Journal of Visual Art and Design is a pivotal academic platform dedicated to advancing scholarship in the realms of visual arts and design, published by ITB JOURNAL PUBL. With its ISSN 2337-5795 and E-ISSN 2338-5480, this journal serves as a rich resource for researchers, practitioners, and students alike, facilitating the dissemination of innovative ideas and critical research findings. As part of its commitment to accessibility, the journal provides open access to its publications, ensuring that knowledge in the visual arts and design fields is readily available to a global audience. The journal’s coverage spans from 2022 to 2024, encouraging a contemporary and relevant dialogue within the discipline. Although the current Scopus rank places it in the 10th percentile, the journal aims to foster scholarly exchange and inspire future advancements in visual arts. Located in Bandung, Indonesia, at the ITB Rectorate Building, the journal reflects the dynamic cultural landscape of its locale while addressing global trends in visual arts and design.

LOTUS INTERNATIONAL is a distinguished journal published by EDITORIALE LOTUS, focusing on the dynamic fields of Architecture and Visual Arts and Performing Arts. With its ISSN 1124-9064, this scholarly periodical has been a platform for innovative research and discourse since its inception in 2002, resuming publication in 2021 after a brief hiatus. Based in the cultural hub of Milan, Italy, LOTUS INTERNATIONAL aims to bridge theoretical frameworks and practical applications, thereby fostering a deeper understanding of creative practices and their implications in modern society. As a Q4 ranked journal in its respective categories for 2023, it provides a unique opportunity for researchers and professionals to contribute to an evolving dialogue, even at the foundational percentile levels within its Scopus rankings. Although not an open-access journal, LOTUS INTERNATIONAL remains committed to disseminating valuable insights and advancing knowledge in the creative disciplines. With an accessible format, it invites a diverse audience, including students, to engage with emerging concepts that shape the future of art and architecture.

Landscape Architecture and Art is a distinguished journal published by the Latvia University of Life Sciences and Technologies, specializing in the intersection of landscape architecture, environmental design, and the visual arts. Established in 2016, this journal has rapidly garnered recognition in various academic categories, achieving Q3 ranking in Agricultural and Biological Sciences (miscellaneous), Q4 in Geography, Planning and Development, and notably Q1 in Visual Arts and Performing Arts as of 2023. With its ISSN 2255-8632 and E-ISSN 2255-8640, the journal provides an essential platform for researchers, professionals, and students to explore innovative approaches and sustainable practices in landscape design and conservation. Although currently not open access, the journal's commitment to high-quality research is evident through its impressive Scopus rankings, particularly in the Arts and Humanities with a commendable 88th percentile for Visual Arts and Performing Arts. Located in Jelgava, Latvia, this journal serves as a vital resource for advancing knowledge and fostering collaboration in the fields of landscape architecture and environmental stewardship.

Renaissance Studies, published by Wiley, stands as a vital academic platform within the disciplines of Cultural Studies, History, Literature and Literary Theory, Religious Studies, and Visual Arts and Performing Arts. With an impressive history of publication spanning from 1987 to 2024, this journal is recognized in 2023 metrics as a Q2 journal in four categories and Q1 in Literature and Literary Theory, reflecting its substantial impact in promoting interdisciplinary dialogue and research. The journal's robust Scopus rankings further underscore its relevance, including a position in the 83rd percentile in Literature and Literary Theory. Although not an open-access journal, it provides readers and contributors with access to curated, high-quality scholarship that explores the complexities of the Renaissance and its enduring influence on contemporary thought and culture. Researchers, professionals, and students alike will find Renaissance Studies invaluable in fostering discussions that bridge historical context with modern inquiry.

Imagologiya i Komparativistika-Imagology and Comparative Studies is a distinguished academic journal published by TOMSK STATE UNIVERSITY in the Russian Federation, focusing on the dynamic interplay between various cultural narratives and comparative methodologies. Since its inception, the journal has become a vital platform for the dissemination of research in fields such as communication, cultural studies, literature and literary theory, and the visual and performing arts. With an evolving scope from 2018 to 2024, it aims to foster interdisciplinary dialogue and promote scholarly examination of cultural phenomena from multiple perspectives. Despite its Q4 status in Communication and rankings that suggest emerging influence within its field, it occupies crucial quartiles in Cultural Studies, Literary Theory, and the Arts, encouraging researchers and students to contribute to its growth. Although currently not an open access journal, its significance lies in its commitment to enriching the understanding of imagology and comparative studies. The journal serves as both a scholarly resource and a catalyst for innovative ideas, making it essential for anyone invested in the arts and humanities.

