EARLY MUSIC HISTORY

Scope & Guideline

Unveiling the Melodies of Time

Introduction

Immerse yourself in the scholarly insights of EARLY MUSIC HISTORY with our comprehensive guidelines detailing its aims and scope. This page is your resource for understanding the journal's thematic priorities. Stay abreast of trending topics currently drawing significant attention and explore declining topics for a full picture of evolving interests. Our selection of highly cited topics and recent high-impact papers is curated within these guidelines to enhance your research impact.
LanguageEnglish
ISSN0261-1279
PublisherCAMBRIDGE UNIV PRESS
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 1981 to 1982, from 1984 to 1988, from 1990 to 1992, from 1994 to 2022
AbbreviationEARLY MUSIC HIST / Early Music Hist.
Frequency1 issue/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressEDINBURGH BLDG, SHAFTESBURY RD, CB2 8RU CAMBRIDGE, ENGLAND

Aims and Scopes

The journal 'Early Music History' serves as a platform for scholarly discourse surrounding the evolution and contextualization of music from the medieval period through the early modern era. It emphasizes a multidisciplinary approach, drawing insights from musicology, history, and cultural studies.
  1. Historical Contextualization of Music:
    The journal focuses on situating musical works within their historical contexts, exploring how social, political, and religious factors influenced musical practices and compositions.
  2. Analysis of Musical Manuscripts and Fragments:
    A core area of research is the examination of musical manuscripts, fragments, and notation systems, which helps to uncover lost or lesser-known works and practices from earlier periods.
  3. Interdisciplinary Approaches:
    The journal encourages interdisciplinary methodologies, integrating perspectives from literature, theology, and philosophy to enrich the understanding of early music.
  4. Exploration of Musical Authorship and Identity:
    It investigates concepts of authorship and identity in early music, analyzing how composers were perceived and how their works were attributed within their historical contexts.
  5. Regional Studies of Early Music:
    The journal often features studies focused on specific geographical areas, such as medieval Iberia or Occitanian regions, contributing to a broader understanding of regional music practices.
Recent publications in 'Early Music History' indicate a dynamic evolution of research themes, highlighting emerging areas of interest that align with contemporary scholarly debates.
  1. Intersections of Music and Identity:
    There is an increasing focus on how music reflects and constructs identities, particularly in the context of medieval and early modern societies. This theme explores how musical practices were intertwined with cultural and social identities.
  2. Digital Humanities and Musicology:
    The integration of digital tools and methodologies in musicology is gaining traction, with studies utilizing digital archives and analytical software to explore historical music data.
  3. Reevaluation of Authorship and Attribution:
    Recent trends emphasize a reevaluation of authorship, moving beyond traditional attributions to consider collaborative practices and the socio-political contexts that shaped musical creation.
  4. Exploration of Non-Western Influences:
    Emerging research is beginning to explore the influences of non-Western musical traditions on early music, broadening the scope of inquiry and fostering a more global perspective.
  5. Critical Gender Studies in Music:
    There is a growing interest in examining gender roles and representations within early music, reflecting broader discussions on gender in the humanities.

Declining or Waning

While 'Early Music History' continues to thrive in various areas of research, certain themes appear to be diminishing in prevalence, reflecting shifts in scholarly interest.
  1. Focus on Traditional Notation Systems:
    There has been a noticeable decline in studies centered solely on traditional notation systems, as scholars are now more inclined to contextualize these systems within broader historical and cultural frameworks.
  2. Narrow Regional Studies:
    Research that strictly focuses on isolated regional studies without broader implications or connections to wider trends in music history has become less common, as there is a growing emphasis on comparative and transnational analyses.
  3. Exclusive Emphasis on Performance Practice:
    While performance practice remains important, the journal has seen a waning interest in articles that focus exclusively on this aspect without tying it to historical or cultural narratives.

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