PRINT QUARTERLY

Scope & Guideline

Fostering Discourse in Visual and Performing Arts

Introduction

Welcome to your portal for understanding PRINT QUARTERLY, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN0265-8305
PublisherPRINT QUARTERLY PUBLICATIONS
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Converge1986, from 2002 to 2020 (coverage discontinued in Scopus)
AbbreviationPRINT Q / Print Q.
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address52 KELSO PL, LONDON W8 5QQ, UNITED KINGDOM

Aims and Scopes

PRINT QUARTERLY is dedicated to advancing the understanding and appreciation of printmaking as a vital form of artistic expression. The journal emphasizes a diverse range of topics related to the history, technique, and cultural impact of prints across various time periods and geographical contexts.
  1. Historical Analysis of Prints:
    The journal explores the historical significance of prints, focusing on their role in different cultures and periods, including Renaissance, Baroque, and Modern eras.
  2. Techniques and Innovations in Printmaking:
    Research on various printmaking techniques such as etching, engraving, lithography, and woodblock printing is a core focus, examining innovations that have shaped the medium.
  3. Cultural and Societal Impacts of Print:
    Studies on how prints reflect and influence societal norms, politics, and cultural movements, including the role of prints in propaganda and social commentary.
  4. Collecting and Preservation of Prints:
    The journal addresses issues related to the collecting, archiving, and preservation of prints, highlighting significant collections and their contributions to art history.
  5. Interdisciplinary Approaches:
    PRINT QUARTERLY encourages interdisciplinary research that connects printmaking with other art forms, literature, and historical events, fostering a broader understanding of its significance.
PRINT QUARTERLY has witnessed the emergence of several new themes reflecting contemporary issues and innovative approaches in the field of print studies. These trends indicate a vibrant and evolving discipline.
  1. Contemporary Printmaking Practices:
    An increasing number of publications focus on contemporary artists and their innovative approaches to printmaking, exploring how modern technology and conceptual frameworks are reshaping the medium.
  2. Intersection of Print and Digital Media:
    Research is emerging that examines the relationship between traditional printmaking and digital media, investigating how digital technologies influence print practices and vice versa.
  3. Global Perspectives on Printmaking:
    There is a growing interest in global perspectives, with studies highlighting non-Western printmaking traditions and their contributions to the global art narrative, fostering a more inclusive art history.
  4. Prints in Social Justice and Activism:
    Recent themes explore the role of prints in social movements, examining how printmaking serves as a tool for activism and a means of political expression, reflecting contemporary societal issues.
  5. Materiality and the Physicality of Prints:
    An emerging focus on the material aspects of prints, including the tactile qualities of print media and the implications of material choices on interpretation and meaning.

Declining or Waning

As the field of print studies evolves, certain themes within PRINT QUARTERLY have shown a decline in publication frequency. This reflects shifting scholarly interests and the dynamic nature of art historical research.
  1. Focus on Traditional Printmaking:
    There has been a noticeable decrease in articles strictly centered on traditional printmaking techniques and their historical contexts, as the field increasingly embraces contemporary practices.
  2. Regional Printmaking Studies:
    Research specifically focused on regional printmaking traditions, particularly those outside Western contexts, has waned, possibly due to a growing emphasis on global perspectives in art history.
  3. Nostalgic or Purely Biographical Studies:
    Papers that offer purely biographical accounts of historical printmakers without critical analysis of their works or impact are becoming less prevalent, indicating a shift towards more analytical approaches.
  4. Prints as Decorative Arts:
    The examination of prints primarily as decorative arts is declining, as there is a move towards understanding prints as complex artworks with rich narratives and socio-political implications.
  5. Single-Artist Focus:
    While individual artists remain significant, there is a trend away from studies focusing solely on single artists, moving instead towards thematic or comparative analyses that highlight broader trends.

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