Journal of Popular Television

Scope & Guideline

Analyzing Television as a Cultural Force

Introduction

Immerse yourself in the scholarly insights of Journal of Popular Television with our comprehensive guidelines detailing its aims and scope. This page is your resource for understanding the journal's thematic priorities. Stay abreast of trending topics currently drawing significant attention and explore declining topics for a full picture of evolving interests. Our selection of highly cited topics and recent high-impact papers is curated within these guidelines to enhance your research impact.
LanguageEnglish
ISSN2046-9861
PublisherINTELLECT LTD
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 2019 to 2024
AbbreviationJ POP TELEV / J. Pop. Telev.
Frequency3 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressTHE MILL, PARNALL RD, BRISTOL BS16 3JG, ENGLAND

Aims and Scopes

The Journal of Popular Television focuses on the critical analysis of television as a cultural medium, exploring its impact on society, identity, and the representation of diverse narratives. The journal aims to provide a platform for scholarly discourse that intersects with various fields such as media studies, cultural studies, gender studies, and sociology.
  1. Cultural Representation in Television:
    The journal emphasizes the examination of how different cultures, identities, and social issues are represented in television narratives. This includes the portrayal of race, gender, sexuality, and class, and how these representations influence public perception and societal norms.
  2. Television as a Reflection of Society:
    The journal investigates the ways in which television reflects and shapes societal values and issues, including political discourse, economic realities, and cultural shifts. This encompasses analyses of contemporary and historical television shows.
  3. Intertextuality and Genre Studies:
    A significant focus is placed on intertextual relationships within TV narratives, including the blending of genres and the influence of cinematic techniques. This allows for a deeper understanding of how television draws from and contributes to broader cultural dialogues.
  4. Audience Reception and Engagement:
    The journal explores audience interactions with television, including fan culture, viewing practices, and the impact of digital platforms on audience engagement. This research area considers how audiences interpret and respond to television content.
  5. Television and Mental Health:
    Recent publications highlight the exploration of mental health themes within television narratives, examining how shows address issues of mental illness and contribute to public discourse around well-being.
  6. Corporate Influence and Ethics in Television:
    The journal also delves into the ethical implications of corporate influence on television content, addressing themes of power, accountability, and the impact of corporate practices on storytelling.
Recent publications in the Journal of Popular Television reveal emerging themes that reflect current societal concerns and evolving television landscapes. These trends indicate a shift towards more nuanced and critical analyses of popular television.
  1. Intersectionality in Representation:
    There is an increasing focus on intersectionality, particularly how various forms of identity (such as race, gender, and sexuality) intersect within television narratives. This trend reflects a broader societal push for diverse and inclusive representations.
  2. Mental Health and Well-being:
    Recent studies emphasize the role of television in addressing mental health issues, exploring how shows depict mental illness and contribute to public understanding and stigma reduction.
  3. Corporate Ethics and Accountability:
    Emerging themes highlight the ethical considerations of corporate influence in television, analyzing how corporate practices shape narratives and viewer perceptions, especially concerning social justice issues.
  4. Audience Agency and Interaction:
    The journal is increasingly interested in how audiences engage with television content, including fan activism and the role of social media in shaping viewer experiences. This reflects the changing dynamics of television consumption in the digital age.
  5. Streaming and Content Accessibility:
    As streaming platforms dominate the television landscape, there is growing discourse on how this shift affects content accessibility, production practices, and audience engagement, indicating a need for ongoing analysis of these developments.

Declining or Waning

While the Journal of Popular Television has established itself as a key player in the discourse surrounding contemporary television, certain themes have begun to see a decline in focus over recent years. This may reflect shifts in audience interests or broader changes in the television landscape.
  1. Traditional Genre Studies:
    There appears to be a waning interest in traditional genre studies, particularly those that do not address contemporary relevance or societal impact. As the journal shifts towards more intersectional and culturally relevant analyses, older genre conventions are less frequently discussed.
  2. Historical Television Analysis:
    While historical analyses of television remain important, the frequency of publications focusing solely on historical context without linking to current issues has decreased. This suggests a move towards more contemporary relevance in discussions.
  3. Single-Country Focus:
    Research centered exclusively on television from single countries is becoming less prominent. Instead, there is a growing trend towards comparative studies that examine global influences and transnational narratives.

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