JOURNAL OF MUSICOLOGY

Scope & Guideline

Advancing Knowledge in Musicology

Introduction

Delve into the academic richness of JOURNAL OF MUSICOLOGY with our guidelines, detailing its aims and scope. Our resource identifies emerging and trending topics paving the way for new academic progress. We also provide insights into declining or waning topics, helping you stay informed about changing research landscapes. Evaluate highly cited topics and recent publications within these guidelines to align your work with influential scholarly trends.
LanguageEnglish
ISSN0277-9269
PublisherUNIV CALIFORNIA PRESS
Support Open AccessNo
CountryUnited States
TypeJournal
Convergefrom 1982 to 1999, from 2001 to 2024
AbbreviationJ MUSICOLOGY / J. Musicol.
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address155 GRAND AVE, SUITE 400, OAKLAND, CA 94612-3758

Aims and Scopes

The JOURNAL OF MUSICOLOGY aims to advance the understanding of musicology through a diverse range of methodologies and interdisciplinary approaches. It seeks to explore the multifaceted relationship between music, culture, and society across different historical periods and geographical contexts.
  1. Interdisciplinary Approaches to Musicology:
    The journal emphasizes the integration of various scholarly disciplines, including history, cultural studies, and sociology, to analyze music's role in society.
  2. Historical Contextualization:
    A consistent focus on the historical contexts of music, examining how socio-political, cultural, and economic factors influence musical practices and compositions.
  3. Cultural and Social Dimensions of Music:
    Exploration of music as a social practice, highlighting its impact on identity, community, and cultural expression across different populations.
  4. Critical Analysis of Musical Texts and Practices:
    The journal promotes critical readings of musical works, considering performance practices, compositional techniques, and the reception history of music.
  5. Exploration of Musical Genres and Styles:
    A focus on various musical genres, exploring their development, evolution, and cultural significance within specific historical and social frameworks.
Recent publications in the JOURNAL OF MUSICOLOGY reveal several emerging themes that reflect current societal issues and the evolving landscape of musicology. These trends suggest a growing interest in the intersection of music with cultural, political, and technological contexts.
  1. Music and Identity Politics:
    There is an increasing exploration of how music interacts with identity politics, including discussions on race, gender, and cultural identity, reflecting contemporary societal dialogues.
  2. Global Music Histories:
    A notable trend towards global perspectives in music history, examining non-Western musical traditions and their interactions with Western music, highlighting a more inclusive approach to musicological studies.
  3. Music and Technology:
    Emerging themes concerning the impact of technology on music creation, performance, and dissemination, including discussions on digital music and the implications of music technology in contemporary society.
  4. Music as Social Commentary:
    A rising interest in how music serves as a form of social commentary, particularly in relation to political movements and societal issues, demonstrating music's power as a tool for activism.
  5. Interdisciplinary Collaboration:
    An increasing trend towards interdisciplinary collaboration, where musicology intersects with fields such as psychology, sociology, and anthropology to enrich the understanding of music's role in human experience.

Declining or Waning

While the JOURNAL OF MUSICOLOGY continues to thrive in various areas, certain themes have shown a noticeable decline in recent publications. This may reflect shifting scholarly interests or changes in the broader musicological landscape.
  1. Traditional Musicology:
    There appears to be a declining emphasis on traditional musicology, which primarily focused on the documentation and analysis of classical music repertoire, as the field increasingly embraces interdisciplinary and contemporary approaches.
  2. Purely Technical Analyses of Music:
    The focus on purely technical or theoretical analyses of music, such as detailed harmonic or structural analyses devoid of cultural context, has waned in favor of more holistic, context-based examinations.
  3. Historical Music Theory:
    There has been a reduction in papers solely dedicated to historical music theory, as the journal's scope has expanded to include broader cultural and social dimensions of music.

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