Fotocinema-Revista Cientifica de Cine y Fotografia is a leading open-access journal published by FOTOCINEMA since 2014, dedicated to the academic exploration of cinema and photography. Based in Spain, this journal serves as a vital platform for researchers, professionals, and students, fostering innovative discourse in the fields of Visual Arts, Performing Arts, and History. With an impressive Q2 rank in both History and Visual Arts, as well as a Q4 rank in Communication in 2023, Fotocinema reflects a commitment to high-quality scholarship, backed by Scopus rankings that highlight its growing influence within the academic community. By offering open access to its content, the journal ensures that significant research is available to a broader audience, encouraging collaboration and knowledge sharing across disciplines. As it continues its converged publication run from 2019 to 2024, Fotocinema stands at the forefront of cinematic and photographic studies, providing an essential resource for those dedicated to understanding the intricate relationships between visual media and society.

Culture & History Digital Journal, published by CONSEJO SUPERIOR INVESTIGACIONES CIENTIFICAS-CSIC, is a distinguished Open Access journal dedicated to advancing the study of cultural phenomena and historical narratives. Recognized for its scholarly contributions, this journal boasts an impressive ranking within the Q2 category of both Cultural Studies and History for 2023, further supplemented by its notable standings in Scopus, where it ranks #533 out of 1760 in Arts and Humanities (History) and #544 out of 1304 in Social Sciences (Cultural Studies), reflecting its commitment to high-quality research dissemination. The journal has been embracing Open Access since 2012, making a wide array of interdisciplinary content freely available to researchers, professionals, and students worldwide. With a focus on promoting innovative scholarship and critical analysis within the digital humanities landscape, Culture & History Digital Journal serves as an essential platform for those engaged in the exploration of the interplay between culture and history in the contemporary context.

Iconographica is an esteemed journal published by SISMEL EDIZIONI GALLUZZO, dedicated to the exploration of cultural narratives through visual arts and performing arts. Based in Italy, this journal has been providing a platform for scholarly discourse from 2015 to 2023, and it serves as an important resource for researchers, professionals, and students interested in these interdisciplinary fields. Although indexed in the Q4 quartile for both Cultural Studies and Visual Arts, this journal offers valuable insights that encourage the examination and understanding of visual culture. While currently operating without an open access model, its rigorous peer-review process ensures high-quality academic contributions that reflect the evolving dynamics within these areas of study. Set against the backdrop of a rapidly transforming cultural landscape, Iconographica aims to foster engagement, inspire innovative perspectives, and cultivate a deeper appreciation for the interplay between culture and visual representation.

Visual Anthropology Review, published by WILEY, stands as a pivotal journal within the fields of Anthropology and Arts and Humanities. With both ISSN 1058-7187 and E-ISSN 1548-7458, this journal has been disseminating interdisciplinary knowledge since its inception in 1991, facilitating vibrant dialogues through to 2024. Recognized with a Q2 quartile ranking in the 2023 metrics, it places itself within the top tiers of both associated categories, offering a significant platform for researchers and professionals to publish high-quality research. Although not an Open Access publication, Visual Anthropology Review maintains a robust impact within its disciplines, as reflected in its Scopus rankings: 253rd out of 552 in the Arts and Humanities category and 244th out of 502 in the Social Sciences category, illustrating its substantial contribution to contemporary anthropological discourse. The journal's scope encompasses various dimensions of visual culture, encouraging forward-thinking analysis and innovative methodologies, making it an invaluable resource for academics and students eager to explore the intersection of visual media and anthropological inquiry.

Explorations in Renaissance Culture, published by BRILL, is a pivotal academic journal that delves into the multifaceted aspects of Renaissance studies, encompassing Cultural Studies, History, Literature and Literary Theory, Music, Philosophy, and the Visual Arts. Established in 1976 and operating without an open access model, the journal has evolved as a critical platform for scholars and enthusiasts alike, providing rigorous analysis and innovative perspectives on the cultural currents of the Renaissance era. With an ISSN of 0098-2474 and an E-ISSN of 2352-6963, it has garnered a respectable standing among academic peers, evidenced by its quartile ranking in the Q4 category across multiple fields as of 2023 and its Scopus rankings, which acknowledge its role within the broader arts and humanities disciplines. Based in the Netherlands, the journal plays a vital role in fostering scholarly dialogue and advancing research, making it an essential resource for researchers, professionals, and students committed to expanding their understanding of this transformative period in history.

