JOURNAL OF VISUAL CULTURE

Scope & Guideline

Advancing Critical Dialogues in Visual Studies

Introduction

Delve into the academic richness of JOURNAL OF VISUAL CULTURE with our guidelines, detailing its aims and scope. Our resource identifies emerging and trending topics paving the way for new academic progress. We also provide insights into declining or waning topics, helping you stay informed about changing research landscapes. Evaluate highly cited topics and recent publications within these guidelines to align your work with influential scholarly trends.
LanguageEnglish
ISSN1470-4129
PublisherSAGE PUBLICATIONS INC
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 2002 to 2024
AbbreviationJ VIS CULT / J. Vis. Cult.
Frequency3 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address2455 TELLER RD, THOUSAND OAKS, CA 91320

Aims and Scopes

The Journal of Visual Culture focuses on the intersection of visual studies with various cultural, political, and social phenomena. Its aims extend to exploring how visual culture influences and is influenced by contemporary issues, providing a platform for innovative and critical perspectives.
  1. Interdisciplinary Analysis of Visual Culture:
    The journal emphasizes the examination of visual culture through various lenses, including art, media, and technology, fostering interdisciplinary dialogue among fields such as sociology, anthropology, and history.
  2. Focus on Marginalized Voices:
    A consistent theme in the journal is the representation and empowerment of marginalized communities, exploring how visual culture can serve as a medium for resistance and activism.
  3. Critical Engagement with Technology:
    The journal frequently addresses the impact of digital technology on visual culture, including the implications of AI, social media, and virtual reality on perception and representation.
  4. Exploration of Global Perspectives:
    Emphasizing a global outlook, the journal covers visual culture from diverse geographical and cultural contexts, particularly focusing on underrepresented narratives and histories.
  5. Historical and Contemporary Contextualization:
    The journal provides critical insights into both historical and contemporary visual practices, offering a comprehensive understanding of how past movements influence current visual culture.
The Journal of Visual Culture has witnessed the emergence of several new themes in recent years, reflecting contemporary issues and innovations in visual studies. These trends indicate a dynamic engagement with current cultural dialogues.
  1. Intersection of Visual Culture and Activism:
    Recent publications increasingly explore how visual culture acts as a tool for activism, highlighting works that address social justice, environmental issues, and political movements across various contexts.
  2. Hybrid and Digital Practices:
    There is a growing interest in hybrid forms of visual culture that combine traditional media with digital practices, including the use of augmented reality and immersive experiences.
  3. Posthumanism and Non-Human Agency:
    Emerging discussions around posthumanism and the agency of non-human entities in visual culture are gaining traction, examining how technology and the environment interact with human experiences.
  4. Visual Culture in the Context of Global Crises:
    The journal is increasingly addressing visual culture's role in responding to global crises, such as pandemics, climate change, and political upheaval, emphasizing the relevance of visual narratives in these contexts.
  5. Affective and Sensory Engagement:
    There is an emerging focus on affective and sensory experiences in visual culture, exploring how emotions and bodily sensations influence perception and interpretation of visual artifacts.

Declining or Waning

While the Journal of Visual Culture continues to evolve, certain themes have shown signs of decline in recent publications. These waning scopes reflect shifts in scholarly focus or changing cultural contexts.
  1. Traditional Art Criticism:
    There has been a noticeable decrease in articles focused solely on traditional art criticism, as the journal increasingly prioritizes discussions that intersect with broader socio-political contexts.
  2. Eurocentric Perspectives:
    The journal's content has shifted away from Eurocentric viewpoints, with fewer articles centered on Western art narratives, indicating a broader commitment to global and inclusive perspectives.
  3. Static Representations of Identity:
    Themes revolving around static or monolithic representations of identity are less prominent, as the journal increasingly embraces complexity and fluidity in discussions about identity politics.
  4. Conventional Media Forms:
    There is a decline in the analysis of conventional media forms such as print and television, with a growing emphasis on new media and digital platforms that challenge traditional boundaries.
  5. Historical Narratives without Contemporary Relevance:
    Papers that solely focus on historical narratives without linking to contemporary implications or relevance are becoming less frequent, as the journal aims to maintain a dynamic conversation with current visual culture.

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