Framework-The Journal of Cinema and Media
Scope & Guideline
Navigating the dynamic landscape of media.
Introduction
Aims and Scopes
- Cinematic Analysis and Critique:
The journal emphasizes in-depth analysis of films and media, exploring their narrative structures, thematic elements, and cultural contexts, particularly through the lens of notable filmmakers such as Pier Paolo Pasolini. - Interdisciplinary Approaches:
It adopts an interdisciplinary perspective, incorporating insights from film theory, cultural studies, and political discourse, thereby enriching the understanding of cinema as both an art form and a medium of social commentary. - Archival Research and Historical Contextualization:
There is a strong focus on archival research, examining the historical trajectories of film movements like New American Cinema, and how these movements have influenced contemporary cinema and media practices. - Social and Political Engagement:
The journal addresses the role of cinema in social movements and political activism, highlighting how film can act as a vehicle for resistance and cultural expression in various geopolitical contexts. - Exploration of Marginalized Voices:
It prioritizes the representation and analysis of marginalized perspectives in cinema, including discussions on race, gender, and identity politics, thereby fostering a more inclusive discourse within film studies.
Trending and Emerging
- Explorations of Queer Cinema:
Recent publications highlight the intersection of queer theory and film studies, particularly through the works of filmmakers like Pasolini, which underscores the growing importance of LGBTQ+ narratives in cinema. - Activism and Community Engagement:
There is an increasing focus on cinematic activism and the role of film in social movements, particularly during the pandemic, showcasing how cinema can foster community solidarity and political engagement. - Global Perspectives on Film:
Emerging themes include a broader exploration of global cinema, particularly from underrepresented regions, emphasizing the significance of diverse narratives in understanding the global film landscape. - Digital Media and New Platforms:
The journal is beginning to explore the impact of digital media and streaming platforms on film consumption and community building, reflecting the changing dynamics of how audiences engage with cinema. - Feminist and Gender Studies within Film:
There is a rising interest in feminist film theory and critiques of gender representation in cinema, indicating a shift towards more nuanced discussions about gender and power dynamics in film.
Declining or Waning
- Traditional Film Criticism:
There seems to be a decline in conventional film criticism that strictly evaluates films based on aesthetic standards, with more emphasis now placed on sociopolitical contexts and activist cinema. - Focus on Mainstream Cinema:
The journal has gradually shifted away from discussions centered on mainstream Hollywood cinema, reflecting a broader interest in alternative, experimental, and global cinema that often critiques dominant narratives. - Historical Accounts of Cinema:
There has been a noticeable reduction in purely historical accounts of film movements without critical engagement, as the journal now favors analyses that connect historical cinema with contemporary issues and discourses. - Purely Theoretical Approaches:
Theoretical discussions that do not engage with practical examples from film or media have become less prevalent, as the journal moves towards more applied and case study-oriented research. - Focus on Technical Aspects of Filmmaking:
There is less emphasis on the technical aspects of filmmaking, such as cinematography or editing techniques, as the journal increasingly prioritizes thematic and socio-cultural analyses.
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