Journal of Screenwriting

Scope & Guideline

Bridging Theory and Practice in Screenwriting

Introduction

Delve into the academic richness of Journal of Screenwriting with our guidelines, detailing its aims and scope. Our resource identifies emerging and trending topics paving the way for new academic progress. We also provide insights into declining or waning topics, helping you stay informed about changing research landscapes. Evaluate highly cited topics and recent publications within these guidelines to align your work with influential scholarly trends.
LanguageEnglish
ISSN1759-7137
PublisherINTELLECT LTD
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 2014 to 2024
AbbreviationJ SCREENWRITING / J. Screenwriting
Frequency3 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressTHE MILL, PARNALL RD, BRISTOL BS16 3JG, ENGLAND

Aims and Scopes

The Journal of Screenwriting provides a platform for interdisciplinary research that examines the intricate processes and theoretical frameworks surrounding screenwriting. It fosters discussions on both the creative and analytical aspects of screenwriting, focusing on the evolving nature of storytelling in film and television.
  1. Interdisciplinary Screenwriting Studies:
    The journal emphasizes a mix of creative and academic approaches, encouraging contributions that merge theory with practice in screenwriting.
  2. Cultural and Contextual Analysis:
    Papers often explore the relationship between screenwriting and cultural narratives, examining how scripts reflect and shape societal values and issues.
  3. Inclusivity and Diversity in Storytelling:
    There is a significant focus on gender, race, and class representations in screenplays, highlighting the importance of diverse voices in the screenwriting process.
  4. Innovative Narrative Techniques:
    The journal addresses contemporary narrative forms, including interactive and virtual reality storytelling, expanding the understanding of what constitutes screenwriting.
  5. Historical Perspectives:
    Articles frequently delve into the historical evolution of screenwriting practices, offering insights into the development of genres and styles over time.
The Journal of Screenwriting has seen a dynamic evolution in its thematic focus over recent years. This section highlights the emerging trends that are gaining traction, reflecting current societal interests and advancements in the field.
  1. Postcolonial and Transnational Narratives:
    There is a growing interest in exploring screenwriting through postcolonial and transnational lenses, examining how global narratives are constructed and received.
  2. Gender and Queerness in Screenwriting:
    A significant trend is the exploration of gender dynamics and queer representation in scripts, reflecting broader societal movements for inclusivity and equality.
  3. Interactive and Virtual Reality Storytelling:
    Emerging themes include the development of narrative frameworks for interactive and VR experiences, highlighting the evolving landscape of digital storytelling.
  4. Collaboration and Collective Writing Practices:
    Research is increasingly focusing on collaborative screenwriting processes, investigating how teamwork influences narrative development and screenwriting outcomes.
  5. Emotional and Psychological Depth in Character Development:
    There is a trend towards analyzing the emotional and psychological aspects of characters, emphasizing the importance of character arcs and internal motivations in storytelling.

Declining or Waning

While the Journal of Screenwriting continues to thrive in many areas, certain themes have begun to see a decline in prominence. This section outlines these waning scopes, reflecting shifts in the journal's focus and the broader landscape of screenwriting research.
  1. Traditional Screenwriting Forms:
    There appears to be a reduced emphasis on conventional screenplay structures, as newer forms and experimental narratives gain traction in academic discussions.
  2. Focus on Mainstream Hollywood Narratives:
    Research centered exclusively on Hollywood scripts is becoming less prevalent, with more attention directed towards global cinema and independent filmmaking.
  3. Historical Figures and Classic Texts:
    While historical analyses remain important, there is a noticeable decline in papers that focus solely on classical screenwriters or historical texts, as contemporary issues take precedence.
  4. Linear Storytelling:
    The exploration of linear narrative structures is waning, with increasing interest in non-linear and fragmented storytelling techniques overshadowing traditional formats.
  5. Prescriptive Writing Techniques:
    The journal is moving away from prescriptive approaches to screenwriting, such as formulaic guidelines, in favor of more exploratory and theoretical discussions.

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