Memoires Identites Marginalites dans le Monde Occidental Contemporain is an esteemed academic journal published by UNIV POITIERS, dedicated to exploring the intricate dynamics of identity and marginalization within contemporary Western societies. With an open access policy established since 2006, this journal aims to disseminate high-quality research that examines the socio-cultural implications of marginalization and the narratives that shape individual and collective identities. By providing a platform for interdisciplinary dialogue, the journal serves as a vital resource for researchers, professionals, and students engaged in humanities and social sciences. This accessibility fosters a community of scholars eager to contribute to discussions surrounding social justice, cultural representation, and identity politics, ultimately enriching academic discourse in an increasingly diverse global context. For those looking to understand the complexities of our modern world, Memoires Identites Marginalites stands as a significant vessel of knowledge and insight.

Disegnarecon is a distinguished open access journal published by UNIV L AQUILA that has been contributing to the fields of architecture, urban studies, and the visual and performing arts since its inception in 2008. With an ISSN of 1828-5961, this journal serves as a pivotal platform for researchers, practitioners, and students to disseminate innovative ideas and findings. Renowned for its rigorous peer-review process, Disegnarecon has achieved notable rankings in 2023, securing a Q2 quartile in Architecture, a Q3 quartile in Urban Studies, and a prestigious Q1 quartile in Visual Arts and Performing Arts, highlighting its academic significance. The journal’s commitment to fostering interdisciplinary dialogue is further emphasized by its impressive Scopus ranks, where it stands at Rank #136 in Visual Arts and Performing Arts and Rank #96 in Architecture. Aimed at advancing knowledge and practice in its respective fields, Disegnarecon is an essential resource for anyone dedicated to exploring the intersections of design, culture, and urban environments, encouraging active participation in contemporary discourse.

Imagologiya i Komparativistika-Imagology and Comparative Studies is a distinguished academic journal published by TOMSK STATE UNIVERSITY in the Russian Federation, focusing on the dynamic interplay between various cultural narratives and comparative methodologies. Since its inception, the journal has become a vital platform for the dissemination of research in fields such as communication, cultural studies, literature and literary theory, and the visual and performing arts. With an evolving scope from 2018 to 2024, it aims to foster interdisciplinary dialogue and promote scholarly examination of cultural phenomena from multiple perspectives. Despite its Q4 status in Communication and rankings that suggest emerging influence within its field, it occupies crucial quartiles in Cultural Studies, Literary Theory, and the Arts, encouraging researchers and students to contribute to its growth. Although currently not an open access journal, its significance lies in its commitment to enriching the understanding of imagology and comparative studies. The journal serves as both a scholarly resource and a catalyst for innovative ideas, making it essential for anyone invested in the arts and humanities.

Ge-Conservacion, published by GRUPO ESPANOL I I C, stands as a pivotal journal in the fields of Conservation, Museology, and Visual Arts and Performing Arts, facilitating an open-access platform since 2009. Based in Spain, this journal serves as a vital repository for innovative research and scholarly dialogue, significantly impacting the community with its Q1 and Q2 rankings across several categories in 2023. With an objective to advance multidisciplinary understanding and practices related to cultural heritage conservation, it attracts a diverse readership of researchers, professionals, and students eager to engage with contemporary issues and methodologies. The journal's commitment to accessibility enhances its reach and influence, making it an essential resource for anyone passionate about preserving the integrity and significance of our artistic and historical treasures.

PUBLIC CULTURE is a distinguished journal published by DUKE UNIVERSITY PRESS, known for its critical engagement with contemporary cultural studies and interdisciplinary scholarship. As a leading platform since its inception in 1996, PUBLIC CULTURE examines the intersections of culture, politics, and various social paradigms, fostering dialogue that challenges conventional wisdom and encourages innovative perspectives. With an impact factor that reflects its robust academic contribution, the journal is indexed in Scopus and spans multiple disciplines, ranking within the top quartiles in Arts and Humanities as well as Communication. Although it operates under a traditional subscription model, its scholarly output significantly influences fields within social psychology and related areas, making it an essential resource for researchers, professionals, and students seeking to engage with the dynamic landscape of public culture. With its commitment to publishing high-quality articles that explore the complexities of cultural phenomena, PUBLIC CULTURE remains a vital conduit for scholarly exchange and discovery.

