Fotocinema-Revista Cientifica de Cine y Fotografia

Scope & Guideline

Exploring the Intersection of Visual Arts and Society

Introduction

Delve into the academic richness of Fotocinema-Revista Cientifica de Cine y Fotografia with our guidelines, detailing its aims and scope. Our resource identifies emerging and trending topics paving the way for new academic progress. We also provide insights into declining or waning topics, helping you stay informed about changing research landscapes. Evaluate highly cited topics and recent publications within these guidelines to align your work with influential scholarly trends.
LanguageMulti-Language
ISSN2172-0150
PublisherFOTOCINEMA
Support Open AccessYes
CountrySpain
TypeJournal
Convergefrom 2019 to 2024
AbbreviationFOTOCINEMA / Fotocinema
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressFOTOCINEMA, MALAGA 00000, SPAIN

Aims and Scopes

The journal 'Fotocinema-Revista Cientifica de Cine y Fotografia' is dedicated to the scholarly investigation of cinema and photography, with a strong emphasis on the interplay between visual culture, societal issues, and historical narratives. The journal aims to provide a platform for interdisciplinary research that explores the evolving dynamics of film and photography in contemporary society.
  1. Feminist Perspectives in Film and Photography:
    A core focus of the journal is the exploration of feminist themes in documentary and fictional works, analyzing how these narratives contribute to the discourse on gender, identity, and representation in visual culture.
  2. Historical Memory and Visual Culture:
    The journal emphasizes the role of cinema and photography in shaping historical memory, particularly in relation to significant socio-political contexts such as the Spanish Civil War and Francoism, examining how visual media can serve as tools for remembrance and activism.
  3. Innovative Methodologies in Visual Studies:
    The journal encourages the use of diverse methodologies in the analysis of film and photography, integrating theoretical frameworks from cultural studies, sociology, and art history to enrich the understanding of visual narratives.
  4. Intersections of Science and Visual Media:
    There is a notable interest in the relationship between scientific discourse and visual representation, examining how film and photography communicate scientific ideas and contribute to public understanding of science.
  5. Urban and Spatial Representations:
    The journal frequently addresses themes related to urbanism, space, and identity through visual narratives, exploring how cities and environments are depicted and understood in film and photography.
Recent publications in 'Fotocinema-Revista Cientifica de Cine y Fotografia' reflect emerging themes and trends that are gaining traction in the field of visual studies. This section outlines these evolving areas of focus that are indicative of the journal's dynamic scholarly landscape.
  1. Ecofeminism in Visual Media:
    There is a growing trend towards exploring ecofeminist themes in documentary films, highlighting the intersection of environmental issues with feminist activism, which reflects a broader societal concern for sustainability and gender equity.
  2. Digital and Social Media Influences:
    The impact of digital platforms and social media on film and photography practices is increasingly being examined, showcasing how these technologies reshape narratives and engage audiences in new ways.
  3. Exploration of New Subjectivities:
    Emerging discussions around new subjectivities in visual culture reveal a focus on diverse identities and experiences, particularly regarding marginalized voices and alternative narratives within the cinematic landscape.
  4. Methodological Innovations in Visual Analysis:
    The journal is witnessing a rise in innovative methodological approaches, including the use of immersive technologies and interdisciplinary frameworks, which enhance the analysis of visual texts and their cultural implications.
  5. The Role of Memory in Visual Culture:
    Recent publications are placing significant emphasis on the role of memory in shaping visual narratives, particularly in relation to trauma, collective memory, and the politics of representation.

Declining or Waning

As the journal evolves, certain themes and methodologies appear to be declining in prominence within its publications. This section highlights areas that are receiving less attention, indicating a potential shift in focus or scholarly interest.
  1. Traditional Historical Narratives:
    There seems to be a waning interest in traditional historical narratives that do not incorporate contemporary theoretical frameworks or critical perspectives, as the journal increasingly prioritizes innovative and multifaceted approaches to visual history.
  2. Generic Film Analysis:
    Generic analyses that lack a specific focus on cultural, political, or social implications of films are becoming less common, as the journal seeks more nuanced discussions that connect visual media to broader societal issues.
  3. Conventional Aesthetic Critiques:
    The journal appears to be moving away from conventional aesthetic critiques that focus solely on technical aspects of filmmaking or photography, favoring analyses that engage with the cultural and political contexts of the works.

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