Jewish Film & New Media: An International Journal, published by Wayne State University Press, serves as a crucial platform for scholars and practitioners within the realms of Film Studies, Jewish Studies, and Media Studies. Since its inception, the journal has explored the intersection between Jewish culture and cinematic representation while also addressing contemporary media narratives. With an ISSN of 2169-0324 and E-ISSN 2169-0332, it is indexed in major databases, showcasing solid rankings in various disciplines, including a commendable Q2 rank in Visual Arts and Performing Arts. Despite its current Q4 categorizations in Anthropology and Communication, the journal is noted for its engaging contributions that sow rich discussions about Jewish identity, filmic expression, and media representation. Researchers and students alike benefit from the journal’s wealth of interdisciplinary scholarship, which spans converged years from 2013 to 2017 and 2019 to 2022, ensuring a robust timeline of critical inquiry. As an essential resource for understanding the nuances of Jewish film and new media, this journal occupies a unique niche, inviting contributions that push the boundaries of current academic dialogue.

THEORY CULTURE & SOCIETY is a leading peer-reviewed journal published by SAGE PUBLICATIONS LTD, dedicated to the exploration and critique of social theory within the broader context of contemporary social sciences. Since its inception in 1982, this esteemed publication has fostered critical dialogue and interdisciplinary research, making significant contributions to the fields of sociology and political science, as evidenced by its impressive performance in the latest Scopus rankings, placing it in the top 20% of journals in both categories. With a strong Q1 classification in 2023, it consistently engages scholars, researchers, and students alike, offering insights and perspective on the dynamic interplay between culture, society, and theory. Although not an open-access journal, its commitment to advancing knowledge makes it an essential resource for those navigating the complexities of social phenomena in a rapidly changing world. Published from the United Kingdom, THEORY CULTURE & SOCIETY stands at the forefront of critical scholarship, making it an indispensable read for anyone interested in the development of contemporary social thought and theory.

Religion and the Arts is a distinguished scholarly journal published by BRILL, based in the Netherlands, with a dedicated focus on the interdisciplinary exploration of religion and its interplay with various artistic expressions from historical and contemporary perspectives. Established in 1996, this journal serves as a vital platform for researchers, professionals, and students interested in Cultural Studies, History, Religious Studies, and the Visual and Performing Arts. Despite its current classification in the Q4 category across multiple fields, it remains committed to advancing academic discourse and fostering innovative approaches to understanding the complex relationships between spirituality and artistic creation. With its ISSN 1079-9265 and E-ISSN 1568-5292, the journal invites submissions that contribute to enriching this dynamic field, ensuring that a diverse range of voices and perspectives are represented. Although not an Open Access publication, the journal’s content continues to be pivotal for scholarly engagement and is essential reading for those dedicated to the study of art's profound connections with religious traditions.

The Australian and New Zealand Journal of Art, published by Taylor & Francis Ltd, stands as a critical platform for scholarly discourse in the fields of art, visual arts, and performing arts, contributing to the ongoing dialogue regarding contemporary artistic practices and methodologies across Australia and New Zealand. With an ISSN of 1443-4318 and an E-ISSN of 2203-1871, this journal invites submissions that strive for innovation and insightful critique, aiming to foster a deeper appreciation and understanding of diverse artistic expressions. Despite its classification in the fourth quartile under the Arts and Humanities categories, it continues to attract attention within its niche, as evidenced by its Scopus rankings, indicating its vital role in the academic landscape. The journal is committed to bridging the gap between research and practice, providing access to a wealth of interdisciplinary knowledge for researchers, professionals, and students alike.

Humanities-Basel is a prominent open-access journal published by MDPI, specializing in the multidisciplinary exploration of the humanities. Since its inception in 2012, the journal has provided a platform for scholars and researchers to disseminate their work, fostering a rich dialogue across diverse fields including literature, history, philosophy, and cultural studies. With its operational headquarters in Switzerland, Humanities-Basel has swiftly gained recognition, achieving a Scopus rank of #134 out of 171 in 2023, representing a percentile of 21. This indicates its growing influence among multidisciplinary journals, currently positioned in the Q3 category. The journal's commitment to open access promotes wider accessibility to academic research, encouraging collaboration and innovation in the humanities. As we advance towards 2024, Humanities-Basel aims to continue being a vital resource for researchers, professionals, and students eager to explore and contribute to the multifaceted landscape of human thought and cultural expression.

