentrism in art, reflecting a growing concern for ecological narratives and the role of art in environmental activism.

Declining or Waning

While ARTMargins has consistently focused on contemporary and historical intersections in art, certain themes appear to be declining in prominence. This reflects a shift in interests and concerns within the journal's scope.
  1. Traditional Art Historical Narratives:
    There has been a noticeable decline in papers that adhere strictly to traditional art historical methodologies, suggesting a move away from conventional narratives towards more critical and interdisciplinary approaches.
  2. Eurocentric Perspectives:
    Papers focusing solely on Eurocentric art movements are becoming less common, indicating a shift towards more global and inclusive discussions that prioritize non-Western art histories.
  3. Formalism in Art Critique:
    The emphasis on formalist critique, which analyzes the aesthetic forms and techniques of art in isolation, is waning in favor of more contextually grounded analyses that consider the socio-political implications of art.
  4. Isolation of Artistic Practices:
    There is a decreasing focus on isolated artistic practices, with a growing trend towards examining art within broader cultural and political movements, reflecting a more integrated approach to understanding art.
  5. Historical Case Studies:
    The frequency of historical case studies that do not connect to contemporary issues is declining, suggesting a preference for analyses that link past and present artistic practices.

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