Film Quarterly, published by University of California Press, stands as a leading academic journal in the field of visual arts and performing arts, boasting a prestigious Q1 ranking in the 2023 category quartiles. Since its inception in 1969, this quarterly publication has made significant contributions to the study and critique of cinema, attracting attention for its insightful articles, cutting-edge research, and comprehensive reviews that appeal to scholars, practitioners, and students alike. With an ISSN of 0015-1386 and an E-ISSN of 1533-8630, it serves as an essential resource for those seeking to enhance their understanding of film theory, history, and analysis. Although not open access, its articles are critical for researchers navigating the complex landscape of contemporary and historical film studies, underscoring its vital role in advancing scholarship within the discipline.

MEXICAN STUDIES-ESTUDIOS MEXICANOS, published by University of California Press, is a distinguished journal that explores critical issues in the fields of cultural studies and history, with a keen focus on Mexican and Latin American contexts. Established in 1985, this journal serves as an invaluable platform for researchers, professionals, and students alike, aiming to deepen understanding of Mexico's complex social, cultural, and historical landscapes. With an impressive placement in the Q2 category in both Cultural Studies and History, it ranks within the top tiers of scholarly discourse, demonstrating a strong impact factor that reflects its significance in the academic community. Although it does not currently offer Open Access, the journal remains committed to delivering high-quality, peer-reviewed research that stimulates ongoing debates and enriches scholarship in the humanities and social sciences. Nestled at the heart of scholarly conversations, MEXICAN STUDIES-ESTUDIOS MEXICANOS continues to play a pivotal role in advancing academic inquiry into Mexico's past and present.

Projections: The Journal for Movies and Mind is a leading scholarly publication dedicated to exploring the intricate relationship between cinema, cognition, and culture. Published by BERGHAHN JOURNALS, this journal has made significant strides since its inception in 2015, achieving impressive rankings in its fields, including a Q1 classification in both Cultural Studies and Visual Arts and Performing Arts for 2023. With an ISSN of 1934-9688 and an E-ISSN of 1934-9696, Projections engages the academic community by delivering innovative research that scrutinizes how films influence and reflect human thought processes and societal structures. While it operates outside the Open Access model, the journal offers critical insights and diverse perspectives that are essential for researchers, professionals, and students alike. With its remarkable impact factor and solid reputation in the arts and humanities domain, Projections serves as an indispensable resource for those dedicated to understanding the psychological and cultural implications of cinematic narratives.

Film International is a prominent journal dedicated to the exploration of film and its cultural, social, and artistic significance. Published by INTELLECT LTD, this journal serves as a platform for interdisciplinary studies in the field of film criticism, theory, and scholarship, contributing valuable insights from both established and emerging researchers. With an ISSN of 1651-6826 and an E-ISSN of 2040-3801, the journal is an essential resource for those engaged in the realms of communication, cultural studies, and visual arts, though it is currently classified in the lower quartiles of these fields (Q4). Noteworthy for its critical perspectives and diverse content, Film International enhances the dialogue surrounding cinematic practices and their impact on society. Researchers, professionals, and students can explore its rich assemblage of articles and reviews that reflect the evolving landscape of film studies, making it a significant addition to the academic community focused on the art of film.

JCMS-Journal of Cinema and Media Studies, published by University of Texas Press, stands as a vital platform for scholars and practitioners in the realms of cinema, media, and visual arts. With an ISSN of 2578-4900 and an E-ISSN of 2578-4919, the journal has been a part of the academic landscape since its inception in 2018 and will continue to contribute valuable research until 2024. Notably ranked in the top tiers of Scopus, securing Q1 status in Visual Arts and Performing Arts and Q3 in Communication, JCMS features articles that critically engage with both traditional and contemporary issues in media studies. Located in the United States, the journal is committed to providing open access to a wide array of interdisciplinary research, fostering dialogue among researchers, students, and media professionals. By serving as a nexus for innovative scholarship and creative discourse, JCMS enriches our understanding of cinematic and media practices and their impact on society today.