Studies in Comics, published by INTELLECT LTD, is an esteemed journal situated at the intersection of Literature and Visual Arts, with a dedicated focus on the comic form. Operating since 2019, this journal has quickly established itself as a respected resource in both the Literary Theory and Visual Arts and Performing Arts categories, boasting a commendable Q2 ranking in 2023 within these fields. With an ISSN of 2040-3232 and an E-ISSN of 2040-3240, it provides a platform for rigorous scholarship that explores the multifaceted dimensions of comics, promoting interdisciplinary approaches that enrich understanding and foster dialogue among researchers, professionals, and students. With a notable position in the Scopus Ranks, being in the 84th percentile for Literature and 73rd for Visual Arts, the journal is committed to advancing the study of comics as a significant cultural artifact and artistic medium.

Visual Communication, published by SAGE Publications Inc, is a leading journal in the fields of Communication and Visual Arts and Performing Arts, recognized for its significant contribution to theoretical advancements and empirical research. With an impressive impact factor and ranked in the Q2 quartile for Communication and Q1 for Visual Arts and Performing Arts, this journal attracts a diverse audience of researchers, professionals, and students dedicated to exploring the multifaceted nature of visual communication. Spanning from 2002 to 2024, the journal publishes high-quality articles that delve into the intricate relationship between visual culture and communication practices. It consistently ranks favorably within Scopus, placing in the 97th percentile for Visual Arts and Performing Arts and the 76th percentile for Communication, making it a vital resource for those seeking to advance their understanding of visual discourse. While the journal is not open access, its subscription model ensures rigorous peer review, thereby maintaining high academic standards. The global reach of Visual Communication solidifies its role as an essential platform for innovative dialogue and scholarship within the academic community.

Welcome to Ekphrasis-Images Cinema Theory Media, an academic journal dedicated to exploring the intersections of visual arts, cinema, and media studies. Published by the esteemed BABES-BOLYAI UNIVERSITY, FACULTY OF THEATRE & TELEVISION in Romania, this journal serves as a critical platform for scholars and practitioners to disseminate groundbreaking research and innovative ideas within these vibrant fields. With an ISSN of 2067-631X and an E-ISSN of 2559-2068, Ekphrasis is committed to enhancing the discourse surrounding contemporary visual culture, as evidenced by its Scopus rankings in the arts and humanities categories. Aiming to contribute to academic discussions from 2019 to 2024, it invites submissions that challenge conventional perspectives and promote new methodologies. Although currently positioned in the Q4 category for Communication and Q3 for Visual Arts and Performing Arts, the journal is poised for growth and aims to increase its impact factor through the openness of scholarly exchange and rigorous peer review. Join us in advancing the critical discourse at the crossroads of art and media!

Visual Studies, published by Taylor & Francis Ltd, is a leading international journal that serves as a vital platform for interdisciplinary scholarship in the fields of visual arts, cultural studies, and anthropology. Established in 2002 and continuing strong through 2024, it holds impressive rankings including Q1 in Cultural Studies and Visual Arts and Performing Arts, as well as Q2 in Anthropology, reflecting its significant impact and prestige within these disciplines. With a robust Scopus ranking placing it in the 89th percentile for Visual Arts and Performing Arts, this journal does not only publish original research but also fosters rich dialogues on visual culture, representation, and critical theory. Although it is not open access, researchers, practitioners, and students alike can benefit from its rigorous peer-reviewed content, which contributes to advancing knowledge and understanding of visual phenomena. Located in the United Kingdom, Visual Studies continues to shape the conversations surrounding visual practices and their societal implications.

Visual Ethnography, published by UNIV BASILICATA, is an innovative academic journal dedicated to the interdisciplinary exploration of visual methodologies within the realms of Anthropology, Communication, and Cultural Studies. With a notable emphasis on visual ethnographic practices, this journal serves as an essential platform for researchers, professionals, and students aiming to bridge the gap between visual representation and cultural analysis. Since its inception in 2012, Visual Ethnography has contributed significantly to the academic discourse, despite its current positioning in the lower quartiles of its field as evidenced by its Scopus rankings. The journal actively engages its audience by providing open access options, ensuring that scholarship in visual culture is available to a wider community. With the academic landscape continually evolving, Visual Ethnography remains a vital resource for those seeking to understand the complexities of culture through a visual lens in the context of today’s globalized society.