French Screen Studies
Scope & Guideline
Celebrating the Legacy of French Visual Storytelling
Introduction
Aims and Scopes
- Interrogation of Gender and Sexuality in Film:
The journal frequently examines how gender and sexuality are represented in French cinema, particularly through the lens of feminist and queer theories, highlighting the significance of these themes in contemporary narratives. - Cultural and National Identity:
Many articles focus on the construction and representation of national and cultural identities in French cinema, exploring how films reflect societal values, historical contexts, and the complexities of globalization. - Historical Contextualization:
The journal places a strong emphasis on the historical evolution of French cinema, analyzing the impact of specific historical events and movements on cinematic expression and genre development. - Transnational and Global Perspectives:
There is a consistent focus on transnational cinema, examining how French films engage with global narratives, aesthetics, and audiences, thus positioning French cinema within a broader international context. - Innovative Methodologies:
The journal employs a range of methodologies, including textual analysis, audience studies, and interdisciplinary approaches that incorporate insights from cultural studies, gender studies, and film theory.
Trending and Emerging
- Intersectionality in Representation:
There is a growing trend towards analyzing intersectional identities within French cinema, particularly regarding race, gender, and sexuality, which reflects broader societal conversations about inclusivity and representation. - Streaming Culture and New Media:
The impact of streaming platforms on French cinema and television is increasingly explored, focusing on how these platforms reshape narratives, audience engagement, and the distribution of French content. - Documentary and Autobiographical Narratives:
Emerging themes include the exploration of autobiographical documentary filmmaking, particularly in relation to personal and collective histories, reflecting a trend towards more intimate and subjective storytelling. - Globalization and Transnational Narratives:
The journal is increasingly focusing on how globalization affects French cinema, particularly through the lens of cultural exchange and the representation of diasporic experiences in film. - New Perspectives on Feminism and Queer Cinema:
Recent works delve deeper into complex feminist narratives and queer cinema, examining how contemporary filmmakers are reinterpreting traditional tropes and challenging gender norms.
Declining or Waning
- Traditional Film Criticism:
There appears to be a waning focus on conventional film criticism and reviews, with fewer articles dedicated to straightforward critiques of individual films, as the journal shifts towards more theoretical and thematic explorations. - Classic French Cinema:
The exploration of classic French cinema, while still present, seems to be decreasing in favor of contemporary analysis, suggesting a pivot towards discussing current trends and recent cinematic works. - Focus on Star Studies:
The previous popularity of star studies, particularly concerning historical figures in French cinema, has diminished, indicating a shift away from biographical approaches to more thematic and genre-based inquiries. - Formalism in Film Studies:
There has been a noticeable decline in formalist approaches that concentrate solely on cinematic techniques or aesthetics, moving instead towards socio-political and cultural analyses.
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