SIGHT AND SOUND is a prestigious journal published by the British Film Institute, dedicated to the exploration of cinema and its cultural significance. With an ISSN of 0037-4806 and an E-ISSN matching the same, this journal has been a critical platform for film studies since its inception, contributing valuable insights to the realms of visual arts and performing arts. Despite its discontinuation in the Scopus database post-2021, SIGHT AND SOUND commands respect within its field, currently holding a Q3 rank among Visual Arts and Performing Arts journals. Operating from 21 Stephen Street, London W1P 1PL, England, it serves as a vital resource for researchers, professionals, and students looking to deepen their understanding of film theory, critique, and history. While access to its articles is not open, the journal continues to influence the discourse in film studies, making it a significant asset in academic and professional circles.

Music Sound and the Moving Image is an esteemed journal published by Liverpool University Press, focusing on the intricate relationships between music, sound, and the moving image. Since its inception, the journal has aimed to foster a multidisciplinary discourse, engaging scholars and practitioners across the fields of musicology, media studies, and visual arts. With an ISSN of 1753-0768 and an E-ISSN of 1753-0776, it has solidified its presence in the academic community, evidenced by its diverse impact reflected in Scopus rankings, including Rank #63/180 in Music and Percentile 65th. The journal's classification in Q3 for Music and its active coverage from 2018 to 2024 enhances its relevance, making it a pivotal resource for researchers and creators who explore the dynamic interplay of sound and imagery. Although currently not available as Open Access, the journal offers a robust platform for peer-reviewed articles, contributing to the advancement of knowledge in this rapidly evolving field.

FILM CRITICISM is a prestigious open-access journal dedicated to the study and review of cinema, offering a platform for scholars, critics, and students to engage deeply with the evolving landscape of film. Published by Film Criticism and based in the United States at Allegheny College, this journal has been contributing to film studies since 2002, with recent issues spanning from 2023 to 2024. Registered under ISSN 0163-5069, it is recognized in the Visual Arts and Performing Arts categories, achieving a commendable rank of #372 out of 667 in Scopus, placing it in the 44th percentile of its field. With an open-access policy implemented since 2016, FILM CRITICISM not only broadens accessibility to scholarly work but also enhances the dialogue around cinematic narratives, theories, and critiques. The journal's relevance is underscored by its current Q3 ranking, making it an essential resource for researchers and professionals alike who are invested in the critical examination of film.

Moving Image is a distinguished academic journal published by University of Minnesota Press, dedicated to the exploration and critical analysis of visual culture. With an ISSN of 1532-3978 and an E-ISSN of 1542-4235, this journal plays a vital role in advancing scholarship in the fields of Conservation, Visual Arts, and Performing Arts, offering insights from its notable publication history from 2013 to 2019 and again from 2021 to 2022. While it currently does not offer open access options, the journal is recognized as a crucial platform for disseminating research, reflected in its rankings—#442/667 in Visual Arts and Performing Arts and #87/103 in Conservation according to Scopus. Despite its placement in the Q4 quartile for both fields, Moving Image remains a key resource for scholars, students, and practitioners interested in the intricate dynamics of moving images in contemporary culture. Its commitment to fostering dialogue and innovation in visual studies ensures its relevance and influence within the academic community.

Studies in Eastern European Cinema is a distinguished journal dedicated to exploring the rich and diverse landscape of cinematic art in Eastern Europe. Published by Routledge Journals, Taylor & Francis Ltd, this journal has carved a unique niche since its inception in 2010, providing insightful analysis and fostering dialogue among scholars, professionals, and students in the fields of Communication and Visual Arts and Performing Arts. With a current impact factor reflected in its respective quartile rankings, which position it in Q4 in Communication and Q2 in Visual Arts and Performing Arts, the journal serves as an essential platform for research and discourse on the cinematic contributions of Eastern Europe. Featuring contributions that analyze historical contexts, artistic trends, and cultural implications, it aims to broaden the understanding of Eastern European cinema's role within the global film landscape. While it offers a traditional subscription model, its ongoing commitment from 2010 to 2024 ensures it remains at the forefront of academic inquiries, appealing to a growing audience dedicated to the appreciation and scholarship of Eastern European cinematic arts.