Revista Crítica Cultural, with ISSN 1980-6493, is a leading academic journal published by the Universidade do Sul de Santa Catarina, Brazil. This journal is dedicated to advancing the field of cultural studies, providing a platform for scholarly discourse on critical theories, social impact, and the intersection of culture with various disciplines. Committed to open access, Revista Crítica Cultural ensures that research is readily available to a global audience, fostering collaboration and innovation among researchers, professionals, and students. With a rigorous peer-review process, the journal aims to publish high-quality articles that not only challenge existing paradigms but also propose new insights into contemporary cultural phenomena. As an emerging force in cultural analysis, it plays an essential role in shaping academic conversations and encouraging interdisciplinary dialogue.

Bioscope-South Asian Screen Studies is an influential journal dedicated to advancing the field of screen studies in the South Asian context, published by SAGE Publications India Pvt Ltd. With an ISSN of 0974-9276 and an E-ISSN of 0976-352X, this journal spans a convergence of scholarly research from 2010 to 2024, providing a significant platform for interdisciplinary dialogue. Holding a Q3 rating in Communication and a Q2 rating in Visual Arts and Performing Arts in the 2023 category quartiles, it ranks 212th in its field on Scopus, reflecting its vital contribution to academic discourse. Bioscope aims to explore and critically analyze the rich tapestry of South Asian cinema, media, and performance arts, offering researchers, professionals, and students a valuable resource for deepening their understanding of regional and global cinematic narratives. Readers will find insightful articles that probe the cultural, social, and political dimensions of screen studies, making this journal an essential reference for anyone engaged in the evolving landscape of South Asian visual culture.

NEUE RUNDSCHAU is a prominent journal published by S Fischer Verlag GmbH, specializing in the fields of literature and literary theory, as well as visual arts and performing arts. With its roots tracing back to its inception in 1969, this journal has evolved significantly, providing a platform for critical discourse and innovative scholarship in the arts and humanities. Although it experienced coverage changes, the journal remains a vital resource for researchers and academics, contributing to the rich dialogue surrounding cultural studies and artistic expression. Furthermore, while it is not available through open access, NEUE RUNDSCHAU offers essential insights into contemporary literary trends and artistic movements, ensuring its relevance and importance within the academic sphere. With Scopus rankings including a position in the 16th percentile for literature and literary theory, and a 10th percentile placement in cultural studies, the journal embodies a commitment to quality scholarly contributions, making it an invaluable asset for students, professionals, and researchers alike.

Visual Communication, published by SAGE Publications Inc, is a leading journal in the fields of Communication and Visual Arts and Performing Arts, recognized for its significant contribution to theoretical advancements and empirical research. With an impressive impact factor and ranked in the Q2 quartile for Communication and Q1 for Visual Arts and Performing Arts, this journal attracts a diverse audience of researchers, professionals, and students dedicated to exploring the multifaceted nature of visual communication. Spanning from 2002 to 2024, the journal publishes high-quality articles that delve into the intricate relationship between visual culture and communication practices. It consistently ranks favorably within Scopus, placing in the 97th percentile for Visual Arts and Performing Arts and the 76th percentile for Communication, making it a vital resource for those seeking to advance their understanding of visual discourse. While the journal is not open access, its subscription model ensures rigorous peer review, thereby maintaining high academic standards. The global reach of Visual Communication solidifies its role as an essential platform for innovative dialogue and scholarship within the academic community.

Studies in Russian and Soviet Cinema, published by Routledge Journals, Taylor & Francis Ltd, provides a critical forum for the exploration and analysis of cinematic practices, histories, and cultures from the Russian and Soviet eras. With its ISSN 1750-3132 and E-ISSN 1750-3140, this journal operates under the editorial guidance of leading scholars in the field, making significant contributions to the Visual Arts and Performing Arts and Communication categories, where it is ranked in the upper quartiles of its peer group. The journal spans a rich period of study, converging insights from 2006 to 2024, thereby allowing for an in-depth understanding of the evolution and impact of cinema in societal narratives. Researchers and enthusiasts alike will appreciate its dedication to illuminating the often-neglected cinematic treasures of Russia and the Soviet Union, promoting scholarly discourse through its rigorous analyses and diverse range of articles. This journal serves as an essential resource for anyone interested in the intersections of film, culture, and history.