Escritura e Imagen is a distinguished academic journal published by UNIV COMPLUTENSE MADRID, SERVICIO PUBLICACIONES, focusing on the dynamic interplay of literature, visual arts, and philosophy. With its ISSN 1885-5687 and E-ISSN 1988-2416, this journal has rapidly emerged as a vital resource in the fields of Arts and Humanities, particularly excelling in Literature and Literary Theory where it ranks in the top Q1 category. Operating from Spain, it provides a platform for innovative research and discourse, bridging traditional boundaries of artistic expression. Furthermore, it holds impressive Scopus rankings, with notable performance across various categories, reflecting its commitment to scholarly excellence. Although currently not open access, the journal offers nuanced insights and critical perspectives essential for researchers, professionals, and students who wish to delve into contemporary cultural studies and interdisciplinary dialogue.

Dance Research is a prestigious academic journal published by Edinburgh University Press, dedicated to the comprehensive exploration of dance and its multifaceted interactions within the realms of visual arts and performing arts. Established in 1996, this journal has grown in prominence, achieving a Q1 ranking in the Visual Arts and Performing Arts category for 2023, signifying its influence and high-quality scholarship in the field. With an impressive Scopus ranking of #232 out of 667 in the Arts and Humanities cluster, it offers a vital platform for researchers, professionals, and students alike, facilitating critical discourse and innovative research on various aspects of dance. Although the journal currently operates under a traditional access model, its rich collection of articles often features diverse methodologies, in-depth case studies, and theoretical analyses that stimulate both academic inquiry and practical applications in dance. Dance Research is an essential resource for those looking to deepen their understanding of dance as an evolving art form, and is instrumental for advancing scholarly conversations in this vibrant field.

Craft Research, an esteemed journal published by INTELLECT LTD, serves as a pivotal platform for the exploration and advancement of craft studies within the visual arts and performing arts disciplines. Established in 2014, this journal has made significant contributions to the field, as evidenced by its impressive standing in the Scopus Ranks, where it holds the 88th position out of 667 journals, placing it in the 86th percentile. With a 2023 Category Quartiles ranking of Q2, Craft Research strives to engage researchers, professionals, and students alike, offering a rich repository of peer-reviewed articles that delve into the nuances of craft practice, theory, and criticism. By fostering an interdisciplinary dialogue around craft, the journal aims to elevate the understanding and appreciation of this vital domain of visual culture. For readers interested in the latest research and developments in craft studies, Craft Research stands out as an essential resource, fostering a vibrant community dedicated to the arts.

POETRY WALES, published by Seren Books, stands as a significant platform within the literary and poetic community, dedicated to promoting the art of poetry in the United Kingdom. Established with a rich heritage, this journal continues to inspire and challenge its readership through a diverse range of contributions from both emerging and established poets. With an ISSN of 0032-2202 and a dedicated focus on the literary landscape, it serves as a vital resource for researchers, professionals, and students interested in contemporary poetry. Notably, it has been indexed in Scopus, ranking in the Q4 category for Literature and Literary Theory, bringing visibility to the journal's contributions despite its modest HIndex. Although POETRY WALES currently does not offer Open Access options, its commitment to the craft is evident in its carefully curated content that spans from 2002 to 2012 and again from 2014 to 2023. This journal not only fosters a community of literary discourse but also seeks to enrich academic engagement with poetry, making it an essential read for anyone passionate about the literary arts.

South African Theatre Journal, published by Routledge Journals, Taylor & Francis Ltd, is an essential platform for researchers and practitioners in the fields of Visual Arts and Performing Arts. With an ISSN of 1013-7548 and an E-ISSN of 2163-7660, this journal has been contributing to the discourse on diverse theatrical practices and performance studies since its inception in 1996. The journal's focus encompasses a variety of topics, including but not limited to, South African theatre, intercultural performance, and the impact of socio-political contexts on artistic expression. Although it does not currently offer open access, its significance is reflected in its Q3 category in Visual Arts and Performing Arts and a ranking of #449/667 in the Scopus Arts and Humanities sector, positioning it as a noteworthy resource for scholars striving to explore and analyze the rich tapestry of theatrical work in South Africa. The South African Theatre Journal serves as a vital conduit for critical engagement and scholarly dialogue, making it indispensable for students, researchers, and professionals dedicated to the advancement of performing arts research.