Film International is a prominent journal dedicated to the exploration of film and its cultural, social, and artistic significance. Published by INTELLECT LTD, this journal serves as a platform for interdisciplinary studies in the field of film criticism, theory, and scholarship, contributing valuable insights from both established and emerging researchers. With an ISSN of 1651-6826 and an E-ISSN of 2040-3801, the journal is an essential resource for those engaged in the realms of communication, cultural studies, and visual arts, though it is currently classified in the lower quartiles of these fields (Q4). Noteworthy for its critical perspectives and diverse content, Film International enhances the dialogue surrounding cinematic practices and their impact on society. Researchers, professionals, and students can explore its rich assemblage of articles and reviews that reflect the evolving landscape of film studies, making it a significant addition to the academic community focused on the art of film.

Welcome to Ekphrasis-Images Cinema Theory Media, an academic journal dedicated to exploring the intersections of visual arts, cinema, and media studies. Published by the esteemed BABES-BOLYAI UNIVERSITY, FACULTY OF THEATRE & TELEVISION in Romania, this journal serves as a critical platform for scholars and practitioners to disseminate groundbreaking research and innovative ideas within these vibrant fields. With an ISSN of 2067-631X and an E-ISSN of 2559-2068, Ekphrasis is committed to enhancing the discourse surrounding contemporary visual culture, as evidenced by its Scopus rankings in the arts and humanities categories. Aiming to contribute to academic discussions from 2019 to 2024, it invites submissions that challenge conventional perspectives and promote new methodologies. Although currently positioned in the Q4 category for Communication and Q3 for Visual Arts and Performing Arts, the journal is poised for growth and aims to increase its impact factor through the openness of scholarly exchange and rigorous peer review. Join us in advancing the critical discourse at the crossroads of art and media!

MILLENNIUM FILM JOURNAL, published by MILLENNIUM FILM WORKSHOP INC, stands as a pivotal platform for exploration and discourse within the realm of film studies. With its ISSN 1064-5586, the journal has been noteworthy in delineating the complexities of visual arts and performing arts, contributing significantly to academic scholarship between the years 2009 to 2016, and in 2018. Though its coverage has been discontinued in Scopus, the journal has attained a respectable position within its category, ranking #320 out of 502 in the Arts and Humanities field. Researchers, professionals, and students alike are invited to engage with interdisciplinary discussions that illuminate the cultural and theoretical dimensions of cinema. While currently not offering open access options, the journal continues to serve as a vital resource for those deeply invested in the study of film, making it a respected voice in visual arts and performance research.

Canadian Journal of Film Studies-Revue Canadienne d'Études Cinématographiques is a distinguished publication dedicated to the exploration of film studies within the context of Canadian cinema and global visual arts. Published by University of Toronto Press Inc., this journal offers a platform for innovative and critical scholarship, having achieved a notable Q2 ranking in the Visual Arts and Performing Arts category for 2023, with an impressive Scopus rank of 207 out of 667, positioning it in the 68th percentile among peers. With a continuous publication record since its established years from 1998 to 2001 and 2004 to 2024, it has become an essential resource for researchers, professionals, and students interested in the evolving landscape of film and cinema. The journal not only addresses theoretical perspectives but also engages with contemporary practices, thereby fostering a deeper understanding of cinematic arts. Despite not offering open access, it remains a vital repository of knowledge for those seeking to advance their studies and contribute to the discourse in film studies.

Bioscope-South Asian Screen Studies is an influential journal dedicated to advancing the field of screen studies in the South Asian context, published by SAGE Publications India Pvt Ltd. With an ISSN of 0974-9276 and an E-ISSN of 0976-352X, this journal spans a convergence of scholarly research from 2010 to 2024, providing a significant platform for interdisciplinary dialogue. Holding a Q3 rating in Communication and a Q2 rating in Visual Arts and Performing Arts in the 2023 category quartiles, it ranks 212th in its field on Scopus, reflecting its vital contribution to academic discourse. Bioscope aims to explore and critically analyze the rich tapestry of South Asian cinema, media, and performance arts, offering researchers, professionals, and students a valuable resource for deepening their understanding of regional and global cinematic narratives. Readers will find insightful articles that probe the cultural, social, and political dimensions of screen studies, making this journal an essential reference for anyone engaged in the evolving landscape of South Asian visual culture.