Atalante-Revista de Estudios Cinematograficos, an esteemed open-access journal published by ASOC CINEFORUM L ATALANTE, has been a vital platform for scholarly discourse in the fields of Cultural Studies, History, and Visual Arts and Performing Arts since its inception in 2011. With a commitment to promoting innovative research and critical analyses, Atalante has earned a commendable reputation, achieving Q2 status in Cultural Studies and both Q1 rankings in History and Visual Arts for 2023. Based in Valencia, Spain, this journal not only serves as a conduit for scholars to disseminate findings but also provides unrestricted access to its contents since 2013, fostering a more informed and engaged academic community. With its diverse range of topics and the ability to access high-quality research at no cost, Atalante plays a crucial role in advancing the understanding of cinematic studies and its contextual significance in broader cultural narratives.

Fotocinema-Revista Cientifica de Cine y Fotografia is a leading open-access journal published by FOTOCINEMA since 2014, dedicated to the academic exploration of cinema and photography. Based in Spain, this journal serves as a vital platform for researchers, professionals, and students, fostering innovative discourse in the fields of Visual Arts, Performing Arts, and History. With an impressive Q2 rank in both History and Visual Arts, as well as a Q4 rank in Communication in 2023, Fotocinema reflects a commitment to high-quality scholarship, backed by Scopus rankings that highlight its growing influence within the academic community. By offering open access to its content, the journal ensures that significant research is available to a broader audience, encouraging collaboration and knowledge sharing across disciplines. As it continues its converged publication run from 2019 to 2024, Fotocinema stands at the forefront of cinematic and photographic studies, providing an essential resource for those dedicated to understanding the intricate relationships between visual media and society.

Transnational Screens is a premier academic journal published by Taylor & Francis Ltd, focusing on the dynamic intersections of visual arts, performing arts, and communication in a globalized context. Since its inception, the journal has garnered significant recognition, featuring in the Q1 category for Visual Arts and Performing Arts and Q3 for Communication as of 2023, reflecting its influential contributions to these fields. With a Scopus ranking placing it in the 78th percentile in Visual Arts and Performing Arts, this journal serves as a vital platform for researchers, professionals, and students aiming to explore the implications of transnational narratives in contemporary media and artistic practices. The journal is accessible to a diverse readership and promotes open dialogue through its commitment to publishing innovative and interdisciplinary research from 2020 to 2024. As a key resource for understanding the complexities of transnational screens, it invites submissions that push the boundaries of traditional scholarship and engage with pressing global issues through the lens of the visual and performing arts.

SIGHT AND SOUND is a prestigious journal published by the British Film Institute, dedicated to the exploration of cinema and its cultural significance. With an ISSN of 0037-4806 and an E-ISSN matching the same, this journal has been a critical platform for film studies since its inception, contributing valuable insights to the realms of visual arts and performing arts. Despite its discontinuation in the Scopus database post-2021, SIGHT AND SOUND commands respect within its field, currently holding a Q3 rank among Visual Arts and Performing Arts journals. Operating from 21 Stephen Street, London W1P 1PL, England, it serves as a vital resource for researchers, professionals, and students looking to deepen their understanding of film theory, critique, and history. While access to its articles is not open, the journal continues to influence the discourse in film studies, making it a significant asset in academic and professional circles.

Adaptation: The Journal of Literature on Screen Studies, published by Oxford University Press, stands at the forefront of interdisciplinary scholarship, blending the realms of literature, visual arts, and performing arts. This esteemed journal addresses the evolving relationship between literature and its adaptation into various screen formats, providing a vital platform for researchers, professionals, and students interested in the adaptation process across different media. With a commendable 2023 impact factor reflected by its recognition in the Q1 quartile categories for Literature and Literary Theory as well as Visual Arts and Performing Arts, it ranks in the top tiers of its field, showcasing its influence and reach. The journal is dedicated to exploring theoretical and practical approaches to adaptation, ensuring that voices from diverse perspectives are heard. Although it operates under traditional access models, the insights offered in its publications are invaluable for those looking to deepen their understanding of how literature translates into screen narratives. With coverage spanning from 2010 to 2024, Adaptation continues to be a pivotal reference point for innovative scholarship and critical discourse.