Framework-The Journal of Cinema and Media

Scope & Guideline

Illuminating the impact of digital technologies on storytelling.

Introduction

Welcome to your portal for understanding Framework-The Journal of Cinema and Media, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN0306-7661
PublisherWAYNE STATE UNIV PRESS
Support Open AccessNo
Country-
Type-
Converge-
AbbreviationFRAMEWORK / Framework
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address4809 WOODWARD AVE, DETROIT, MI 48201-1309

Aims and Scopes

The journal 'Framework-The Journal of Cinema and Media' focuses on the intersection of cinema, media studies, and cultural analysis, providing a platform for scholarly discussions on various cinematic works and their broader implications.
  1. Cinematic Analysis and Critique:
    The journal emphasizes in-depth analysis of films and media, exploring their narrative structures, thematic elements, and cultural contexts, particularly through the lens of notable filmmakers such as Pier Paolo Pasolini.
  2. Interdisciplinary Approaches:
    It adopts an interdisciplinary perspective, incorporating insights from film theory, cultural studies, and political discourse, thereby enriching the understanding of cinema as both an art form and a medium of social commentary.
  3. Archival Research and Historical Contextualization:
    There is a strong focus on archival research, examining the historical trajectories of film movements like New American Cinema, and how these movements have influenced contemporary cinema and media practices.
  4. Social and Political Engagement:
    The journal addresses the role of cinema in social movements and political activism, highlighting how film can act as a vehicle for resistance and cultural expression in various geopolitical contexts.
  5. Exploration of Marginalized Voices:
    It prioritizes the representation and analysis of marginalized perspectives in cinema, including discussions on race, gender, and identity politics, thereby fostering a more inclusive discourse within film studies.
The journal has identified and embraced several trending and emerging themes that reflect current academic interests and societal concerns, thereby shaping its future direction.
  1. Explorations of Queer Cinema:
    Recent publications highlight the intersection of queer theory and film studies, particularly through the works of filmmakers like Pasolini, which underscores the growing importance of LGBTQ+ narratives in cinema.
  2. Activism and Community Engagement:
    There is an increasing focus on cinematic activism and the role of film in social movements, particularly during the pandemic, showcasing how cinema can foster community solidarity and political engagement.
  3. Global Perspectives on Film:
    Emerging themes include a broader exploration of global cinema, particularly from underrepresented regions, emphasizing the significance of diverse narratives in understanding the global film landscape.
  4. Digital Media and New Platforms:
    The journal is beginning to explore the impact of digital media and streaming platforms on film consumption and community building, reflecting the changing dynamics of how audiences engage with cinema.
  5. Feminist and Gender Studies within Film:
    There is a rising interest in feminist film theory and critiques of gender representation in cinema, indicating a shift towards more nuanced discussions about gender and power dynamics in film.

Declining or Waning

While 'Framework-The Journal of Cinema and Media' continues to thrive in several thematic areas, certain topics appear to be diminishing in frequency and focus within its recent publications.
  1. Traditional Film Criticism:
    There seems to be a decline in conventional film criticism that strictly evaluates films based on aesthetic standards, with more emphasis now placed on sociopolitical contexts and activist cinema.
  2. Focus on Mainstream Cinema:
    The journal has gradually shifted away from discussions centered on mainstream Hollywood cinema, reflecting a broader interest in alternative, experimental, and global cinema that often critiques dominant narratives.
  3. Historical Accounts of Cinema:
    There has been a noticeable reduction in purely historical accounts of film movements without critical engagement, as the journal now favors analyses that connect historical cinema with contemporary issues and discourses.
  4. Purely Theoretical Approaches:
    Theoretical discussions that do not engage with practical examples from film or media have become less prevalent, as the journal moves towards more applied and case study-oriented research.
  5. Focus on Technical Aspects of Filmmaking:
    There is less emphasis on the technical aspects of filmmaking, such as cinematography or editing techniques, as the journal increasingly prioritizes thematic and socio-cultural analyses.

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