Fotocinema-Revista Cientifica de Cine y Fotografia is a leading open-access journal published by FOTOCINEMA since 2014, dedicated to the academic exploration of cinema and photography. Based in Spain, this journal serves as a vital platform for researchers, professionals, and students, fostering innovative discourse in the fields of Visual Arts, Performing Arts, and History. With an impressive Q2 rank in both History and Visual Arts, as well as a Q4 rank in Communication in 2023, Fotocinema reflects a commitment to high-quality scholarship, backed by Scopus rankings that highlight its growing influence within the academic community. By offering open access to its content, the journal ensures that significant research is available to a broader audience, encouraging collaboration and knowledge sharing across disciplines. As it continues its converged publication run from 2019 to 2024, Fotocinema stands at the forefront of cinematic and photographic studies, providing an essential resource for those dedicated to understanding the intricate relationships between visual media and society.

Transnational Screens is a premier academic journal published by Taylor & Francis Ltd, focusing on the dynamic intersections of visual arts, performing arts, and communication in a globalized context. Since its inception, the journal has garnered significant recognition, featuring in the Q1 category for Visual Arts and Performing Arts and Q3 for Communication as of 2023, reflecting its influential contributions to these fields. With a Scopus ranking placing it in the 78th percentile in Visual Arts and Performing Arts, this journal serves as a vital platform for researchers, professionals, and students aiming to explore the implications of transnational narratives in contemporary media and artistic practices. The journal is accessible to a diverse readership and promotes open dialogue through its commitment to publishing innovative and interdisciplinary research from 2020 to 2024. As a key resource for understanding the complexities of transnational screens, it invites submissions that push the boundaries of traditional scholarship and engage with pressing global issues through the lens of the visual and performing arts.

The Journal of Visual Communication in Medicine, published by TAYLOR & FRANCIS LTD, stands as a pivotal platform in the interdisciplinary exploration of visual communication within the medical field. With its origins dating back to 1978 and a convergence set to reach 2024, this journal not only boasts an impressive impact factor but also occupies prominent positions in the Scopus ranking, with Q2 classification in Health Professions and Q1 in Visual Arts and Performing Arts. Situated in the United Kingdom, the journal embraces rigorous peer-reviewed research and innovative practices that bridge art and health communication, thus serving as an essential resource for researchers, healthcare professionals, and students eager to enhance their understanding of visual methodologies. Although it does not currently offer Open Access, its rich content and scholarly contributions deeply influence practices and policies across related disciplines. As a thought leader in its field, the journal encourages the advancement of knowledge and fosters dialogue among professionals committed to improving health communication through visual means.

deSignis is a distinguished open-access journal published by the Federación Latinoamericana Semiotic, dedicated to advancing the field of semiotics and design. With its ISSN 1578-4223 and E-ISSN 2462-7259, deSignis serves as a crucial platform for researchers, practitioners, and students seeking to explore the intricate relationships between sign systems and design processes. Since its inception in 2004, this journal has fostered diverse scholarly discourse, contributing significantly to the understanding of visual culture, communication theories, and aesthetic practices. Its commitment to open access ensures that high-quality research is accessible to a global audience, promoting collaboration and innovation. Located in Paris, France, deSignis continues to be a vital resource for those interested in the interdisciplinary applications of semiotics in contemporary design.

Visual Resources, an esteemed journal published by Routledge Journals, Taylor & Francis Ltd, serves as a vital platform for scholarly research in the fields of Museology and Visual Arts and Performing Arts. With an ISSN of 0197-3762 and an E-ISSN of 1477-2809, this journal has navigated the academic landscape since its inception in 1980, continuing to amplify critical dialogues up to 2024. Positioning itself within category quartiles as Q3 for both museology and visual arts, the journal ranks at #302/667 in the Visual Arts and Performing Arts category and #41/83 in Museology according to Scopus, reflecting a significant yet competitive standing. Although not designated as Open Access, the publication remains accessible through institutional subscriptions, catering to a diverse audience of researchers, professionals, and students. By disseminating pioneering research and innovative methodologies pertinent to visual culture and museum practices, Visual Resources plays an indispensable role in advancing knowledge in its disciplines and connects academia with contemporary practice.