Fotocinema-Revista Cientifica de Cine y Fotografia is a leading open-access journal published by FOTOCINEMA since 2014, dedicated to the academic exploration of cinema and photography. Based in Spain, this journal serves as a vital platform for researchers, professionals, and students, fostering innovative discourse in the fields of Visual Arts, Performing Arts, and History. With an impressive Q2 rank in both History and Visual Arts, as well as a Q4 rank in Communication in 2023, Fotocinema reflects a commitment to high-quality scholarship, backed by Scopus rankings that highlight its growing influence within the academic community. By offering open access to its content, the journal ensures that significant research is available to a broader audience, encouraging collaboration and knowledge sharing across disciplines. As it continues its converged publication run from 2019 to 2024, Fotocinema stands at the forefront of cinematic and photographic studies, providing an essential resource for those dedicated to understanding the intricate relationships between visual media and society.

NEUE RUNDSCHAU is a prominent journal published by S Fischer Verlag GmbH, specializing in the fields of literature and literary theory, as well as visual arts and performing arts. With its roots tracing back to its inception in 1969, this journal has evolved significantly, providing a platform for critical discourse and innovative scholarship in the arts and humanities. Although it experienced coverage changes, the journal remains a vital resource for researchers and academics, contributing to the rich dialogue surrounding cultural studies and artistic expression. Furthermore, while it is not available through open access, NEUE RUNDSCHAU offers essential insights into contemporary literary trends and artistic movements, ensuring its relevance and importance within the academic sphere. With Scopus rankings including a position in the 16th percentile for literature and literary theory, and a 10th percentile placement in cultural studies, the journal embodies a commitment to quality scholarly contributions, making it an invaluable asset for students, professionals, and researchers alike.

Visual Communication, published by SAGE Publications Inc, is a leading journal in the fields of Communication and Visual Arts and Performing Arts, recognized for its significant contribution to theoretical advancements and empirical research. With an impressive impact factor and ranked in the Q2 quartile for Communication and Q1 for Visual Arts and Performing Arts, this journal attracts a diverse audience of researchers, professionals, and students dedicated to exploring the multifaceted nature of visual communication. Spanning from 2002 to 2024, the journal publishes high-quality articles that delve into the intricate relationship between visual culture and communication practices. It consistently ranks favorably within Scopus, placing in the 97th percentile for Visual Arts and Performing Arts and the 76th percentile for Communication, making it a vital resource for those seeking to advance their understanding of visual discourse. While the journal is not open access, its subscription model ensures rigorous peer review, thereby maintaining high academic standards. The global reach of Visual Communication solidifies its role as an essential platform for innovative dialogue and scholarship within the academic community.

CONTEMPORARY FRENCH AND FRANCOPHONE STUDIES is a prestigious academic journal published by Routledge Journals, Taylor & Francis Ltd, focusing on the vibrant fields of French and Francophone literature, culture, and history. With an ISSN of 1740-9292 and an E-ISSN of 1740-9306, this journal serves as a vital platform for interdisciplinary research, highlighting innovative scholarship from 1997 through 2024. Recognized for its contributions to Cultural Studies, History, Literature and Literary Theory, and Visual Arts and Performing Arts, it holds a Q3 ranking in these categories as of 2023, indicating its solid reputation among peers. The journal is dedicated to fostering a deeper understanding of contemporary societal themes through the lens of Francophone perspectives, providing valuable insights for researchers, professionals, and students alike. It is crucial for those looking to engage critically with current trends and influences shaping the Francophone world.

French Cultural Studies, published by SAGE Publications Inc, is a leading journal in the domains of Cultural Studies and History. With its ISSN 0957-1558 and E-ISSN 1740-2352, this esteemed journal has made significant contributions to the understanding of French culture, literature, and society since its inception in 1990. Notably ranked in the Q2 category for Cultural Studies and Q1 category for History in 2023, it stands out with impressive Scopus rankings, placing 447th in History and 482nd in Cultural Studies. The journal aims to facilitate a nuanced discourse around French cultural phenomena, offering researchers, professionals, and students a platform for high-quality scholarly work. Although it does not operate under an Open Access model, its rigorous peer-review process ensures the publication of impactful articles that advance academic inquiry and foster collaborative dialogue in the field. Adhering to the mission of promoting interdisciplinary research, French Cultural Studies is a vital resource for anyone interested in exploring the complexities of French cultural identity and its global implications.