deSignis is a distinguished open-access journal published by the Federación Latinoamericana Semiotic, dedicated to advancing the field of semiotics and design. With its ISSN 1578-4223 and E-ISSN 2462-7259, deSignis serves as a crucial platform for researchers, practitioners, and students seeking to explore the intricate relationships between sign systems and design processes. Since its inception in 2004, this journal has fostered diverse scholarly discourse, contributing significantly to the understanding of visual culture, communication theories, and aesthetic practices. Its commitment to open access ensures that high-quality research is accessible to a global audience, promoting collaboration and innovation. Located in Paris, France, deSignis continues to be a vital resource for those interested in the interdisciplinary applications of semiotics in contemporary design.

Interiors - Design Architecture Culture is a prominent academic journal dedicated to exploring the multi-dimensional relationship between interiors, design, and architecture, while also emphasizing their cultural significance. Published by Routledge Journals, Taylor & Francis Ltd, this journal serves as an essential platform for innovative research in the fields of architecture, cultural studies, and visual arts. The journal, which has been disseminating vital findings since its inception in 2010, plays a crucial role in fostering interdisciplinary discourse, and it currently holds a Q4 rank in Architecture and Cultural Studies, alongside a Q3 rank in Visual Arts and Performing Arts. Though it operates under a traditional access model, the journal's rigorously peer-reviewed articles are vital for researchers, professionals, and students alike, contributing to an enriched understanding of how interior spaces shape, and are shaped by, cultural dynamics. With an ISSN of 2041-9112 and E-ISSN of 2041-9120, the journal continues to make significant contributions to the academic discourse surrounding the design and cultural narratives of interior spaces.

Music Sound and the Moving Image is an esteemed journal published by Liverpool University Press, focusing on the intricate relationships between music, sound, and the moving image. Since its inception, the journal has aimed to foster a multidisciplinary discourse, engaging scholars and practitioners across the fields of musicology, media studies, and visual arts. With an ISSN of 1753-0768 and an E-ISSN of 1753-0776, it has solidified its presence in the academic community, evidenced by its diverse impact reflected in Scopus rankings, including Rank #63/180 in Music and Percentile 65th. The journal's classification in Q3 for Music and its active coverage from 2018 to 2024 enhances its relevance, making it a pivotal resource for researchers and creators who explore the dynamic interplay of sound and imagery. Although currently not available as Open Access, the journal offers a robust platform for peer-reviewed articles, contributing to the advancement of knowledge in this rapidly evolving field.

Renaissance Studies, published by Wiley, stands as a vital academic platform within the disciplines of Cultural Studies, History, Literature and Literary Theory, Religious Studies, and Visual Arts and Performing Arts. With an impressive history of publication spanning from 1987 to 2024, this journal is recognized in 2023 metrics as a Q2 journal in four categories and Q1 in Literature and Literary Theory, reflecting its substantial impact in promoting interdisciplinary dialogue and research. The journal's robust Scopus rankings further underscore its relevance, including a position in the 83rd percentile in Literature and Literary Theory. Although not an open-access journal, it provides readers and contributors with access to curated, high-quality scholarship that explores the complexities of the Renaissance and its enduring influence on contemporary thought and culture. Researchers, professionals, and students alike will find Renaissance Studies invaluable in fostering discussions that bridge historical context with modern inquiry.

Bulletin KNOB, published by the KONINKLIJKE NEDERLANDSE OUDHEIDKUNDIGE BOND-KNOB, is a reputable Open Access journal that has been disseminating knowledge since 1899, with a continued commitment to making research accessible to all. Based in the Netherlands, this journal provides a platform for scholarly articles that span the fields of Conservation, History, and the Visual Arts and Performing Arts. With its 2023 Scopus rankings placing it in the top quartiles within its category, Bulletin KNOB is recognized for its significant contribution to the advancement of these disciplines. Researchers, professionals, and students alike are encouraged to engage with the journal's diverse content that bridges historical narratives with contemporary practices, fostering a deeper understanding of cultural heritage. The journal’s commitment to excellence is further reflected in its Q3 and Q4 quartile rankings, making it an essential resource for anyone dedicated to the study of the arts and humanities.

