Journal of Popular Television
Scope & Guideline
Transforming Perspectives on Popular Television
Introduction
Aims and Scopes
- Cultural Representation in Television:
The journal emphasizes the examination of how different cultures, identities, and social issues are represented in television narratives. This includes the portrayal of race, gender, sexuality, and class, and how these representations influence public perception and societal norms. - Television as a Reflection of Society:
The journal investigates the ways in which television reflects and shapes societal values and issues, including political discourse, economic realities, and cultural shifts. This encompasses analyses of contemporary and historical television shows. - Intertextuality and Genre Studies:
A significant focus is placed on intertextual relationships within TV narratives, including the blending of genres and the influence of cinematic techniques. This allows for a deeper understanding of how television draws from and contributes to broader cultural dialogues. - Audience Reception and Engagement:
The journal explores audience interactions with television, including fan culture, viewing practices, and the impact of digital platforms on audience engagement. This research area considers how audiences interpret and respond to television content. - Television and Mental Health:
Recent publications highlight the exploration of mental health themes within television narratives, examining how shows address issues of mental illness and contribute to public discourse around well-being. - Corporate Influence and Ethics in Television:
The journal also delves into the ethical implications of corporate influence on television content, addressing themes of power, accountability, and the impact of corporate practices on storytelling.
Trending and Emerging
- Intersectionality in Representation:
There is an increasing focus on intersectionality, particularly how various forms of identity (such as race, gender, and sexuality) intersect within television narratives. This trend reflects a broader societal push for diverse and inclusive representations. - Mental Health and Well-being:
Recent studies emphasize the role of television in addressing mental health issues, exploring how shows depict mental illness and contribute to public understanding and stigma reduction. - Corporate Ethics and Accountability:
Emerging themes highlight the ethical considerations of corporate influence in television, analyzing how corporate practices shape narratives and viewer perceptions, especially concerning social justice issues. - Audience Agency and Interaction:
The journal is increasingly interested in how audiences engage with television content, including fan activism and the role of social media in shaping viewer experiences. This reflects the changing dynamics of television consumption in the digital age. - Streaming and Content Accessibility:
As streaming platforms dominate the television landscape, there is growing discourse on how this shift affects content accessibility, production practices, and audience engagement, indicating a need for ongoing analysis of these developments.
Declining or Waning
- Traditional Genre Studies:
There appears to be a waning interest in traditional genre studies, particularly those that do not address contemporary relevance or societal impact. As the journal shifts towards more intersectional and culturally relevant analyses, older genre conventions are less frequently discussed. - Historical Television Analysis:
While historical analyses of television remain important, the frequency of publications focusing solely on historical context without linking to current issues has decreased. This suggests a move towards more contemporary relevance in discussions. - Single-Country Focus:
Research centered exclusively on television from single countries is becoming less prominent. Instead, there is a growing trend towards comparative studies that examine global influences and transnational narratives.
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