Zivot Umjetnosti, published by the INST POVIJEST UMJETNOSTI - INST ART HISTORY, is a notable Croatian journal that serves as a platform for scholarly discourse in the fields of visual arts, performing arts, and museology. With its inception in 2008, the journal has continued to provide a voice for researchers and practitioners alike, contributing significantly to ongoing conversations in the arts. Despite its current Q4 rank in both Visual Arts and Museology categories—placing it within the 21st and 17th percentiles, respectively—Zivot Umjetnosti is recognized for its commitment to advancing knowledge and fostering critical dialogue. The journal aims to bridge theoretical frameworks with practical applications, making it an invaluable resource for academics, curators, and students engaged in artistic research. While currently operating under traditional access options, Zivot Umjetnosti remains a fundamental publication for those wishing to explore and expand their understanding of the dynamic intersection of art and culture in Croatia and beyond.

Artnodes is a prominent academic journal published by UNIV OBERTA CATALUNYA, making significant contributions to the interdisciplinary fields of Arts and Humanities, Cultural Studies, and Computer Science. With an ISSN of 1695-5951 and an E-ISSN of 1695-5951, this Open Access journal has been accessible to the global community since 2002, encouraging the dissemination of innovative research and artistic exploration. Distributed from its headquarters in Barcelona, Spain, Artnodes has established itself as a vital resource, particularly in the domains categorized under Visual Arts, Performing Arts, and Literature, boasting a Q1 ranking in several areas for 2023. The journal is also noted for its impact in computer graphics and design, highlighting the integration of technology and art. With an impressive Scopus rank of #134 in Visual Arts and Performing Arts, this journal remains a critical forum for scholars and practitioners alike, facilitating dialogue and advancing knowledge across disciplines.

Grey Room is a distinguished peer-reviewed academic journal published by MIT Press, focusing on interdisciplinary discussions at the intersection of architecture, communication, sociology, political science, and the visual and performing arts. Established in 2002, the journal has carved out a critical space for exploring the links between built environments and cultural narratives, engaging a diverse readership of researchers, professionals, and students. With an impact factor reflecting its contribution to these fields, it is recognized for fostering innovative dialogue and scholarship. Although it operates without an open access model, Grey Room continues to thrive in the academic community, particularly as it moves towards converged years spanning from 2002 to 2024. The journal's categorization into various quartiles highlights its relevance and ongoing commitment to contemporary issues. Readers can expect thought-provoking articles that challenge conventional boundaries of practice and scholarship, making Grey Room an essential resource for those interested in the dynamic interplay of architecture and culture.

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico is a distinguished journal published by FIRENZE UNIV PRESS, dedicated to the exploration of aesthetics and its intersection with language, knowledge, and practices in the arts. Since its inception, the journal has embraced an Open Access model, facilitating widespread dissemination of research since 2008, appealing to a global audience and fostering an inclusive academic dialogue. With a focus spanning across Philosophy, Visual Arts, and Performing Arts, it has established itself as a significant contribution to the field, achieving a Q3 categorization in both Philosophy and Visual Arts and Performing Arts as of 2023. Ranked comfortably within the Scopus indexing, the journal currently sits at Rank #305 in Visual Arts and Performing Arts and Rank #475 in Philosophy, reflecting its growing influence. The converged years from 2017 to 2023 mark a period of robust scholarly engagement and innovative contributions. For researchers, professionals, and students alike, Aisthesis remains a vital resource for contemporary discourse in aesthetics and an essential platform for the exchange of ideas.

Technoetic Arts, an influential journal published by INTELLECT LTD, serves as a vital platform for interdisciplinary research at the intersection of the arts, philosophy, and technology. Established in 2003, this journal has evolved to encompass a diverse range of innovative topics, while focusing on the critical examination of art's future amid rapid technological advances. With an ISSN of 1477-965X and E-ISSN 1758-9533, it appeals to researchers, professionals, and students interested in explorations within the fields of Computer Science Applications, Human-Computer Interaction, Philosophy, and Visual Arts and Performing Arts. Although currently not open access, Technoetic Arts is recognized for its rigorous scholarship, as evidenced by its Scopus rankings—achieving the 75th percentile in Visual Arts and Performing Arts. The journal operates from its base in the United Kingdom, offering a unique lens through which contemporary techno-artistic dialogues are examined and promoted. As it aims for continuous improvement in academic merit and relevance, Technoetic Arts remains an essential resource for anyone looking to engage with the transformative power of technology in art.