WORD & IMAGE is a distinguished journal published by Routledge Journals, Taylor & Francis Ltd, focusing on the dynamic interplay between visual and verbal communication. Established in 1985, this esteemed journal covers a wide array of topics within linguistics, literature, and visual arts, contributing significantly to these interdisciplinary fields. With a commitment to fostering scholarly dialogue and innovation, WORD & IMAGE presents qualitative research, critical analyses, and theoretical explorations that illuminate the complex relationships between text and image. The journal's current impact factor reflects its role in nurturing academic discourse, making it a vital resource for researchers, professionals, and students alike. Although currently not open access, the journal maintains a rigorous peer-review process to ensure the highest academic standards. As it continues to engage a global audience, WORD & IMAGE serves as a key platform for advancing knowledge at the intersection of language and visual culture.

Journal of Print and Media Technology Research, an esteemed publication under the aegis of the International Association of Research Organizations in Information, Media & Graphic Arts Industry, is dedicated to advancing the field of print and media technology. With an ISSN of 2223-8905 and E-ISSN of 2414-6250, this Open Access journal has been pioneering research dissemination since 2020, ensuring that cutting-edge findings are accessible to a global audience. Based in Germany and spanning its converged years from 2017 to 2024, the journal holds a commendable Q3 ranking in Communication and Media Technology, as well as a Q2 ranking in Visual Arts and Performing Arts, reflecting its significant contribution to these interdisciplinary domains. It ranks favorably in Scopus, with an impressive 77th percentile in Visual Arts and Performing Arts, showcasing its commitment to quality and relevance. Aimed at researchers, professionals, and students alike, the journal serves as a vital platform for discourse, innovation, and scholarship, contributing to the evolution of print and media technologies.

Visual Communication, published by SAGE Publications Inc, is a leading journal in the fields of Communication and Visual Arts and Performing Arts, recognized for its significant contribution to theoretical advancements and empirical research. With an impressive impact factor and ranked in the Q2 quartile for Communication and Q1 for Visual Arts and Performing Arts, this journal attracts a diverse audience of researchers, professionals, and students dedicated to exploring the multifaceted nature of visual communication. Spanning from 2002 to 2024, the journal publishes high-quality articles that delve into the intricate relationship between visual culture and communication practices. It consistently ranks favorably within Scopus, placing in the 97th percentile for Visual Arts and Performing Arts and the 76th percentile for Communication, making it a vital resource for those seeking to advance their understanding of visual discourse. While the journal is not open access, its subscription model ensures rigorous peer review, thereby maintaining high academic standards. The global reach of Visual Communication solidifies its role as an essential platform for innovative dialogue and scholarship within the academic community.

COMPUTER GRAPHICS FORUM, an esteemed journal published by Wiley, is a leading platform for disseminating cutting-edge research in the fields of computer graphics and computer-aided design. With a prestigious Q1 ranking in both Computer Graphics and Computer-Aided Design and Computer Networks and Communications (2023), this journal consistently showcases high-impact studies that influence the development of visualization techniques and graphic systems. Covering a wide array of topics from rendering algorithms to virtual and augmented reality applications, COMPUTER GRAPHICS FORUM is committed to fostering innovation and interdisciplinary collaboration within the global research community. Although it does not offer open access, the journal maintains a rigorous peer-review process, ensuring the highest standards of academic quality and integrity. With its rich history since 1982 and an ongoing commitment to advancing the state of knowledge in computer graphics, this journal is essential reading for researchers, industry professionals, and students looking to stay at the forefront of technological advancements.

Transnational Screens is a premier academic journal published by Taylor & Francis Ltd, focusing on the dynamic intersections of visual arts, performing arts, and communication in a globalized context. Since its inception, the journal has garnered significant recognition, featuring in the Q1 category for Visual Arts and Performing Arts and Q3 for Communication as of 2023, reflecting its influential contributions to these fields. With a Scopus ranking placing it in the 78th percentile in Visual Arts and Performing Arts, this journal serves as a vital platform for researchers, professionals, and students aiming to explore the implications of transnational narratives in contemporary media and artistic practices. The journal is accessible to a diverse readership and promotes open dialogue through its commitment to publishing innovative and interdisciplinary research from 2020 to 2024. As a key resource for understanding the complexities of transnational screens, it invites submissions that push the boundaries of traditional scholarship and engage with pressing global issues through the lens of the visual and performing arts.